| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2204 |
| Prevalence of Second Most Common Vertical Interval |
0.192 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.871 |
| Vertical Unisons |
0.02911 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3053 |
| Vertical Tritones |
0.0212 |
| Vertical Perfect Fourths |
0.08979 |
| Vertical Perfect Fifths |
0.2204 |
| Vertical Sixths |
0.1561 |
| Vertical Sevenths |
0.03038 |
| Vertical Octaves |
0.1345 |
| Perfect Vertical Intervals |
0.4738 |
| Vertical Dissonance Ratio |
0.06936 |
| Vertical Minor Third Prevalence |
0.4688 |
| Vertical Major Third Prevalence |
0.2812 |
| Chord Duration |
1.951 |
| Partial Chords |
0.4647 |
| Standard Triads |
0.3773 |
| Diminished and Augmented Triads |
0.04833 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.158 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.051 |
| Average Number of Simultaneous Pitch Classes |
2.434 |
| Variability of Number of Simultaneous Pitch Classes |
0.6145 |
| Average Number of Simultaneous Pitches |
2.781 |
| Variability of Number of Simultaneous Pitches |
0.4379 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.452 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
68.59 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.169 |
| Stepwise Motion |
0.5828 |
| Melodic Thirds |
0.1897 |
| Melodic Perfect Fourths |
0.07241 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03793 |
| Melodic Sixths |
0.003448 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01724 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.619 |
| Melodic Embellishments |
0.02389 |
| Direction of Melodic Motion |
0.4695 |
| Average Length of Melodic Arcs |
2.063 |
| Average Interval Spanned by Melodic Arcs |
5.677 |
| Melodic Pitch Variety |
5.105 |
| Mean Melodic Interval |
2.503 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4138 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4083 |
| Amount of Arpeggiation |
0.3414 |
| Repeated Notes |
0.09655 |
| Importance of Middle Register |
0.7235 |
| Importance of High Register |
0.003413 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.34 |
| Mean Pitch Class |
5.188 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1331 |
| Prevalence of Most Common Pitch Class |
0.2116 |
| Relative Prevalence of Top Pitches |
0.7692 |
| Relative Prevalence of Top Pitch Classes |
0.8871 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.546 |
| Pitch Class Variability |
3.42 |
| Pitch Class Variability After Folding |
3.583 |
| Pitch Skewness |
-0.07351 |
| Pitch Class Skewness |
0.1647 |
| Pitch Class Skewness After Folding |
0.7002 |
| Pitch Kurtosis |
5.275 |
| Pitch Class Kurtosis |
4.828 |
| Pitch Class Kurtosis After Folding |
6.03 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.273 |
| Note Density per Quarter Note |
1.014 |
| Note Density per Quarter Note per Voice |
0.338 |
| Note Density per Quarter Note Variability |
0.3182 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006826 |
| Prevalence of Medium Rhythmic Values |
0.5836 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.901 |
| Prevalence of Very Long Rhythmic Values |
0.04437 |
| Prevalence of Dotted Notes |
0.0785 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.812 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4846 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6408 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.419 |
| Rhythmic Value Skewness |
1.717 |
| Rhythmic Value Kurtosis |
8.978 |
| Mean Rhythmic Value Run Length |
1.646 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.379 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003431 |
| Partial Rests Fraction |
0.1418 |
| Average Rest Fraction Across Voices |
0.04957 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.046 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.7418 |
| Variability Across Voices of Combined Rests |
5.033 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7201 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1464 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.918 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8665 |
| Rhythmic Variability - Tempo Standardized |
0.05864 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
293.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3694 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
1.905 |
| Average Note Duration |
0.6696 |
| Variability of Note Durations |
0.3379 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3126 |
| Strength of Second Strongest Rhythmic Pulse |
0.2987 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.047 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6113 |
| Rhythmic Variability |
0.04048 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001053 |
| Duration in Seconds |
68.81 |
| Note Density |
4.258 |
| Note Density Variability |
0.7464 |
| Average Time Between Attacks |
0.4309 |
| Average Time Between Attacks for Each Voice |
0.6905 |
| Variability of Time Between Attacks |
0.1545 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.4796 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.6655 |
| Relative Note Durations of Lowest Line |
0.9445 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.8396 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
7.071 |
| Parallel Motion |
0.05306 |
| Average Number of Independent Voices |
2.861 |
| Similar Motion |
0.1429 |
| Contrary Motion |
0.2204 |
| Oblique Motion |
0.5837 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3458 |
| Voice Equality - Number of Notes |
7.506 |
| Voice Equality - Note Duration |
1.198 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
20.0 |