Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.222 |
Prevalence of Second Most Common Vertical Interval |
0.1767 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.7958 |
Vertical Unisons |
0.07068 |
Vertical Minor Seconds |
0.002534 |
Vertical Thirds |
0.324 |
Vertical Tritones |
0.01734 |
Vertical Perfect Fourths |
0.06997 |
Vertical Perfect Fifths |
0.1767 |
Vertical Sixths |
0.1499 |
Vertical Sevenths |
0.0165 |
Vertical Octaves |
0.1513 |
Perfect Vertical Intervals |
0.4687 |
Vertical Dissonance Ratio |
0.06086 |
Vertical Minor Third Prevalence |
0.3191 |
Vertical Major Third Prevalence |
0.3482 |
Chord Duration |
1.981 |
Partial Chords |
0.6169 |
Standard Triads |
0.2848 |
Diminished and Augmented Triads |
0.02733 |
Dominant Seventh Chords |
0.002102 |
Seventh Chords |
0.01366 |
Non-Standard Chords |
0.0846 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.8373 |
Average Number of Simultaneous Pitch Classes |
2.218 |
Variability of Number of Simultaneous Pitch Classes |
0.695 |
Average Number of Simultaneous Pitches |
2.623 |
Variability of Number of Simultaneous Pitches |
0.8828 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
5.0 |
Variation of Dynamics |
2.439 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
169.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
2.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2043 |
Stepwise Motion |
0.6982 |
Melodic Thirds |
0.1699 |
Melodic Perfect Fourths |
0.05757 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03435 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.004643 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.905 |
Melodic Embellishments |
0.0333 |
Direction of Melodic Motion |
0.4812 |
Average Length of Melodic Arcs |
1.899 |
Average Interval Spanned by Melodic Arcs |
4.596 |
Melodic Pitch Variety |
4.964 |
Mean Melodic Interval |
2.344 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.494 |
Relative Prevalence of Most Common Melodic Intervals |
0.4135 |
Amount of Arpeggiation |
0.2442 |
Repeated Notes |
0.03528 |
Importance of Middle Register |
0.8437 |
Importance of High Register |
0.002775 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
60.11 |
Mean Pitch Class |
5.15 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1156 |
Prevalence of Most Common Pitch Class |
0.1693 |
Relative Prevalence of Top Pitches |
0.92 |
Relative Prevalence of Top Pitch Classes |
0.9617 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
5.898 |
Pitch Class Variability |
3.375 |
Pitch Class Variability After Folding |
4.112 |
Pitch Skewness |
0.2254 |
Pitch Class Skewness |
0.1332 |
Pitch Class Skewness After Folding |
0.957 |
Pitch Kurtosis |
5.423 |
Pitch Class Kurtosis |
4.838 |
Pitch Class Kurtosis After Folding |
4.864 |
Major or Minor |
0.0 |
First Pitch |
65.0 |
First Pitch Class |
5.0 |
Last Pitch |
53.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
28.0 |
Importance of Bass Register |
0.1536 |
Note Density per Quarter Note |
0.9818 |
Note Density per Quarter Note per Voice |
0.2455 |
Note Density per Quarter Note Variability |
0.5142 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.03793 |
Prevalence of Medium Rhythmic Values |
0.556 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8585 |
Prevalence of Very Long Rhythmic Values |
0.05735 |
Prevalence of Dotted Notes |
0.1073 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.873 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4144 |
Relative Prevalence of Most Common Rhythmic Values |
0.7433 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.717 |
Rhythmic Value Skewness |
1.526 |
Rhythmic Value Kurtosis |
12.65 |
Mean Rhythmic Value Run Length |
1.65 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.223 |
Mean Rhythmic Value Offset |
0.0037 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1217 |
Complete Rests Fraction |
0.0009007 |
Partial Rests Fraction |
0.6639 |
Average Rest Fraction Across Voices |
0.2938 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
416.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
15.97 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
60.64 |
Variability Across Voices of Combined Rests |
170.4 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6519 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1725 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.78 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8243 |
Rhythmic Variability - Tempo Standardized |
0.05436 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1081.0 |
Initial Tempo |
252.0 |
Average Variability of Time Between Attacks for Each Voice |
3.711 |
Minimum Note Duration |
0.119 |
Maximum Note Duration |
3.81 |
Average Note Duration |
0.685 |
Variability of Note Durations |
0.4145 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
5.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
252.0 |
Strongest Rhythmic Pulse |
63.0 |
Second Strongest Rhythmic Pulse |
42.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.3013 |
Strength of Second Strongest Rhythmic Pulse |
0.2829 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.065 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5842 |
Rhythmic Variability |
0.03866 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0000000005148 |
Duration in Seconds |
262.1 |
Note Density |
4.124 |
Note Density Variability |
1.706 |
Average Time Between Attacks |
0.4509 |
Average Time Between Attacks for Each Voice |
0.974 |
Variability of Time Between Attacks |
0.2536 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5714 |
Relative Range Isolation of Loudest Voice |
0.1467 |
Relative Range of Highest Line |
0.5714 |
Relative Note Density of Highest Line |
0.2442 |
Relative Note Durations of Lowest Line |
1.042 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.9426 |
Voice Separation |
4.667 |
Variability of Voice Separation |
2.309 |
Parallel Motion |
0.04506 |
Average Number of Independent Voices |
2.827 |
Similar Motion |
0.1252 |
Contrary Motion |
0.2128 |
Oblique Motion |
0.617 |
Parallel Fifths |
0.003755 |
Parallel Octaves |
0.002503 |
Variability of Number of Independent Voices |
0.9445 |
Voice Equality - Number of Notes |
75.68 |
Voice Equality - Note Duration |
40.57 |
Voice Equality - Dynamics |
2.887 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.986 |
Importance of Loudest Voice |
3.333 |