| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1979 |
| Prevalence of Second Most Common Vertical Interval |
0.1866 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.943 |
| Vertical Unisons |
0.03512 |
| Vertical Minor Seconds |
0.002825 |
| Vertical Thirds |
0.33 |
| Vertical Tritones |
0.01475 |
| Vertical Perfect Fourths |
0.08106 |
| Vertical Perfect Fifths |
0.1674 |
| Vertical Sixths |
0.1713 |
| Vertical Sevenths |
0.02056 |
| Vertical Octaves |
0.1628 |
| Perfect Vertical Intervals |
0.4463 |
| Vertical Dissonance Ratio |
0.05521 |
| Vertical Minor Third Prevalence |
0.507 |
| Vertical Major Third Prevalence |
0.3862 |
| Chord Duration |
1.91 |
| Partial Chords |
0.482 |
| Standard Triads |
0.3971 |
| Diminished and Augmented Triads |
0.02977 |
| Dominant Seventh Chords |
0.00387 |
| Seventh Chords |
0.02709 |
| Non-Standard Chords |
0.09378 |
| Complex Chords |
0.005656 |
| Minor Major Triad Ratio |
1.522 |
| Average Number of Simultaneous Pitch Classes |
2.416 |
| Variability of Number of Simultaneous Pitch Classes |
0.7472 |
| Average Number of Simultaneous Pitches |
2.966 |
| Variability of Number of Simultaneous Pitches |
1.07 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.724 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
146.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2184 |
| Stepwise Motion |
0.6558 |
| Melodic Thirds |
0.1321 |
| Melodic Perfect Fourths |
0.05705 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04291 |
| Melodic Sixths |
0.0004876 |
| Melodic Sevenths |
0.00195 |
| Melodic Octaves |
0.004388 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.519 |
| Melodic Embellishments |
0.01848 |
| Direction of Melodic Motion |
0.4649 |
| Average Length of Melodic Arcs |
1.842 |
| Average Interval Spanned by Melodic Arcs |
4.491 |
| Melodic Pitch Variety |
4.819 |
| Mean Melodic Interval |
2.189 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4373 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4994 |
| Amount of Arpeggiation |
0.2867 |
| Repeated Notes |
0.1053 |
| Importance of Middle Register |
0.659 |
| Importance of High Register |
0.0107 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.8 |
| Mean Pitch Class |
5.338 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1021 |
| Prevalence of Most Common Pitch Class |
0.1946 |
| Relative Prevalence of Top Pitches |
0.8 |
| Relative Prevalence of Top Pitch Classes |
0.8575 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.346 |
| Pitch Class Variability |
3.552 |
| Pitch Class Variability After Folding |
3.177 |
| Pitch Skewness |
0.1031 |
| Pitch Class Skewness |
0.2855 |
| Pitch Class Skewness After Folding |
0.5736 |
| Pitch Kurtosis |
5.185 |
| Pitch Class Kurtosis |
4.772 |
| Pitch Class Kurtosis After Folding |
6.853 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3303 |
| Note Density per Quarter Note |
1.098 |
| Note Density per Quarter Note per Voice |
0.2195 |
| Note Density per Quarter Note Variability |
0.5779 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02675 |
| Prevalence of Medium Rhythmic Values |
0.5525 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7879 |
| Prevalence of Very Long Rhythmic Values |
0.06177 |
| Prevalence of Dotted Notes |
0.1051 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.804 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3405 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8914 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.696 |
| Rhythmic Value Skewness |
1.423 |
| Rhythmic Value Kurtosis |
9.27 |
| Mean Rhythmic Value Run Length |
1.665 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.183 |
| Mean Rhythmic Value Offset |
0.01556 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4497 |
| Complete Rests Fraction |
0.002665 |
| Partial Rests Fraction |
0.8302 |
| Average Rest Fraction Across Voices |
0.3809 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
256.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
21.62 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
37.21 |
| Variability Across Voices of Combined Rests |
231.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5626 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2092 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.689 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7718 |
| Rhythmic Variability - Tempo Standardized |
0.04977 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2056.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.146 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6714 |
| Variability of Note Durations |
0.4367 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.287 |
| Strength of Second Strongest Rhythmic Pulse |
0.2567 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.118 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5437 |
| Rhythmic Variability |
0.03704 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.0000000006058 |
| Duration in Seconds |
445.9 |
| Note Density |
4.61 |
| Note Density Variability |
1.833 |
| Average Time Between Attacks |
0.4171 |
| Average Time Between Attacks for Each Voice |
1.217 |
| Variability of Time Between Attacks |
0.2366 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.3208 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.1654 |
| Relative Note Durations of Lowest Line |
0.9539 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.8735 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
1.893 |
| Parallel Motion |
0.04784 |
| Average Number of Independent Voices |
3.104 |
| Similar Motion |
0.1581 |
| Contrary Motion |
0.1804 |
| Oblique Motion |
0.6136 |
| Parallel Fifths |
0.00364 |
| Parallel Octaves |
0.00416 |
| Variability of Number of Independent Voices |
1.157 |
| Voice Equality - Number of Notes |
131.6 |
| Voice Equality - Note Duration |
55.22 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.304 |
| Importance of Loudest Voice |
13.75 |