| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.223 |
| Prevalence of Second Most Common Vertical Interval |
0.1845 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8274 |
| Vertical Unisons |
0.007162 |
| Vertical Minor Seconds |
0.003581 |
| Vertical Thirds |
0.3286 |
| Vertical Tritones |
0.005862 |
| Vertical Perfect Fourths |
0.07064 |
| Vertical Perfect Fifths |
0.223 |
| Vertical Sixths |
0.1379 |
| Vertical Sevenths |
0.02894 |
| Vertical Octaves |
0.1763 |
| Perfect Vertical Intervals |
0.4771 |
| Vertical Dissonance Ratio |
0.05979 |
| Vertical Minor Third Prevalence |
0.3711 |
| Vertical Major Third Prevalence |
0.3145 |
| Chord Duration |
2.837 |
| Partial Chords |
0.5498 |
| Standard Triads |
0.3278 |
| Diminished and Augmented Triads |
0.01233 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1225 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.022 |
| Average Number of Simultaneous Pitch Classes |
2.294 |
| Variability of Number of Simultaneous Pitch Classes |
0.6504 |
| Average Number of Simultaneous Pitches |
2.679 |
| Variability of Number of Simultaneous Pitches |
0.5416 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.223 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
19.22 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2007 |
| Stepwise Motion |
0.6401 |
| Melodic Thirds |
0.1522 |
| Melodic Perfect Fourths |
0.06228 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05882 |
| Melodic Sixths |
0.00692 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02422 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.143 |
| Melodic Embellishments |
0.0137 |
| Direction of Melodic Motion |
0.4689 |
| Average Length of Melodic Arcs |
1.857 |
| Average Interval Spanned by Melodic Arcs |
5.082 |
| Melodic Pitch Variety |
5.563 |
| Mean Melodic Interval |
2.654 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4394 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4567 |
| Amount of Arpeggiation |
0.2907 |
| Repeated Notes |
0.05536 |
| Importance of Middle Register |
0.75 |
| Importance of High Register |
0.02397 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.67 |
| Mean Pitch Class |
5.356 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1199 |
| Prevalence of Most Common Pitch Class |
0.2123 |
| Relative Prevalence of Top Pitches |
0.8286 |
| Relative Prevalence of Top Pitch Classes |
0.9032 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.891 |
| Pitch Class Variability |
3.334 |
| Pitch Class Variability After Folding |
3.287 |
| Pitch Skewness |
0.04175 |
| Pitch Class Skewness |
0.3205 |
| Pitch Class Skewness After Folding |
0.8002 |
| Pitch Kurtosis |
5.27 |
| Pitch Class Kurtosis |
4.846 |
| Pitch Class Kurtosis After Folding |
6.415 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.226 |
| Note Density per Quarter Note |
0.6871 |
| Note Density per Quarter Note per Voice |
0.229 |
| Note Density per Quarter Note Variability |
0.3311 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3288 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9281 |
| Prevalence of Very Long Rhythmic Values |
0.2158 |
| Prevalence of Dotted Notes |
0.2363 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.947 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.339 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7576 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.169 |
| Rhythmic Value Skewness |
-0.07342 |
| Rhythmic Value Kurtosis |
6.587 |
| Mean Rhythmic Value Run Length |
1.678 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.053 |
| Mean Rhythmic Value Offset |
0.08619 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3562 |
| Complete Rests Fraction |
0.002333 |
| Partial Rests Fraction |
0.2674 |
| Average Rest Fraction Across Voices |
0.1033 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.744 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.134 |
| Variability Across Voices of Combined Rests |
18.07 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.333 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5507 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2413 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.282 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.792 |
| Rhythmic Variability - Tempo Standardized |
0.04817 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
292.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6304 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.753 |
| Variability of Note Durations |
0.4431 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3641 |
| Strength of Second Strongest Rhythmic Pulse |
0.2104 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.731 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5745 |
| Rhythmic Variability |
0.03715 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003855 |
| Duration in Seconds |
81.73 |
| Note Density |
3.573 |
| Note Density Variability |
1.063 |
| Average Time Between Attacks |
0.5112 |
| Average Time Between Attacks for Each Voice |
0.8136 |
| Variability of Time Between Attacks |
0.2662 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5339 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.6781 |
| Relative Note Durations of Lowest Line |
1.026 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.75 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.243 |
| Parallel Motion |
0.04727 |
| Average Number of Independent Voices |
2.697 |
| Similar Motion |
0.1782 |
| Contrary Motion |
0.2764 |
| Oblique Motion |
0.4982 |
| Parallel Fifths |
0.003636 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5356 |
| Voice Equality - Number of Notes |
19.22 |
| Voice Equality - Note Duration |
3.474 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
12.5 |