| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2169 |
| Prevalence of Second Most Common Vertical Interval |
0.1908 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8797 |
| Vertical Unisons |
0.02824 |
| Vertical Minor Seconds |
0.004289 |
| Vertical Thirds |
0.3629 |
| Vertical Tritones |
0.00502 |
| Vertical Perfect Fourths |
0.05323 |
| Vertical Perfect Fifths |
0.1837 |
| Vertical Sixths |
0.1417 |
| Vertical Sevenths |
0.01753 |
| Vertical Octaves |
0.1887 |
| Perfect Vertical Intervals |
0.4538 |
| Vertical Dissonance Ratio |
0.04334 |
| Vertical Minor Third Prevalence |
0.3822 |
| Vertical Major Third Prevalence |
0.3678 |
| Chord Duration |
2.548 |
| Partial Chords |
0.5937 |
| Standard Triads |
0.3457 |
| Diminished and Augmented Triads |
0.008979 |
| Dominant Seventh Chords |
0.001122 |
| Seventh Chords |
0.003367 |
| Non-Standard Chords |
0.05724 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9494 |
| Average Number of Simultaneous Pitch Classes |
2.223 |
| Variability of Number of Simultaneous Pitch Classes |
0.693 |
| Average Number of Simultaneous Pitches |
2.724 |
| Variability of Number of Simultaneous Pitches |
0.9211 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.588 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
21.48 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.201 |
| Stepwise Motion |
0.6145 |
| Melodic Thirds |
0.1617 |
| Melodic Perfect Fourths |
0.05078 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0487 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0114 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.184 |
| Melodic Embellishments |
0.01961 |
| Direction of Melodic Motion |
0.4801 |
| Average Length of Melodic Arcs |
1.941 |
| Average Interval Spanned by Melodic Arcs |
4.991 |
| Melodic Pitch Variety |
4.69 |
| Mean Melodic Interval |
2.295 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4135 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4862 |
| Amount of Arpeggiation |
0.3347 |
| Repeated Notes |
0.113 |
| Importance of Middle Register |
0.7606 |
| Importance of High Register |
0.01238 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.64 |
| Mean Pitch Class |
5.147 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09804 |
| Prevalence of Most Common Pitch Class |
0.1847 |
| Relative Prevalence of Top Pitches |
0.9789 |
| Relative Prevalence of Top Pitch Classes |
0.9162 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.304 |
| Pitch Class Variability |
3.631 |
| Pitch Class Variability After Folding |
2.943 |
| Pitch Skewness |
0.1301 |
| Pitch Class Skewness |
0.1211 |
| Pitch Class Skewness After Folding |
0.1367 |
| Pitch Kurtosis |
5.208 |
| Pitch Class Kurtosis |
4.816 |
| Pitch Class Kurtosis After Folding |
7.714 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.227 |
| Note Density per Quarter Note |
0.9308 |
| Note Density per Quarter Note per Voice |
0.2327 |
| Note Density per Quarter Note Variability |
0.4662 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5944 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8638 |
| Prevalence of Very Long Rhythmic Values |
0.07843 |
| Prevalence of Dotted Notes |
0.09701 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.954 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4582 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5698 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.961 |
| Rhythmic Value Skewness |
1.459 |
| Rhythmic Value Kurtosis |
12.44 |
| Mean Rhythmic Value Run Length |
1.674 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.066 |
| Mean Rhythmic Value Offset |
0.04954 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5432 |
| Complete Rests Fraction |
0.004272 |
| Partial Rests Fraction |
0.6804 |
| Average Rest Fraction Across Voices |
0.3053 |
| Longest Complete Rest |
3.564 |
| Longest Partial Rest |
92.9 |
| Mean Complete Rest Duration |
2.224 |
| Mean Partial Rest Duration |
12.84 |
| Median Complete Rest Duration |
3.564 |
| Median Partial Rest Duration |
6.636 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.895 |
| Variability of Partial Rest Durations |
18.95 |
| Variability Across Voices of Combined Rests |
19.78 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6811 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1691 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.028 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8502 |
| Rhythmic Variability - Tempo Standardized |
0.05639 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
969.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.68 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6981 |
| Variability of Note Durations |
0.5086 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
259.6 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.3121 |
| Strength of Second Strongest Rhythmic Pulse |
0.2773 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.125 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5894 |
| Rhythmic Variability |
0.03981 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.0 |
| Duration in Seconds |
243.4 |
| Note Density |
3.981 |
| Note Density Variability |
1.524 |
| Average Time Between Attacks |
0.4821 |
| Average Time Between Attacks for Each Voice |
0.9537 |
| Variability of Time Between Attacks |
0.3008 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.3955 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2807 |
| Relative Note Durations of Lowest Line |
1.091 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8617 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.04885 |
| Average Number of Independent Voices |
2.809 |
| Similar Motion |
0.1832 |
| Contrary Motion |
0.2605 |
| Oblique Motion |
0.5075 |
| Parallel Fifths |
0.002714 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9627 |
| Voice Equality - Number of Notes |
21.48 |
| Voice Equality - Note Duration |
4.625 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
11.67 |