Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2104 |
Prevalence of Second Most Common Vertical Interval |
0.2064 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.981 |
Vertical Unisons |
0.04496 |
Vertical Minor Seconds |
0.004109 |
Vertical Thirds |
0.3255 |
Vertical Tritones |
0.008656 |
Vertical Perfect Fourths |
0.08112 |
Vertical Perfect Fifths |
0.1837 |
Vertical Sixths |
0.1512 |
Vertical Sevenths |
0.0174 |
Vertical Octaves |
0.1654 |
Perfect Vertical Intervals |
0.4751 |
Vertical Dissonance Ratio |
0.05057 |
Vertical Minor Third Prevalence |
0.5325 |
Vertical Major Third Prevalence |
0.3487 |
Chord Duration |
2.032 |
Partial Chords |
0.4738 |
Standard Triads |
0.4153 |
Diminished and Augmented Triads |
0.01652 |
Dominant Seventh Chords |
0.009438 |
Seventh Chords |
0.01652 |
Non-Standard Chords |
0.09438 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.708 |
Average Number of Simultaneous Pitch Classes |
2.449 |
Variability of Number of Simultaneous Pitch Classes |
0.6708 |
Average Number of Simultaneous Pitches |
2.997 |
Variability of Number of Simultaneous Pitches |
0.8965 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
6.405 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
106.1 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1185 |
Stepwise Motion |
0.5894 |
Melodic Thirds |
0.2101 |
Melodic Perfect Fourths |
0.1013 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03233 |
Melodic Sixths |
0.003233 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01293 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
7.864 |
Melodic Embellishments |
0.03433 |
Direction of Melodic Motion |
0.4801 |
Average Length of Melodic Arcs |
2.103 |
Average Interval Spanned by Melodic Arcs |
5.788 |
Melodic Pitch Variety |
5.464 |
Mean Melodic Interval |
2.629 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4709 |
Relative Prevalence of Most Common Melodic Intervals |
0.3959 |
Amount of Arpeggiation |
0.306 |
Repeated Notes |
0.05065 |
Importance of Middle Register |
0.8262 |
Importance of High Register |
0.004292 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.31 |
Mean Pitch Class |
5.307 |
Most Common Pitch |
64.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1234 |
Prevalence of Most Common Pitch Class |
0.1727 |
Relative Prevalence of Top Pitches |
0.9217 |
Relative Prevalence of Top Pitch Classes |
0.9876 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.149 |
Pitch Class Variability |
3.541 |
Pitch Class Variability After Folding |
3.034 |
Pitch Skewness |
0.2963 |
Pitch Class Skewness |
0.26 |
Pitch Class Skewness After Folding |
0.4223 |
Pitch Kurtosis |
5.597 |
Pitch Class Kurtosis |
4.842 |
Pitch Class Kurtosis After Folding |
7.38 |
Major or Minor |
0.0 |
First Pitch |
45.0 |
First Pitch Class |
9.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.1695 |
Note Density per Quarter Note |
1.021 |
Note Density per Quarter Note per Voice |
0.2552 |
Note Density per Quarter Note Variability |
0.5106 |
Range of Rhythmic Values |
8.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.5483 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8133 |
Prevalence of Very Long Rhythmic Values |
0.0912 |
Prevalence of Dotted Notes |
0.1416 |
Shortest Rhythmic Value |
0.75 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.076 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3616 |
Relative Prevalence of Most Common Rhythmic Values |
0.7181 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.251 |
Rhythmic Value Skewness |
1.434 |
Rhythmic Value Kurtosis |
11.4 |
Mean Rhythmic Value Run Length |
1.817 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.63 |
Mean Rhythmic Value Offset |
0.0228 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3466 |
Complete Rests Fraction |
0.001086 |
Partial Rests Fraction |
0.5312 |
Average Rest Fraction Across Voices |
0.2097 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
240.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
13.21 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
44.14 |
Variability Across Voices of Combined Rests |
158.1 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5338 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2361 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.261 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7699 |
Rhythmic Variability - Tempo Standardized |
0.04901 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
932.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
3.118 |
Minimum Note Duration |
0.1724 |
Maximum Note Duration |
5.172 |
Average Note Duration |
0.8008 |
Variability of Note Durations |
0.6106 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
4.0 |
Number of Relatively Strong Rhythmic Pulses |
4.0 |
Mean Tempo |
232.0 |
Strongest Rhythmic Pulse |
58.0 |
Second Strongest Rhythmic Pulse |
116.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.4179 |
Strength of Second Strongest Rhythmic Pulse |
0.311 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.344 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.729 |
Rhythmic Variability |
0.0433 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.5 |
Tempo Variability |
0.0000000002869 |
Duration in Seconds |
236.1 |
Note Density |
3.947 |
Note Density Variability |
1.6 |
Average Time Between Attacks |
0.4818 |
Average Time Between Attacks for Each Voice |
1.212 |
Variability of Time Between Attacks |
0.3303 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5484 |
Relative Range Isolation of Loudest Voice |
0.3625 |
Relative Range of Highest Line |
0.5484 |
Relative Note Density of Highest Line |
0.2833 |
Relative Note Durations of Lowest Line |
1.194 |
Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
Voice Overlap |
0.8455 |
Voice Separation |
4.667 |
Variability of Voice Separation |
2.309 |
Parallel Motion |
0.0712 |
Average Number of Independent Voices |
3.164 |
Similar Motion |
0.1683 |
Contrary Motion |
0.2168 |
Oblique Motion |
0.5437 |
Parallel Fifths |
0.004315 |
Parallel Octaves |
0.006472 |
Variability of Number of Independent Voices |
0.9016 |
Voice Equality - Number of Notes |
106.1 |
Voice Equality - Note Duration |
40.89 |
Voice Equality - Dynamics |
8.539 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.732 |
Importance of Loudest Voice |
11.67 |