| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2276 |
| Prevalence of Second Most Common Vertical Interval |
0.1744 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7665 |
| Vertical Unisons |
0.0404 |
| Vertical Minor Seconds |
0.005865 |
| Vertical Thirds |
0.323 |
| Vertical Tritones |
0.01285 |
| Vertical Perfect Fourths |
0.0947 |
| Vertical Perfect Fifths |
0.1395 |
| Vertical Sixths |
0.1225 |
| Vertical Sevenths |
0.03153 |
| Vertical Octaves |
0.1872 |
| Perfect Vertical Intervals |
0.4618 |
| Vertical Dissonance Ratio |
0.1022 |
| Vertical Minor Third Prevalence |
0.4194 |
| Vertical Major Third Prevalence |
0.4211 |
| Chord Duration |
2.163 |
| Partial Chords |
0.4207 |
| Standard Triads |
0.3405 |
| Diminished and Augmented Triads |
0.03922 |
| Dominant Seventh Chords |
0.003565 |
| Seventh Chords |
0.01248 |
| Non-Standard Chords |
0.2264 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4254 |
| Average Number of Simultaneous Pitch Classes |
2.485 |
| Variability of Number of Simultaneous Pitch Classes |
0.6785 |
| Average Number of Simultaneous Pitches |
3.064 |
| Variability of Number of Simultaneous Pitches |
0.8512 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.06 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
36.34 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2641 |
| Stepwise Motion |
0.7254 |
| Melodic Thirds |
0.05986 |
| Melodic Perfect Fourths |
0.04401 |
| Melodic Tritones |
0.003521 |
| Melodic Perfect Fifths |
0.05106 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01056 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.833 |
| Melodic Embellishments |
0.02098 |
| Direction of Melodic Motion |
0.435 |
| Average Length of Melodic Arcs |
2.082 |
| Average Interval Spanned by Melodic Arcs |
4.848 |
| Melodic Pitch Variety |
5.06 |
| Mean Melodic Interval |
2.113 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4613 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5725 |
| Amount of Arpeggiation |
0.2271 |
| Repeated Notes |
0.1056 |
| Importance of Middle Register |
0.8164 |
| Importance of High Register |
0.08217 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
61.64 |
| Mean Pitch Class |
4.614 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1556 |
| Prevalence of Most Common Pitch Class |
0.2395 |
| Relative Prevalence of Top Pitches |
0.6742 |
| Relative Prevalence of Top Pitch Classes |
0.6642 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.964 |
| Pitch Class Variability |
3.775 |
| Pitch Class Variability After Folding |
3.079 |
| Pitch Skewness |
0.01431 |
| Pitch Class Skewness |
0.4876 |
| Pitch Class Skewness After Folding |
0.9827 |
| Pitch Kurtosis |
5.846 |
| Pitch Class Kurtosis |
4.877 |
| Pitch Class Kurtosis After Folding |
7.478 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1014 |
| Note Density per Quarter Note |
0.9393 |
| Note Density per Quarter Note per Voice |
0.2348 |
| Note Density per Quarter Note Variability |
0.4556 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4738 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.729 |
| Prevalence of Very Long Rhythmic Values |
0.215 |
| Prevalence of Dotted Notes |
0.1434 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.416 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.271 |
| Relative Prevalence of Most Common Rhythmic Values |
1.0 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.318 |
| Rhythmic Value Skewness |
0.5386 |
| Rhythmic Value Kurtosis |
5.925 |
| Mean Rhythmic Value Run Length |
1.589 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.041 |
| Mean Rhythmic Value Offset |
0.006993 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1672 |
| Complete Rests Fraction |
0.001628 |
| Partial Rests Fraction |
0.5763 |
| Average Rest Fraction Across Voices |
0.1962 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.58 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.78 |
| Variability Across Voices of Combined Rests |
90.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5079 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2786 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.823 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7865 |
| Rhythmic Variability - Tempo Standardized |
0.04841 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
572.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.087 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.7131 |
| Variability of Note Durations |
0.4894 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2739 |
| Strength of Second Strongest Rhythmic Pulse |
0.232 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.18 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5059 |
| Rhythmic Variability |
0.03484 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000001601 |
| Duration in Seconds |
126.9 |
| Note Density |
4.508 |
| Note Density Variability |
1.525 |
| Average Time Between Attacks |
0.4234 |
| Average Time Between Attacks for Each Voice |
0.8896 |
| Variability of Time Between Attacks |
0.3034 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.375 |
| Relative Range Isolation of Loudest Voice |
0.9038 |
| Relative Range of Highest Line |
0.375 |
| Relative Note Density of Highest Line |
0.5105 |
| Relative Note Durations of Lowest Line |
1.128 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7343 |
| Voice Separation |
6.667 |
| Variability of Voice Separation |
5.132 |
| Parallel Motion |
0.0261 |
| Average Number of Independent Voices |
3.22 |
| Similar Motion |
0.1501 |
| Contrary Motion |
0.1631 |
| Oblique Motion |
0.6607 |
| Parallel Fifths |
0.004894 |
| Parallel Octaves |
0.001631 |
| Variability of Number of Independent Voices |
0.7785 |
| Voice Equality - Number of Notes |
36.34 |
| Voice Equality - Note Duration |
18.85 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
11.67 |