| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2283 |
| Prevalence of Second Most Common Vertical Interval |
0.2006 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8785 |
| Vertical Unisons |
0.07027 |
| Vertical Minor Seconds |
0.002802 |
| Vertical Thirds |
0.242 |
| Vertical Tritones |
0.01472 |
| Vertical Perfect Fourths |
0.1291 |
| Vertical Perfect Fifths |
0.2006 |
| Vertical Sixths |
0.1385 |
| Vertical Sevenths |
0.01792 |
| Vertical Octaves |
0.1581 |
| Perfect Vertical Intervals |
0.558 |
| Vertical Dissonance Ratio |
0.06552 |
| Vertical Minor Third Prevalence |
0.3615 |
| Vertical Major Third Prevalence |
0.489 |
| Chord Duration |
2.185 |
| Partial Chords |
0.3383 |
| Standard Triads |
0.4826 |
| Diminished and Augmented Triads |
0.02985 |
| Dominant Seventh Chords |
0.007463 |
| Seventh Chords |
0.0199 |
| Non-Standard Chords |
0.1592 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6371 |
| Average Number of Simultaneous Pitch Classes |
2.675 |
| Variability of Number of Simultaneous Pitch Classes |
0.5698 |
| Average Number of Simultaneous Pitches |
3.333 |
| Variability of Number of Simultaneous Pitches |
0.5872 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.862 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
28.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.162 |
| Stepwise Motion |
0.5486 |
| Melodic Thirds |
0.1852 |
| Melodic Perfect Fourths |
0.1088 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0463 |
| Melodic Sixths |
0.002315 |
| Melodic Sevenths |
0.002315 |
| Melodic Octaves |
0.006944 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.581 |
| Melodic Embellishments |
0.01835 |
| Direction of Melodic Motion |
0.4627 |
| Average Length of Melodic Arcs |
1.898 |
| Average Interval Spanned by Melodic Arcs |
5.302 |
| Melodic Pitch Variety |
5.174 |
| Mean Melodic Interval |
2.556 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3866 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4192 |
| Amount of Arpeggiation |
0.3403 |
| Repeated Notes |
0.09954 |
| Importance of Middle Register |
0.8693 |
| Importance of High Register |
0.02752 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.26 |
| Mean Pitch Class |
5.388 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1307 |
| Prevalence of Most Common Pitch Class |
0.2362 |
| Relative Prevalence of Top Pitches |
0.9298 |
| Relative Prevalence of Top Pitch Classes |
0.7961 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.239 |
| Pitch Class Variability |
3.374 |
| Pitch Class Variability After Folding |
3.226 |
| Pitch Skewness |
-0.06507 |
| Pitch Class Skewness |
0.3447 |
| Pitch Class Skewness After Folding |
1.218 |
| Pitch Kurtosis |
5.361 |
| Pitch Class Kurtosis |
4.989 |
| Pitch Class Kurtosis After Folding |
7.067 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1032 |
| Note Density per Quarter Note |
1.066 |
| Note Density per Quarter Note per Voice |
0.2665 |
| Note Density per Quarter Note Variability |
0.5008 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01376 |
| Prevalence of Medium Rhythmic Values |
0.4862 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8647 |
| Prevalence of Very Long Rhythmic Values |
0.1376 |
| Prevalence of Dotted Notes |
0.1353 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.44 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3509 |
| Relative Prevalence of Most Common Rhythmic Values |
0.915 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.421 |
| Rhythmic Value Skewness |
0.5457 |
| Rhythmic Value Kurtosis |
9.838 |
| Mean Rhythmic Value Run Length |
1.463 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9536 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002425 |
| Partial Rests Fraction |
0.3007 |
| Average Rest Fraction Across Voices |
0.08311 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
36.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.439 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.595 |
| Variability Across Voices of Combined Rests |
30.53 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5905 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.207 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.852 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7975 |
| Rhythmic Variability - Tempo Standardized |
0.05119 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
436.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7978 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.8191 |
| Variability of Note Durations |
0.5765 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3007 |
| Strength of Second Strongest Rhythmic Pulse |
0.2727 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.103 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5734 |
| Rhythmic Variability |
0.03817 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001414 |
| Duration in Seconds |
97.38 |
| Note Density |
4.477 |
| Note Density Variability |
1.468 |
| Average Time Between Attacks |
0.4625 |
| Average Time Between Attacks for Each Voice |
0.9244 |
| Variability of Time Between Attacks |
0.353 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6897 |
| Relative Range Isolation of Loudest Voice |
0.3286 |
| Relative Range of Highest Line |
0.6897 |
| Relative Note Density of Highest Line |
0.6147 |
| Relative Note Durations of Lowest Line |
1.041 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.883 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.0554 |
| Average Number of Independent Voices |
3.676 |
| Similar Motion |
0.1274 |
| Contrary Motion |
0.1219 |
| Oblique Motion |
0.6953 |
| Parallel Fifths |
0.00554 |
| Parallel Octaves |
0.00277 |
| Variability of Number of Independent Voices |
0.5176 |
| Voice Equality - Number of Notes |
28.02 |
| Voice Equality - Note Duration |
7.269 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.202 |
| Importance of Loudest Voice |
11.67 |