| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2203 |
| Prevalence of Second Most Common Vertical Interval |
0.2114 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9595 |
| Vertical Unisons |
0.05626 |
| Vertical Minor Seconds |
0.002455 |
| Vertical Thirds |
0.4028 |
| Vertical Tritones |
0.005793 |
| Vertical Perfect Fourths |
0.0585 |
| Vertical Perfect Fifths |
0.1527 |
| Vertical Sixths |
0.125 |
| Vertical Sevenths |
0.01734 |
| Vertical Octaves |
0.164 |
| Perfect Vertical Intervals |
0.4314 |
| Vertical Dissonance Ratio |
0.04253 |
| Vertical Minor Third Prevalence |
0.359 |
| Vertical Major Third Prevalence |
0.3233 |
| Chord Duration |
3.178 |
| Partial Chords |
0.7171 |
| Standard Triads |
0.234 |
| Diminished and Augmented Triads |
0.006471 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.00755 |
| Non-Standard Chords |
0.04125 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.067 |
| Average Number of Simultaneous Pitch Classes |
2.086 |
| Variability of Number of Simultaneous Pitch Classes |
0.6667 |
| Average Number of Simultaneous Pitches |
2.445 |
| Variability of Number of Simultaneous Pitches |
0.8932 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.222 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
41.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2252 |
| Stepwise Motion |
0.6523 |
| Melodic Thirds |
0.1651 |
| Melodic Perfect Fourths |
0.08168 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03744 |
| Melodic Sixths |
0.0005672 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01134 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.096 |
| Melodic Embellishments |
0.01754 |
| Direction of Melodic Motion |
0.5114 |
| Average Length of Melodic Arcs |
1.526 |
| Average Interval Spanned by Melodic Arcs |
3.911 |
| Melodic Pitch Variety |
4.631 |
| Mean Melodic Interval |
2.44 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4271 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5272 |
| Amount of Arpeggiation |
0.2655 |
| Repeated Notes |
0.05162 |
| Importance of Middle Register |
0.7776 |
| Importance of High Register |
0.009621 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.76 |
| Mean Pitch Class |
5.259 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1126 |
| Prevalence of Most Common Pitch Class |
0.1777 |
| Relative Prevalence of Top Pitches |
0.8141 |
| Relative Prevalence of Top Pitch Classes |
0.8949 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.693 |
| Pitch Class Variability |
3.525 |
| Pitch Class Variability After Folding |
3.174 |
| Pitch Skewness |
0.05885 |
| Pitch Class Skewness |
0.2201 |
| Pitch Class Skewness After Folding |
0.5236 |
| Pitch Kurtosis |
5.406 |
| Pitch Class Kurtosis |
4.886 |
| Pitch Class Kurtosis After Folding |
6.934 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2128 |
| Note Density per Quarter Note |
0.7942 |
| Note Density per Quarter Note per Voice |
0.1985 |
| Note Density per Quarter Note Variability |
0.3944 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001132 |
| Prevalence of Medium Rhythmic Values |
0.4833 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8291 |
| Prevalence of Very Long Rhythmic Values |
0.1143 |
| Prevalence of Dotted Notes |
0.1607 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.184 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3379 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9246 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.973 |
| Rhythmic Value Skewness |
0.2795 |
| Rhythmic Value Kurtosis |
10.63 |
| Mean Rhythmic Value Run Length |
1.727 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.048 |
| Mean Rhythmic Value Offset |
0.07456 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.124 |
| Complete Rests Fraction |
0.0003263 |
| Partial Rests Fraction |
0.7805 |
| Average Rest Fraction Across Voices |
0.3784 |
| Longest Complete Rest |
0.7261 |
| Longest Partial Rest |
633.9 |
| Mean Complete Rest Duration |
0.7261 |
| Mean Partial Rest Duration |
35.08 |
| Median Complete Rest Duration |
0.7261 |
| Median Partial Rest Duration |
6.696 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
109.8 |
| Variability Across Voices of Combined Rests |
147.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5667 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2157 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.628 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7824 |
| Rhythmic Variability - Tempo Standardized |
0.04999 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1767.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.198 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.5844 |
| Variability of Note Durations |
0.4908 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
339.0 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
81.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.2531 |
| Strength of Second Strongest Rhythmic Pulse |
0.2415 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.048 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4946 |
| Rhythmic Variability |
0.03343 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
79.7 |
| Duration in Seconds |
415.3 |
| Note Density |
4.254 |
| Note Density Variability |
1.628 |
| Average Time Between Attacks |
0.4038 |
| Average Time Between Attacks for Each Voice |
0.9152 |
| Variability of Time Between Attacks |
0.2317 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.2875 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.1517 |
| Relative Note Durations of Lowest Line |
0.9732 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8953 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.063 |
| Average Number of Independent Voices |
2.585 |
| Similar Motion |
0.189 |
| Contrary Motion |
0.2746 |
| Oblique Motion |
0.4733 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0008078 |
| Variability of Number of Independent Voices |
0.9501 |
| Voice Equality - Number of Notes |
41.02 |
| Voice Equality - Note Duration |
27.57 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
11.67 |