File

Last modified on: April 20, 2024, 1:51 a.m.

Ock1011e-Missa_Prolationum-Agnus.mid


Source
RenComp7
Musical Work
Missa Prolationum
Section
Agnus
File Type
Symbolic Music
File Format
.mid
File Size
10.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.222
Prevalence of Second Most Common Vertical Interval 0.1767
Prevalence Ratio of Two Most Common Vertical Intervals 0.7958
Vertical Unisons 0.07068
Vertical Minor Seconds 0.002534
Vertical Thirds 0.324
Vertical Tritones 0.01734
Vertical Perfect Fourths 0.06997
Vertical Perfect Fifths 0.1767
Vertical Sixths 0.1499
Vertical Sevenths 0.0165
Vertical Octaves 0.1513
Perfect Vertical Intervals 0.4687
Vertical Dissonance Ratio 0.06086
Vertical Minor Third Prevalence 0.3191
Vertical Major Third Prevalence 0.3482
Chord Duration 1.981
Partial Chords 0.6169
Standard Triads 0.2848
Diminished and Augmented Triads 0.02733
Dominant Seventh Chords 0.002102
Seventh Chords 0.01366
Non-Standard Chords 0.0846
Complex Chords 0.0
Minor Major Triad Ratio 0.8373
Average Number of Simultaneous Pitch Classes 2.218
Variability of Number of Simultaneous Pitch Classes 0.695
Average Number of Simultaneous Pitches 2.623
Variability of Number of Simultaneous Pitches 0.8828
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 5.0
Variation of Dynamics 2.439
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 169.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 2.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2043
Stepwise Motion 0.6982
Melodic Thirds 0.1699
Melodic Perfect Fourths 0.05757
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03435
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.004643
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.905
Melodic Embellishments 0.0333
Direction of Melodic Motion 0.4812
Average Length of Melodic Arcs 1.899
Average Interval Spanned by Melodic Arcs 4.596
Melodic Pitch Variety 4.964
Mean Melodic Interval 2.344
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.494
Relative Prevalence of Most Common Melodic Intervals 0.4135
Amount of Arpeggiation 0.2442
Repeated Notes 0.03528
Importance of Middle Register 0.8437
Importance of High Register 0.002775
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 60.11
Mean Pitch Class 5.15
Most Common Pitch 60.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1156
Prevalence of Most Common Pitch Class 0.1693
Relative Prevalence of Top Pitches 0.92
Relative Prevalence of Top Pitch Classes 0.9617
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 5.898
Pitch Class Variability 3.375
Pitch Class Variability After Folding 4.112
Pitch Skewness 0.2254
Pitch Class Skewness 0.1332
Pitch Class Skewness After Folding 0.957
Pitch Kurtosis 5.423
Pitch Class Kurtosis 4.838
Pitch Class Kurtosis After Folding 4.864
Major or Minor 0.0
First Pitch 65.0
First Pitch Class 5.0
Last Pitch 53.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 28.0
Importance of Bass Register 0.1536
Note Density per Quarter Note 0.9818
Note Density per Quarter Note per Voice 0.2455
Note Density per Quarter Note Variability 0.5142
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.03793
Prevalence of Medium Rhythmic Values 0.556
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8585
Prevalence of Very Long Rhythmic Values 0.05735
Prevalence of Dotted Notes 0.1073
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.873
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4144
Relative Prevalence of Most Common Rhythmic Values 0.7433
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.717
Rhythmic Value Skewness 1.526
Rhythmic Value Kurtosis 12.65
Mean Rhythmic Value Run Length 1.65
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.223
Mean Rhythmic Value Offset 0.0037
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.1217
Complete Rests Fraction 0.0009007
Partial Rests Fraction 0.6639
Average Rest Fraction Across Voices 0.2938
Longest Complete Rest 0.9917
Longest Partial Rest 416.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 15.97
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 2.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 60.64
Variability Across Voices of Combined Rests 170.4
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6519
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1725
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.78
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8243
Rhythmic Variability - Tempo Standardized 0.05436
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1081.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 3.711
Minimum Note Duration 0.119
Maximum Note Duration 3.81
Average Note Duration 0.685
Variability of Note Durations 0.4145
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 252.0
Strongest Rhythmic Pulse 63.0
Second Strongest Rhythmic Pulse 42.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3013
Strength of Second Strongest Rhythmic Pulse 0.2829
Strength Ratio of Two Strongest Rhythmic Pulses 1.065
Combined Strength of Two Strongest Rhythmic Pulses 0.5842
Rhythmic Variability 0.03866
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 0.0000000005148
Duration in Seconds 262.1
Note Density 4.124
Note Density Variability 1.706
Average Time Between Attacks 0.4509
Average Time Between Attacks for Each Voice 0.974
Variability of Time Between Attacks 0.2536
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5714
Relative Range Isolation of Loudest Voice 0.1467
Relative Range of Highest Line 0.5714
Relative Note Density of Highest Line 0.2442
Relative Note Durations of Lowest Line 1.042
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.9426
Voice Separation 4.667
Variability of Voice Separation 2.309
Parallel Motion 0.04506
Average Number of Independent Voices 2.827
Similar Motion 0.1252
Contrary Motion 0.2128
Oblique Motion 0.617
Parallel Fifths 0.003755
Parallel Octaves 0.002503
Variability of Number of Independent Voices 0.9445
Voice Equality - Number of Notes 75.68
Voice Equality - Note Duration 40.57
Voice Equality - Dynamics 2.887
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.986
Importance of Loudest Voice 3.333