| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2136 |
| Prevalence of Second Most Common Vertical Interval |
0.178 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8337 |
| Vertical Unisons |
0.04387 |
| Vertical Minor Seconds |
0.003671 |
| Vertical Thirds |
0.3163 |
| Vertical Tritones |
0.01117 |
| Vertical Perfect Fourths |
0.09289 |
| Vertical Perfect Fifths |
0.178 |
| Vertical Sixths |
0.1533 |
| Vertical Sevenths |
0.01814 |
| Vertical Octaves |
0.1697 |
| Perfect Vertical Intervals |
0.4845 |
| Vertical Dissonance Ratio |
0.04812 |
| Vertical Minor Third Prevalence |
0.4831 |
| Vertical Major Third Prevalence |
0.4159 |
| Chord Duration |
2.488 |
| Partial Chords |
0.4482 |
| Standard Triads |
0.4282 |
| Diminished and Augmented Triads |
0.02673 |
| Dominant Seventh Chords |
0.001782 |
| Seventh Chords |
0.007721 |
| Non-Standard Chords |
0.1158 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.031 |
| Average Number of Simultaneous Pitch Classes |
2.496 |
| Variability of Number of Simultaneous Pitch Classes |
0.6437 |
| Average Number of Simultaneous Pitches |
3.106 |
| Variability of Number of Simultaneous Pitches |
0.8163 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.498 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.12 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1968 |
| Stepwise Motion |
0.5823 |
| Melodic Thirds |
0.1581 |
| Melodic Perfect Fourths |
0.06275 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02912 |
| Melodic Sixths |
0.001004 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004518 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.088 |
| Melodic Embellishments |
0.01904 |
| Direction of Melodic Motion |
0.4907 |
| Average Length of Melodic Arcs |
1.748 |
| Average Interval Spanned by Melodic Arcs |
4.297 |
| Melodic Pitch Variety |
4.445 |
| Mean Melodic Interval |
2.073 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3855 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5104 |
| Amount of Arpeggiation |
0.3539 |
| Repeated Notes |
0.1621 |
| Importance of Middle Register |
0.8412 |
| Importance of High Register |
0.001503 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.9 |
| Mean Pitch Class |
5.404 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1318 |
| Prevalence of Most Common Pitch Class |
0.1924 |
| Relative Prevalence of Top Pitches |
0.7643 |
| Relative Prevalence of Top Pitch Classes |
0.9141 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.629 |
| Pitch Class Variability |
3.343 |
| Pitch Class Variability After Folding |
3.224 |
| Pitch Skewness |
0.08304 |
| Pitch Class Skewness |
0.3628 |
| Pitch Class Skewness After Folding |
0.5114 |
| Pitch Kurtosis |
5.247 |
| Pitch Class Kurtosis |
4.898 |
| Pitch Class Kurtosis After Folding |
6.67 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1573 |
| Note Density per Quarter Note |
1.121 |
| Note Density per Quarter Note per Voice |
0.2802 |
| Note Density per Quarter Note Variability |
0.4908 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6042 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8918 |
| Prevalence of Very Long Rhythmic Values |
0.06864 |
| Prevalence of Dotted Notes |
0.07164 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.906 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.496 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5556 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.745 |
| Rhythmic Value Skewness |
1.557 |
| Rhythmic Value Kurtosis |
11.45 |
| Mean Rhythmic Value Run Length |
2.06 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.013 |
| Mean Rhythmic Value Offset |
0.0243 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.62 |
| Complete Rests Fraction |
0.0005173 |
| Partial Rests Fraction |
0.4795 |
| Average Rest Fraction Across Voices |
0.1763 |
| Longest Complete Rest |
0.9212 |
| Longest Partial Rest |
43.82 |
| Mean Complete Rest Duration |
0.9212 |
| Mean Partial Rest Duration |
7.344 |
| Median Complete Rest Duration |
0.9212 |
| Median Partial Rest Duration |
6.919 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.256 |
| Variability Across Voices of Combined Rests |
48.97 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7281 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1418 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.136 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8699 |
| Rhythmic Variability - Tempo Standardized |
0.05917 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1996.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7369 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
7.5 |
| Average Note Duration |
0.6593 |
| Variability of Note Durations |
0.4233 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
270.3 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3209 |
| Strength of Second Strongest Rhythmic Pulse |
0.283 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.134 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6039 |
| Rhythmic Variability |
0.04054 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
26.05 |
| Duration in Seconds |
399.4 |
| Note Density |
4.997 |
| Note Density Variability |
1.451 |
| Average Time Between Attacks |
0.4394 |
| Average Time Between Attacks for Each Voice |
0.7869 |
| Variability of Time Between Attacks |
0.2067 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.1097 |
| Relative Range of Highest Line |
0.4828 |
| Relative Note Density of Highest Line |
0.1343 |
| Relative Note Durations of Lowest Line |
1.026 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9589 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.07439 |
| Average Number of Independent Voices |
3.285 |
| Similar Motion |
0.1665 |
| Contrary Motion |
0.2555 |
| Oblique Motion |
0.5037 |
| Parallel Fifths |
0.003659 |
| Parallel Octaves |
0.004268 |
| Variability of Number of Independent Voices |
0.8303 |
| Voice Equality - Number of Notes |
24.12 |
| Voice Equality - Note Duration |
10.98 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
11.67 |