| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2343 |
| Prevalence of Second Most Common Vertical Interval |
0.1901 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8117 |
| Vertical Unisons |
0.07032 |
| Vertical Minor Seconds |
0.006654 |
| Vertical Thirds |
0.3379 |
| Vertical Tritones |
0.006162 |
| Vertical Perfect Fourths |
0.07815 |
| Vertical Perfect Fifths |
0.1777 |
| Vertical Sixths |
0.124 |
| Vertical Sevenths |
0.01501 |
| Vertical Octaves |
0.1639 |
| Perfect Vertical Intervals |
0.4901 |
| Vertical Dissonance Ratio |
0.05041 |
| Vertical Minor Third Prevalence |
0.7237 |
| Vertical Major Third Prevalence |
0.6507 |
| Chord Duration |
2.251 |
| Partial Chords |
0.201 |
| Standard Triads |
0.6382 |
| Diminished and Augmented Triads |
0.01854 |
| Dominant Seventh Chords |
0.001325 |
| Seventh Chords |
0.01898 |
| Non-Standard Chords |
0.1418 |
| Complex Chords |
0.006623 |
| Minor Major Triad Ratio |
1.708 |
| Average Number of Simultaneous Pitch Classes |
2.852 |
| Variability of Number of Simultaneous Pitch Classes |
0.5831 |
| Average Number of Simultaneous Pitches |
3.808 |
| Variability of Number of Simultaneous Pitches |
1.072 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
4.691 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
330.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1703 |
| Stepwise Motion |
0.521 |
| Melodic Thirds |
0.1176 |
| Melodic Perfect Fourths |
0.0644 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05269 |
| Melodic Sixths |
0.009047 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02129 |
| Melodic Large Intervals |
0.001597 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.947 |
| Melodic Embellishments |
0.02598 |
| Direction of Melodic Motion |
0.4331 |
| Average Length of Melodic Arcs |
1.825 |
| Average Interval Spanned by Melodic Arcs |
5.314 |
| Melodic Pitch Variety |
4.823 |
| Mean Melodic Interval |
2.309 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3507 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6055 |
| Amount of Arpeggiation |
0.4055 |
| Repeated Notes |
0.2123 |
| Importance of Middle Register |
0.6702 |
| Importance of High Register |
0.007423 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.11 |
| Mean Pitch Class |
5.217 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1098 |
| Prevalence of Most Common Pitch Class |
0.21 |
| Relative Prevalence of Top Pitches |
0.9952 |
| Relative Prevalence of Top Pitch Classes |
0.7525 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.84 |
| Pitch Class Variability |
3.37 |
| Pitch Class Variability After Folding |
3.983 |
| Pitch Skewness |
0.233 |
| Pitch Class Skewness |
0.1935 |
| Pitch Class Skewness After Folding |
1.009 |
| Pitch Kurtosis |
5.506 |
| Pitch Class Kurtosis |
4.673 |
| Pitch Class Kurtosis After Folding |
4.917 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3224 |
| Note Density per Quarter Note |
1.227 |
| Note Density per Quarter Note per Voice |
0.2045 |
| Note Density per Quarter Note Variability |
0.524 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002121 |
| Prevalence of Medium Rhythmic Values |
0.5032 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8203 |
| Prevalence of Very Long Rhythmic Values |
0.1649 |
| Prevalence of Dotted Notes |
0.1596 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.361 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3234 |
| Relative Prevalence of Most Common Rhythmic Values |
0.841 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.339 |
| Rhythmic Value Skewness |
1.745 |
| Rhythmic Value Kurtosis |
8.857 |
| Mean Rhythmic Value Run Length |
1.542 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9883 |
| Mean Rhythmic Value Offset |
0.1742 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.504 |
| Complete Rests Fraction |
0.0006452 |
| Partial Rests Fraction |
0.758 |
| Average Rest Fraction Across Voices |
0.278 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
384.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
15.63 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
35.47 |
| Variability Across Voices of Combined Rests |
195.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6027 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1968 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.063 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7995 |
| Rhythmic Variability - Tempo Standardized |
0.05208 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1886.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.006 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.7363 |
| Variability of Note Durations |
0.6827 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2902 |
| Strength of Second Strongest Rhythmic Pulse |
0.2483 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.169 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5384 |
| Rhythmic Variability |
0.03629 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000008596 |
| Duration in Seconds |
320.2 |
| Note Density |
5.89 |
| Note Density Variability |
1.965 |
| Average Time Between Attacks |
0.3745 |
| Average Time Between Attacks for Each Voice |
1.204 |
| Variability of Time Between Attacks |
0.1882 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5278 |
| Relative Range Isolation of Loudest Voice |
0.416 |
| Relative Range of Highest Line |
0.5278 |
| Relative Note Density of Highest Line |
0.21 |
| Relative Note Durations of Lowest Line |
1.187 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9199 |
| Voice Separation |
3.4 |
| Variability of Voice Separation |
3.13 |
| Parallel Motion |
0.06697 |
| Average Number of Independent Voices |
4.335 |
| Similar Motion |
0.1464 |
| Contrary Motion |
0.1248 |
| Oblique Motion |
0.6619 |
| Parallel Fifths |
0.002626 |
| Parallel Octaves |
0.005253 |
| Variability of Number of Independent Voices |
1.24 |
| Voice Equality - Number of Notes |
130.7 |
| Voice Equality - Note Duration |
40.71 |
| Voice Equality - Dynamics |
6.831 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.803 |
| Importance of Loudest Voice |
10.0 |