| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2018 |
| Prevalence of Second Most Common Vertical Interval |
0.1932 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9574 |
| Vertical Unisons |
0.02808 |
| Vertical Minor Seconds |
0.001683 |
| Vertical Thirds |
0.3341 |
| Vertical Tritones |
0.0242 |
| Vertical Perfect Fourths |
0.09334 |
| Vertical Perfect Fifths |
0.1589 |
| Vertical Sixths |
0.1744 |
| Vertical Sevenths |
0.01274 |
| Vertical Octaves |
0.1651 |
| Perfect Vertical Intervals |
0.4454 |
| Vertical Dissonance Ratio |
0.04837 |
| Vertical Minor Third Prevalence |
0.4252 |
| Vertical Major Third Prevalence |
0.5895 |
| Chord Duration |
2.705 |
| Partial Chords |
0.3232 |
| Standard Triads |
0.5455 |
| Diminished and Augmented Triads |
0.06313 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01136 |
| Non-Standard Chords |
0.1199 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4744 |
| Average Number of Simultaneous Pitch Classes |
2.651 |
| Variability of Number of Simultaneous Pitch Classes |
0.5768 |
| Average Number of Simultaneous Pitches |
3.325 |
| Variability of Number of Simultaneous Pitches |
0.7182 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.471 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
48.47 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2174 |
| Stepwise Motion |
0.5737 |
| Melodic Thirds |
0.1819 |
| Melodic Perfect Fourths |
0.04413 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02583 |
| Melodic Sixths |
0.001076 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004306 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7979 |
| Melodic Embellishments |
0.02465 |
| Direction of Melodic Motion |
0.4896 |
| Average Length of Melodic Arcs |
1.767 |
| Average Interval Spanned by Melodic Arcs |
4.311 |
| Melodic Pitch Variety |
4.511 |
| Mean Melodic Interval |
2.04 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3563 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6103 |
| Amount of Arpeggiation |
0.3811 |
| Repeated Notes |
0.169 |
| Importance of Middle Register |
0.7653 |
| Importance of High Register |
0.03215 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.61 |
| Mean Pitch Class |
5.251 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1147 |
| Prevalence of Most Common Pitch Class |
0.2133 |
| Relative Prevalence of Top Pitches |
0.8505 |
| Relative Prevalence of Top Pitch Classes |
0.7889 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.995 |
| Pitch Class Variability |
3.457 |
| Pitch Class Variability After Folding |
4.364 |
| Pitch Skewness |
-0.4482 |
| Pitch Class Skewness |
0.2177 |
| Pitch Class Skewness After Folding |
1.631 |
| Pitch Kurtosis |
5.356 |
| Pitch Class Kurtosis |
4.733 |
| Pitch Class Kurtosis After Folding |
4.313 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2026 |
| Note Density per Quarter Note |
1.136 |
| Note Density per Quarter Note per Voice |
0.2841 |
| Note Density per Quarter Note Variability |
0.4954 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5209 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9164 |
| Prevalence of Very Long Rhythmic Values |
0.05145 |
| Prevalence of Dotted Notes |
0.1008 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.005 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4373 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8211 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.612 |
| Rhythmic Value Skewness |
1.871 |
| Rhythmic Value Kurtosis |
14.8 |
| Mean Rhythmic Value Run Length |
1.744 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.982 |
| Mean Rhythmic Value Offset |
0.01286 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2266 |
| Complete Rests Fraction |
0.005488 |
| Partial Rests Fraction |
0.451 |
| Average Rest Fraction Across Voices |
0.1445 |
| Longest Complete Rest |
3.61 |
| Longest Partial Rest |
67.05 |
| Mean Complete Rest Duration |
2.253 |
| Mean Partial Rest Duration |
8.041 |
| Median Complete Rest Duration |
3.61 |
| Median Partial Rest Duration |
2.235 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.92 |
| Variability of Partial Rest Durations |
13.77 |
| Variability Across Voices of Combined Rests |
109.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6885 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1811 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.801 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8697 |
| Rhythmic Variability - Tempo Standardized |
0.05688 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
933.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7555 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.6416 |
| Variability of Note Durations |
0.3533 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
284.8 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.3139 |
| Strength of Second Strongest Rhythmic Pulse |
0.2705 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.16 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5844 |
| Rhythmic Variability |
0.0383 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.87 |
| Duration in Seconds |
174.9 |
| Note Density |
5.334 |
| Note Density Variability |
1.539 |
| Average Time Between Attacks |
0.4516 |
| Average Time Between Attacks for Each Voice |
0.737 |
| Variability of Time Between Attacks |
0.2445 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5938 |
| Relative Range Isolation of Loudest Voice |
0.4184 |
| Relative Range of Highest Line |
0.5938 |
| Relative Note Density of Highest Line |
0.2915 |
| Relative Note Durations of Lowest Line |
1.063 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8274 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05991 |
| Average Number of Independent Voices |
3.451 |
| Similar Motion |
0.2131 |
| Contrary Motion |
0.2569 |
| Oblique Motion |
0.47 |
| Parallel Fifths |
0.00576 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6878 |
| Voice Equality - Number of Notes |
48.47 |
| Voice Equality - Note Duration |
23.31 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.63 |
| Importance of Loudest Voice |
11.67 |