| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.194 |
| Prevalence of Second Most Common Vertical Interval |
0.1845 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9514 |
| Vertical Unisons |
0.03978 |
| Vertical Minor Seconds |
0.004121 |
| Vertical Thirds |
0.3307 |
| Vertical Tritones |
0.01704 |
| Vertical Perfect Fourths |
0.09412 |
| Vertical Perfect Fifths |
0.194 |
| Vertical Sixths |
0.1492 |
| Vertical Sevenths |
0.01322 |
| Vertical Octaves |
0.1448 |
| Perfect Vertical Intervals |
0.4727 |
| Vertical Dissonance Ratio |
0.04985 |
| Vertical Minor Third Prevalence |
0.4575 |
| Vertical Major Third Prevalence |
0.5026 |
| Chord Duration |
2.114 |
| Partial Chords |
0.4125 |
| Standard Triads |
0.4614 |
| Diminished and Augmented Triads |
0.04448 |
| Dominant Seventh Chords |
0.002372 |
| Seventh Chords |
0.01305 |
| Non-Standard Chords |
0.113 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4018 |
| Average Number of Simultaneous Pitch Classes |
2.564 |
| Variability of Number of Simultaneous Pitch Classes |
0.5997 |
| Average Number of Simultaneous Pitches |
3.078 |
| Variability of Number of Simultaneous Pitches |
0.7373 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.173 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
160.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1657 |
| Stepwise Motion |
0.5718 |
| Melodic Thirds |
0.1838 |
| Melodic Perfect Fourths |
0.07862 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04751 |
| Melodic Sixths |
0.001131 |
| Melodic Sevenths |
0.001131 |
| Melodic Octaves |
0.01414 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.851 |
| Melodic Embellishments |
0.01862 |
| Direction of Melodic Motion |
0.4578 |
| Average Length of Melodic Arcs |
1.937 |
| Average Interval Spanned by Melodic Arcs |
5.398 |
| Melodic Pitch Variety |
5.133 |
| Mean Melodic Interval |
2.511 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4061 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4081 |
| Amount of Arpeggiation |
0.3484 |
| Repeated Notes |
0.1018 |
| Importance of Middle Register |
0.8538 |
| Importance of High Register |
0.02878 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.87 |
| Mean Pitch Class |
5.065 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1253 |
| Prevalence of Most Common Pitch Class |
0.2111 |
| Relative Prevalence of Top Pitches |
0.8514 |
| Relative Prevalence of Top Pitch Classes |
0.893 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.315 |
| Pitch Class Variability |
3.554 |
| Pitch Class Variability After Folding |
3.194 |
| Pitch Skewness |
-0.2941 |
| Pitch Class Skewness |
0.05477 |
| Pitch Class Skewness After Folding |
1.037 |
| Pitch Kurtosis |
5.547 |
| Pitch Class Kurtosis |
4.861 |
| Pitch Class Kurtosis After Folding |
7.191 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1174 |
| Note Density per Quarter Note |
1.018 |
| Note Density per Quarter Note per Voice |
0.2545 |
| Note Density per Quarter Note Variability |
0.4164 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009594 |
| Prevalence of Medium Rhythmic Values |
0.5265 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8572 |
| Prevalence of Very Long Rhythmic Values |
0.1005 |
| Prevalence of Dotted Notes |
0.1038 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.142 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3837 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8265 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.025 |
| Rhythmic Value Skewness |
1.691 |
| Rhythmic Value Kurtosis |
10.57 |
| Mean Rhythmic Value Run Length |
1.534 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.059 |
| Mean Rhythmic Value Offset |
0.02935 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.493 |
| Complete Rests Fraction |
0.0005696 |
| Partial Rests Fraction |
0.6215 |
| Average Rest Fraction Across Voices |
0.1931 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
100.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
13.19 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.87 |
| Variability Across Voices of Combined Rests |
301.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6088 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1972 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.088 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8059 |
| Rhythmic Variability - Tempo Standardized |
0.05224 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1772.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.646 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.755 |
| Variability of Note Durations |
0.5251 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2998 |
| Strength of Second Strongest Rhythmic Pulse |
0.2794 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.073 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5792 |
| Rhythmic Variability |
0.03849 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000000596 |
| Duration in Seconds |
414.5 |
| Note Density |
4.275 |
| Note Density Variability |
1.404 |
| Average Time Between Attacks |
0.4536 |
| Average Time Between Attacks for Each Voice |
1.093 |
| Variability of Time Between Attacks |
0.2577 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6471 |
| Relative Range Isolation of Loudest Voice |
0.3094 |
| Relative Range of Highest Line |
0.6471 |
| Relative Note Density of Highest Line |
0.1512 |
| Relative Note Durations of Lowest Line |
1.476 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9046 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06246 |
| Average Number of Independent Voices |
3.229 |
| Similar Motion |
0.1634 |
| Contrary Motion |
0.1826 |
| Oblique Motion |
0.5916 |
| Parallel Fifths |
0.007207 |
| Parallel Octaves |
0.003604 |
| Variability of Number of Independent Voices |
0.6954 |
| Voice Equality - Number of Notes |
160.0 |
| Voice Equality - Note Duration |
71.73 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
11.67 |