Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2141 |
Prevalence of Second Most Common Vertical Interval |
0.1756 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8201 |
Vertical Unisons |
0.04004 |
Vertical Minor Seconds |
0.005343 |
Vertical Thirds |
0.3238 |
Vertical Tritones |
0.00916 |
Vertical Perfect Fourths |
0.09209 |
Vertical Perfect Fifths |
0.1729 |
Vertical Sixths |
0.1509 |
Vertical Sevenths |
0.01824 |
Vertical Octaves |
0.1741 |
Perfect Vertical Intervals |
0.4791 |
Vertical Dissonance Ratio |
0.04849 |
Vertical Minor Third Prevalence |
0.7015 |
Vertical Major Third Prevalence |
0.6505 |
Chord Duration |
1.91 |
Partial Chords |
0.18 |
Standard Triads |
0.6267 |
Diminished and Augmented Triads |
0.02833 |
Dominant Seventh Chords |
0.006667 |
Seventh Chords |
0.04167 |
Non-Standard Chords |
0.1517 |
Complex Chords |
0.008333 |
Minor Major Triad Ratio |
1.251 |
Average Number of Simultaneous Pitch Classes |
2.897 |
Variability of Number of Simultaneous Pitch Classes |
0.5808 |
Average Number of Simultaneous Pitches |
3.965 |
Variability of Number of Simultaneous Pitches |
0.8906 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
8.192 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
86.24 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
3.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2154 |
Stepwise Motion |
0.6634 |
Melodic Thirds |
0.1616 |
Melodic Perfect Fourths |
0.0661 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05141 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.004896 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.474 |
Melodic Embellishments |
0.01825 |
Direction of Melodic Motion |
0.4651 |
Average Length of Melodic Arcs |
1.985 |
Average Interval Spanned by Melodic Arcs |
4.967 |
Melodic Pitch Variety |
5.243 |
Mean Melodic Interval |
2.392 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.448 |
Relative Prevalence of Most Common Melodic Intervals |
0.4809 |
Amount of Arpeggiation |
0.2705 |
Repeated Notes |
0.05263 |
Importance of Middle Register |
0.5122 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
53.87 |
Mean Pitch Class |
5.142 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.09489 |
Prevalence of Most Common Pitch Class |
0.1813 |
Relative Prevalence of Top Pitches |
0.9487 |
Relative Prevalence of Top Pitch Classes |
0.9933 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.653 |
Pitch Class Variability |
3.484 |
Pitch Class Variability After Folding |
3.539 |
Pitch Skewness |
-0.2589 |
Pitch Class Skewness |
0.1225 |
Pitch Class Skewness After Folding |
0.6713 |
Pitch Kurtosis |
5.215 |
Pitch Class Kurtosis |
4.81 |
Pitch Class Kurtosis After Folding |
6.048 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
33.0 |
Importance of Bass Register |
0.4878 |
Note Density per Quarter Note |
1.35 |
Note Density per Quarter Note per Voice |
0.27 |
Note Density per Quarter Note Variability |
0.5899 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01703 |
Prevalence of Medium Rhythmic Values |
0.5231 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8333 |
Prevalence of Very Long Rhythmic Values |
0.1071 |
Prevalence of Dotted Notes |
0.1058 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.102 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3564 |
Relative Prevalence of Most Common Rhythmic Values |
0.8601 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.971 |
Rhythmic Value Skewness |
1.678 |
Rhythmic Value Kurtosis |
9.016 |
Mean Rhythmic Value Run Length |
1.634 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.139 |
Mean Rhythmic Value Offset |
0.03893 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.5209 |
Complete Rests Fraction |
0.001628 |
Partial Rests Fraction |
0.4614 |
Average Rest Fraction Across Voices |
0.152 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
80.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
7.349 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
15.37 |
Variability Across Voices of Combined Rests |
56.66 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6374 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1822 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.499 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8195 |
Rhythmic Variability - Tempo Standardized |
0.05381 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
822.0 |
Initial Tempo |
252.0 |
Average Variability of Time Between Attacks for Each Voice |
0.9017 |
Minimum Note Duration |
0.119 |
Maximum Note Duration |
5.714 |
Average Note Duration |
0.7479 |
Variability of Note Durations |
0.5242 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
5.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
252.0 |
Strongest Rhythmic Pulse |
63.0 |
Second Strongest Rhythmic Pulse |
42.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2997 |
Strength of Second Strongest Rhythmic Pulse |
0.2824 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.061 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.582 |
Rhythmic Variability |
0.03886 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0000000003365 |
Duration in Seconds |
145.0 |
Note Density |
5.669 |
Note Density Variability |
1.925 |
Average Time Between Attacks |
0.4207 |
Average Time Between Attacks for Each Voice |
0.8605 |
Variability of Time Between Attacks |
0.2559 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.3636 |
Relative Range Isolation of Loudest Voice |
0.09341 |
Relative Range of Highest Line |
0.3636 |
Relative Note Density of Highest Line |
0.3832 |
Relative Note Durations of Lowest Line |
0.9962 |
Relative Size of Melodic Intervals in Lowest Line |
1.111 |
Voice Overlap |
0.9197 |
Voice Separation |
4.75 |
Variability of Voice Separation |
2.062 |
Parallel Motion |
0.0534 |
Average Number of Independent Voices |
4.247 |
Similar Motion |
0.1665 |
Contrary Motion |
0.1937 |
Oblique Motion |
0.5864 |
Parallel Fifths |
0.002094 |
Parallel Octaves |
0.004188 |
Variability of Number of Independent Voices |
0.9005 |
Voice Equality - Number of Notes |
41.04 |
Voice Equality - Note Duration |
13.49 |
Voice Equality - Dynamics |
9.354 |
Voice Equality - Melodic Leaps |
0.4472 |
Voice Equality - Range |
2.608 |
Importance of Loudest Voice |
12.5 |