| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1995 |
| Prevalence of Second Most Common Vertical Interval |
0.1777 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8907 |
| Vertical Unisons |
0.03798 |
| Vertical Minor Seconds |
0.00211 |
| Vertical Thirds |
0.3179 |
| Vertical Tritones |
0.01466 |
| Vertical Perfect Fourths |
0.09032 |
| Vertical Perfect Fifths |
0.1777 |
| Vertical Sixths |
0.1727 |
| Vertical Sevenths |
0.01437 |
| Vertical Octaves |
0.1615 |
| Perfect Vertical Intervals |
0.4675 |
| Vertical Dissonance Ratio |
0.04365 |
| Vertical Minor Third Prevalence |
0.3823 |
| Vertical Major Third Prevalence |
0.3813 |
| Chord Duration |
2.454 |
| Partial Chords |
0.5248 |
| Standard Triads |
0.3883 |
| Diminished and Augmented Triads |
0.0374 |
| Dominant Seventh Chords |
0.0033 |
| Seventh Chords |
0.0176 |
| Non-Standard Chords |
0.06931 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5348 |
| Average Number of Simultaneous Pitch Classes |
2.328 |
| Variability of Number of Simultaneous Pitch Classes |
0.7061 |
| Average Number of Simultaneous Pitches |
2.82 |
| Variability of Number of Simultaneous Pitches |
0.9891 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.421 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
134.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1936 |
| Stepwise Motion |
0.6532 |
| Melodic Thirds |
0.1716 |
| Melodic Perfect Fourths |
0.07721 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03922 |
| Melodic Sixths |
0.002451 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004902 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.295 |
| Melodic Embellishments |
0.02317 |
| Direction of Melodic Motion |
0.4793 |
| Average Length of Melodic Arcs |
1.843 |
| Average Interval Spanned by Melodic Arcs |
4.712 |
| Melodic Pitch Variety |
5.219 |
| Mean Melodic Interval |
2.442 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4596 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4213 |
| Amount of Arpeggiation |
0.2672 |
| Repeated Notes |
0.05147 |
| Importance of Middle Register |
0.8415 |
| Importance of High Register |
0.0122 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.61 |
| Mean Pitch Class |
5.178 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1171 |
| Prevalence of Most Common Pitch Class |
0.1878 |
| Relative Prevalence of Top Pitches |
0.9167 |
| Relative Prevalence of Top Pitch Classes |
0.9481 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.497 |
| Pitch Class Variability |
3.61 |
| Pitch Class Variability After Folding |
3.181 |
| Pitch Skewness |
-0.4043 |
| Pitch Class Skewness |
0.148 |
| Pitch Class Skewness After Folding |
1.134 |
| Pitch Kurtosis |
5.583 |
| Pitch Class Kurtosis |
4.831 |
| Pitch Class Kurtosis After Folding |
7.174 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1463 |
| Note Density per Quarter Note |
0.7969 |
| Note Density per Quarter Note per Voice |
0.1992 |
| Note Density per Quarter Note Variability |
0.4072 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4524 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.911 |
| Prevalence of Very Long Rhythmic Values |
0.15 |
| Prevalence of Dotted Notes |
0.1049 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.612 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3634 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9631 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.357 |
| Rhythmic Value Skewness |
-0.4937 |
| Rhythmic Value Kurtosis |
8.921 |
| Mean Rhythmic Value Run Length |
1.536 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.181 |
| Mean Rhythmic Value Offset |
0.08293 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8911 |
| Complete Rests Fraction |
0.0008281 |
| Partial Rests Fraction |
0.5786 |
| Average Rest Fraction Across Voices |
0.2775 |
| Longest Complete Rest |
0.8521 |
| Longest Partial Rest |
370.2 |
| Mean Complete Rest Duration |
0.8521 |
| Mean Partial Rest Duration |
21.55 |
| Median Complete Rest Duration |
0.8521 |
| Median Partial Rest Duration |
3.437 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
73.73 |
| Variability Across Voices of Combined Rests |
263.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7363 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1387 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.31 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.875 |
| Rhythmic Variability - Tempo Standardized |
0.05973 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
820.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.407 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.8117 |
| Variability of Note Durations |
0.6249 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
270.7 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3411 |
| Strength of Second Strongest Rhythmic Pulse |
0.3005 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.135 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6416 |
| Rhythmic Variability |
0.04152 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.8 |
| Duration in Seconds |
230.3 |
| Note Density |
3.561 |
| Note Density Variability |
1.76 |
| Average Time Between Attacks |
0.4983 |
| Average Time Between Attacks for Each Voice |
1.326 |
| Variability of Time Between Attacks |
0.3067 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.2212 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.3268 |
| Relative Note Durations of Lowest Line |
1.145 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8671 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.04868 |
| Average Number of Independent Voices |
2.947 |
| Similar Motion |
0.1725 |
| Contrary Motion |
0.1711 |
| Oblique Motion |
0.6078 |
| Parallel Fifths |
0.004172 |
| Parallel Octaves |
0.004172 |
| Variability of Number of Independent Voices |
1.011 |
| Voice Equality - Number of Notes |
113.1 |
| Voice Equality - Note Duration |
58.88 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
15.0 |