| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1775 |
| Prevalence of Second Most Common Vertical Interval |
0.1676 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9446 |
| Vertical Unisons |
0.01915 |
| Vertical Minor Seconds |
0.001075 |
| Vertical Thirds |
0.3027 |
| Vertical Tritones |
0.02232 |
| Vertical Perfect Fourths |
0.09948 |
| Vertical Perfect Fifths |
0.1775 |
| Vertical Sixths |
0.1802 |
| Vertical Sevenths |
0.03617 |
| Vertical Octaves |
0.1485 |
| Perfect Vertical Intervals |
0.4446 |
| Vertical Dissonance Ratio |
0.07816 |
| Vertical Minor Third Prevalence |
0.386 |
| Vertical Major Third Prevalence |
0.3529 |
| Chord Duration |
2.771 |
| Partial Chords |
0.5353 |
| Standard Triads |
0.2962 |
| Diminished and Augmented Triads |
0.05714 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1684 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.644 |
| Average Number of Simultaneous Pitch Classes |
2.432 |
| Variability of Number of Simultaneous Pitch Classes |
0.5381 |
| Average Number of Simultaneous Pitches |
2.84 |
| Variability of Number of Simultaneous Pitches |
0.3748 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.56 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.59 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1978 |
| Stepwise Motion |
0.6119 |
| Melodic Thirds |
0.1866 |
| Melodic Perfect Fourths |
0.07649 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04478 |
| Melodic Sixths |
0.001866 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01119 |
| Melodic Large Intervals |
0.001866 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.632 |
| Melodic Embellishments |
0.02412 |
| Direction of Melodic Motion |
0.4611 |
| Average Length of Melodic Arcs |
1.849 |
| Average Interval Spanned by Melodic Arcs |
4.985 |
| Melodic Pitch Variety |
5.041 |
| Mean Melodic Interval |
2.534 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4142 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4775 |
| Amount of Arpeggiation |
0.3097 |
| Repeated Notes |
0.0653 |
| Importance of Middle Register |
0.8479 |
| Importance of High Register |
0.1206 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.56 |
| Mean Pitch Class |
5.085 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1113 |
| Prevalence of Most Common Pitch Class |
0.1818 |
| Relative Prevalence of Top Pitches |
0.8333 |
| Relative Prevalence of Top Pitch Classes |
0.898 |
| Interval Between Most Prevalent Pitches |
9.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.407 |
| Pitch Class Variability |
3.489 |
| Pitch Class Variability After Folding |
3.902 |
| Pitch Skewness |
-0.09556 |
| Pitch Class Skewness |
0.07338 |
| Pitch Class Skewness After Folding |
0.7559 |
| Pitch Kurtosis |
5.154 |
| Pitch Class Kurtosis |
4.762 |
| Pitch Class Kurtosis After Folding |
5.311 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.03154 |
| Note Density per Quarter Note |
0.7915 |
| Note Density per Quarter Note per Voice |
0.2638 |
| Note Density per Quarter Note Variability |
0.3921 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003711 |
| Prevalence of Medium Rhythmic Values |
0.4527 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9184 |
| Prevalence of Very Long Rhythmic Values |
0.18 |
| Prevalence of Dotted Notes |
0.1224 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.651 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3711 |
| Relative Prevalence of Most Common Rhythmic Values |
0.875 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.304 |
| Rhythmic Value Skewness |
-0.4542 |
| Rhythmic Value Kurtosis |
8.186 |
| Mean Rhythmic Value Run Length |
1.604 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.074 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.001274 |
| Partial Rests Fraction |
0.1085 |
| Average Rest Fraction Across Voices |
0.03701 |
| Longest Complete Rest |
0.8679 |
| Longest Partial Rest |
7.001 |
| Mean Complete Rest Duration |
0.8679 |
| Mean Partial Rest Duration |
3.151 |
| Median Complete Rest Duration |
0.8679 |
| Median Partial Rest Duration |
3.501 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.606 |
| Variability Across Voices of Combined Rests |
13.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7238 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1354 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.344 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8593 |
| Rhythmic Variability - Tempo Standardized |
0.05884 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
539.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5264 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.8021 |
| Variability of Note Durations |
0.4801 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
276.1 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3467 |
| Strength of Second Strongest Rhythmic Pulse |
0.281 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.234 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6276 |
| Rhythmic Variability |
0.04096 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.4 |
| Duration in Seconds |
149.6 |
| Note Density |
3.602 |
| Note Density Variability |
1.019 |
| Average Time Between Attacks |
0.5321 |
| Average Time Between Attacks for Each Voice |
0.8283 |
| Variability of Time Between Attacks |
0.3145 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.7308 |
| Relative Range Isolation of Loudest Voice |
0.3385 |
| Relative Range of Highest Line |
0.7308 |
| Relative Note Density of Highest Line |
0.3952 |
| Relative Note Durations of Lowest Line |
0.9977 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.8794 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
7.071 |
| Parallel Motion |
0.06011 |
| Average Number of Independent Voices |
2.894 |
| Similar Motion |
0.1785 |
| Contrary Motion |
0.2058 |
| Oblique Motion |
0.5556 |
| Parallel Fifths |
0.01093 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3077 |
| Voice Equality - Number of Notes |
11.59 |
| Voice Equality - Note Duration |
2.988 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
12.5 |