| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2019 |
| Prevalence of Second Most Common Vertical Interval |
0.1762 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8729 |
| Vertical Unisons |
0.03644 |
| Vertical Minor Seconds |
0.003795 |
| Vertical Thirds |
0.3572 |
| Vertical Tritones |
0.01117 |
| Vertical Perfect Fourths |
0.07822 |
| Vertical Perfect Fifths |
0.1762 |
| Vertical Sixths |
0.1555 |
| Vertical Sevenths |
0.02786 |
| Vertical Octaves |
0.1392 |
| Perfect Vertical Intervals |
0.4301 |
| Vertical Dissonance Ratio |
0.0608 |
| Vertical Minor Third Prevalence |
0.5155 |
| Vertical Major Third Prevalence |
0.4039 |
| Chord Duration |
2.119 |
| Partial Chords |
0.4226 |
| Standard Triads |
0.4463 |
| Diminished and Augmented Triads |
0.02486 |
| Dominant Seventh Chords |
0.00113 |
| Seventh Chords |
0.01356 |
| Non-Standard Chords |
0.1175 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.453 |
| Average Number of Simultaneous Pitch Classes |
2.474 |
| Variability of Number of Simultaneous Pitch Classes |
0.6963 |
| Average Number of Simultaneous Pitches |
2.924 |
| Variability of Number of Simultaneous Pitches |
0.9059 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.782 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
82.19 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2119 |
| Stepwise Motion |
0.664 |
| Melodic Thirds |
0.1514 |
| Melodic Perfect Fourths |
0.07064 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04036 |
| Melodic Sixths |
0.004036 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008073 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.571 |
| Melodic Embellishments |
0.0191 |
| Direction of Melodic Motion |
0.4763 |
| Average Length of Melodic Arcs |
1.799 |
| Average Interval Spanned by Melodic Arcs |
4.545 |
| Melodic Pitch Variety |
4.939 |
| Mean Melodic Interval |
2.379 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4521 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4688 |
| Amount of Arpeggiation |
0.2614 |
| Repeated Notes |
0.06155 |
| Importance of Middle Register |
0.7869 |
| Importance of High Register |
0.00402 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.97 |
| Mean Pitch Class |
5.478 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1196 |
| Prevalence of Most Common Pitch Class |
0.1829 |
| Relative Prevalence of Top Pitches |
0.9916 |
| Relative Prevalence of Top Pitch Classes |
0.8901 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.183 |
| Pitch Class Variability |
3.708 |
| Pitch Class Variability After Folding |
2.886 |
| Pitch Skewness |
0.1707 |
| Pitch Class Skewness |
0.3871 |
| Pitch Class Skewness After Folding |
0.2633 |
| Pitch Kurtosis |
5.625 |
| Pitch Class Kurtosis |
4.745 |
| Pitch Class Kurtosis After Folding |
7.8 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.209 |
| Note Density per Quarter Note |
1.027 |
| Note Density per Quarter Note per Voice |
0.2567 |
| Note Density per Quarter Note Variability |
0.4928 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5407 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8362 |
| Prevalence of Very Long Rhythmic Values |
0.07236 |
| Prevalence of Dotted Notes |
0.1015 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.955 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3769 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8373 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.784 |
| Rhythmic Value Skewness |
1.606 |
| Rhythmic Value Kurtosis |
10.92 |
| Mean Rhythmic Value Run Length |
1.71 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.325 |
| Mean Rhythmic Value Offset |
0.01608 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4009 |
| Complete Rests Fraction |
0.0009444 |
| Partial Rests Fraction |
0.5933 |
| Average Rest Fraction Across Voices |
0.2317 |
| Longest Complete Rest |
0.9151 |
| Longest Partial Rest |
177.2 |
| Mean Complete Rest Duration |
0.9151 |
| Mean Partial Rest Duration |
11.37 |
| Median Complete Rest Duration |
0.9151 |
| Median Partial Rest Duration |
3.691 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.73 |
| Variability Across Voices of Combined Rests |
111.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.638 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1836 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.474 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8216 |
| Rhythmic Variability - Tempo Standardized |
0.05399 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
995.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.781 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6757 |
| Variability of Note Durations |
0.43 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
268.6 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3087 |
| Strength of Second Strongest Rhythmic Pulse |
0.276 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.118 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5847 |
| Rhythmic Variability |
0.03923 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
26.65 |
| Duration in Seconds |
218.8 |
| Note Density |
4.548 |
| Note Density Variability |
1.402 |
| Average Time Between Attacks |
0.4005 |
| Average Time Between Attacks for Each Voice |
0.8882 |
| Variability of Time Between Attacks |
0.2131 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.5366 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.2693 |
| Relative Note Durations of Lowest Line |
1.107 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8693 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.06593 |
| Average Number of Independent Voices |
3.054 |
| Similar Motion |
0.1396 |
| Contrary Motion |
0.1571 |
| Oblique Motion |
0.6374 |
| Parallel Fifths |
0.003297 |
| Parallel Octaves |
0.003297 |
| Variability of Number of Independent Voices |
0.9188 |
| Voice Equality - Number of Notes |
82.19 |
| Voice Equality - Note Duration |
25.13 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
11.67 |