| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.195 |
| Prevalence of Second Most Common Vertical Interval |
0.1808 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9274 |
| Vertical Unisons |
0.02674 |
| Vertical Minor Seconds |
0.005596 |
| Vertical Thirds |
0.3209 |
| Vertical Tritones |
0.01371 |
| Vertical Perfect Fourths |
0.09447 |
| Vertical Perfect Fifths |
0.1808 |
| Vertical Sixths |
0.142 |
| Vertical Sevenths |
0.02686 |
| Vertical Octaves |
0.1683 |
| Perfect Vertical Intervals |
0.4703 |
| Vertical Dissonance Ratio |
0.07148 |
| Vertical Minor Third Prevalence |
0.4459 |
| Vertical Major Third Prevalence |
0.4126 |
| Chord Duration |
2.056 |
| Partial Chords |
0.453 |
| Standard Triads |
0.3924 |
| Diminished and Augmented Triads |
0.03124 |
| Dominant Seventh Chords |
0.001353 |
| Seventh Chords |
0.01201 |
| Non-Standard Chords |
0.1425 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8745 |
| Average Number of Simultaneous Pitch Classes |
2.476 |
| Variability of Number of Simultaneous Pitch Classes |
0.6559 |
| Average Number of Simultaneous Pitches |
3.022 |
| Variability of Number of Simultaneous Pitches |
0.7878 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.309 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
124.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.216 |
| Stepwise Motion |
0.6335 |
| Melodic Thirds |
0.1368 |
| Melodic Perfect Fourths |
0.0455 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03436 |
| Melodic Sixths |
0.0035 |
| Melodic Sevenths |
0.0003182 |
| Melodic Octaves |
0.01304 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.739 |
| Melodic Embellishments |
0.03305 |
| Direction of Melodic Motion |
0.4873 |
| Average Length of Melodic Arcs |
1.789 |
| Average Interval Spanned by Melodic Arcs |
4.428 |
| Melodic Pitch Variety |
4.7 |
| Mean Melodic Interval |
2.154 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4174 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5175 |
| Amount of Arpeggiation |
0.3175 |
| Repeated Notes |
0.133 |
| Importance of Middle Register |
0.6482 |
| Importance of High Register |
0.0006355 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.49 |
| Mean Pitch Class |
5.295 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1166 |
| Prevalence of Most Common Pitch Class |
0.1792 |
| Relative Prevalence of Top Pitches |
0.8801 |
| Relative Prevalence of Top Pitch Classes |
0.9876 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.491 |
| Pitch Class Variability |
3.503 |
| Pitch Class Variability After Folding |
3.011 |
| Pitch Skewness |
-0.08224 |
| Pitch Class Skewness |
0.2525 |
| Pitch Class Skewness After Folding |
0.2254 |
| Pitch Kurtosis |
5.443 |
| Pitch Class Kurtosis |
4.902 |
| Pitch Class Kurtosis After Folding |
7.469 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3511 |
| Note Density per Quarter Note |
0.9956 |
| Note Density per Quarter Note per Voice |
0.2489 |
| Note Density per Quarter Note Variability |
0.3789 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006991 |
| Prevalence of Medium Rhythmic Values |
0.483 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7944 |
| Prevalence of Very Long Rhythmic Values |
0.1153 |
| Prevalence of Dotted Notes |
0.1779 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.122 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.293 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9469 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.958 |
| Rhythmic Value Skewness |
0.1869 |
| Rhythmic Value Kurtosis |
7.999 |
| Mean Rhythmic Value Run Length |
1.58 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.126 |
| Mean Rhythmic Value Offset |
0.04904 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6263 |
| Complete Rests Fraction |
0.001579 |
| Partial Rests Fraction |
0.6488 |
| Average Rest Fraction Across Voices |
0.2212 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
192.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
11.8 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
21.82 |
| Variability Across Voices of Combined Rests |
246.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5094 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2007 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.538 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.71 |
| Rhythmic Variability - Tempo Standardized |
0.04591 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
3147.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.496 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.6519 |
| Variability of Note Durations |
0.4522 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2763 |
| Strength of Second Strongest Rhythmic Pulse |
0.2139 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.292 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4902 |
| Rhythmic Variability |
0.03328 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000001842 |
| Duration in Seconds |
658.5 |
| Note Density |
4.779 |
| Note Density Variability |
1.396 |
| Average Time Between Attacks |
0.3882 |
| Average Time Between Attacks for Each Voice |
0.843 |
| Variability of Time Between Attacks |
0.2305 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.4363 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.08262 |
| Relative Note Durations of Lowest Line |
1.093 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8897 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04948 |
| Average Number of Independent Voices |
3.12 |
| Similar Motion |
0.1462 |
| Contrary Motion |
0.1859 |
| Oblique Motion |
0.6185 |
| Parallel Fifths |
0.002279 |
| Parallel Octaves |
0.001302 |
| Variability of Number of Independent Voices |
0.7696 |
| Voice Equality - Number of Notes |
124.1 |
| Voice Equality - Note Duration |
51.29 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
11.67 |