| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2167 |
| Prevalence of Second Most Common Vertical Interval |
0.2121 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9788 |
| Vertical Unisons |
0.05844 |
| Vertical Minor Seconds |
0.004798 |
| Vertical Thirds |
0.3759 |
| Vertical Tritones |
0.006787 |
| Vertical Perfect Fourths |
0.05855 |
| Vertical Perfect Fifths |
0.1663 |
| Vertical Sixths |
0.1426 |
| Vertical Sevenths |
0.02158 |
| Vertical Octaves |
0.1536 |
| Perfect Vertical Intervals |
0.4369 |
| Vertical Dissonance Ratio |
0.04669 |
| Vertical Minor Third Prevalence |
0.4465 |
| Vertical Major Third Prevalence |
0.3241 |
| Chord Duration |
3.192 |
| Partial Chords |
0.6164 |
| Standard Triads |
0.3133 |
| Diminished and Augmented Triads |
0.00708 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.009735 |
| Non-Standard Chords |
0.06062 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.299 |
| Average Number of Simultaneous Pitch Classes |
2.243 |
| Variability of Number of Simultaneous Pitch Classes |
0.6785 |
| Average Number of Simultaneous Pitches |
2.649 |
| Variability of Number of Simultaneous Pitches |
0.882 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.686 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
63.17 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1968 |
| Stepwise Motion |
0.6998 |
| Melodic Thirds |
0.1673 |
| Melodic Perfect Fourths |
0.04665 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0284 |
| Melodic Sixths |
0.002028 |
| Melodic Sevenths |
0.001014 |
| Melodic Octaves |
0.01217 |
| Melodic Large Intervals |
0.001014 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.797 |
| Melodic Embellishments |
0.0101 |
| Direction of Melodic Motion |
0.4762 |
| Average Length of Melodic Arcs |
1.747 |
| Average Interval Spanned by Melodic Arcs |
4.323 |
| Melodic Pitch Variety |
4.66 |
| Mean Melodic Interval |
2.385 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.503 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3911 |
| Amount of Arpeggiation |
0.2505 |
| Repeated Notes |
0.04158 |
| Importance of Middle Register |
0.8505 |
| Importance of High Register |
0.006061 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.35 |
| Mean Pitch Class |
5.449 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1222 |
| Prevalence of Most Common Pitch Class |
0.1859 |
| Relative Prevalence of Top Pitches |
0.8678 |
| Relative Prevalence of Top Pitch Classes |
0.8641 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.021 |
| Pitch Class Variability |
3.466 |
| Pitch Class Variability After Folding |
3.269 |
| Pitch Skewness |
-0.6004 |
| Pitch Class Skewness |
0.389 |
| Pitch Class Skewness After Folding |
0.5293 |
| Pitch Kurtosis |
5.695 |
| Pitch Class Kurtosis |
4.841 |
| Pitch Class Kurtosis After Folding |
6.707 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1434 |
| Note Density per Quarter Note |
0.7728 |
| Note Density per Quarter Note per Voice |
0.1932 |
| Note Density per Quarter Note Variability |
0.3745 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006061 |
| Prevalence of Medium Rhythmic Values |
0.402 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8515 |
| Prevalence of Very Long Rhythmic Values |
0.1515 |
| Prevalence of Dotted Notes |
0.1141 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.574 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.399 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6354 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.205 |
| Rhythmic Value Skewness |
-0.5792 |
| Rhythmic Value Kurtosis |
8.336 |
| Mean Rhythmic Value Run Length |
1.771 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.784 |
| Mean Rhythmic Value Offset |
0.07323 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.617 |
| Complete Rests Fraction |
0.001029 |
| Partial Rests Fraction |
0.7229 |
| Average Rest Fraction Across Voices |
0.3242 |
| Longest Complete Rest |
1.318 |
| Longest Partial Rest |
282.3 |
| Mean Complete Rest Duration |
1.318 |
| Mean Partial Rest Duration |
39.56 |
| Median Complete Rest Duration |
1.318 |
| Median Partial Rest Duration |
8.427 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
70.95 |
| Variability Across Voices of Combined Rests |
132.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5922 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2066 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.867 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7988 |
| Rhythmic Variability - Tempo Standardized |
0.05143 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
990.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.934 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
15.52 |
| Average Note Duration |
0.6807 |
| Variability of Note Durations |
0.6778 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
331.3 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.3894 |
| Strength of Second Strongest Rhythmic Pulse |
0.2138 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.821 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6032 |
| Rhythmic Variability |
0.03866 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
89.45 |
| Duration in Seconds |
249.3 |
| Note Density |
3.971 |
| Note Density Variability |
1.459 |
| Average Time Between Attacks |
0.4506 |
| Average Time Between Attacks for Each Voice |
0.9383 |
| Variability of Time Between Attacks |
0.2795 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6364 |
| Relative Range Isolation of Loudest Voice |
0.1559 |
| Relative Range of Highest Line |
0.6364 |
| Relative Note Density of Highest Line |
0.2667 |
| Relative Note Durations of Lowest Line |
1.021 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9232 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.08333 |
| Average Number of Independent Voices |
2.82 |
| Similar Motion |
0.1566 |
| Contrary Motion |
0.2525 |
| Oblique Motion |
0.5076 |
| Parallel Fifths |
0.006313 |
| Parallel Octaves |
0.003788 |
| Variability of Number of Independent Voices |
0.9256 |
| Voice Equality - Number of Notes |
63.17 |
| Voice Equality - Note Duration |
25.7 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
11.67 |