| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2412 |
| Prevalence of Second Most Common Vertical Interval |
0.1927 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.799 |
| Vertical Unisons |
0.07869 |
| Vertical Minor Seconds |
0.005577 |
| Vertical Thirds |
0.3387 |
| Vertical Tritones |
0.01134 |
| Vertical Perfect Fourths |
0.06624 |
| Vertical Perfect Fifths |
0.1866 |
| Vertical Sixths |
0.1163 |
| Vertical Sevenths |
0.0171 |
| Vertical Octaves |
0.1625 |
| Perfect Vertical Intervals |
0.494 |
| Vertical Dissonance Ratio |
0.05371 |
| Vertical Minor Third Prevalence |
0.4663 |
| Vertical Major Third Prevalence |
0.3581 |
| Chord Duration |
2.525 |
| Partial Chords |
0.5224 |
| Standard Triads |
0.3602 |
| Diminished and Augmented Triads |
0.02375 |
| Dominant Seventh Chords |
0.001319 |
| Seventh Chords |
0.006596 |
| Non-Standard Chords |
0.1108 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.289 |
| Average Number of Simultaneous Pitch Classes |
2.319 |
| Variability of Number of Simultaneous Pitch Classes |
0.6978 |
| Average Number of Simultaneous Pitches |
2.788 |
| Variability of Number of Simultaneous Pitches |
0.8797 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.065 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
25.75 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1876 |
| Stepwise Motion |
0.5627 |
| Melodic Thirds |
0.2063 |
| Melodic Perfect Fourths |
0.04338 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04338 |
| Melodic Sixths |
0.008206 |
| Melodic Sevenths |
0.004689 |
| Melodic Octaves |
0.03751 |
| Melodic Large Intervals |
0.001172 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.259 |
| Melodic Embellishments |
0.01284 |
| Direction of Melodic Motion |
0.4755 |
| Average Length of Melodic Arcs |
1.36 |
| Average Interval Spanned by Melodic Arcs |
4.065 |
| Melodic Pitch Variety |
4.572 |
| Mean Melodic Interval |
2.722 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3751 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.3857 |
| Repeated Notes |
0.09261 |
| Importance of Middle Register |
0.7643 |
| Importance of High Register |
0.0105 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.93 |
| Mean Pitch Class |
5.321 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1342 |
| Prevalence of Most Common Pitch Class |
0.2217 |
| Relative Prevalence of Top Pitches |
0.8087 |
| Relative Prevalence of Top Pitch Classes |
0.8368 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.948 |
| Pitch Class Variability |
3.266 |
| Pitch Class Variability After Folding |
3.795 |
| Pitch Skewness |
-0.2841 |
| Pitch Class Skewness |
0.2947 |
| Pitch Class Skewness After Folding |
0.8607 |
| Pitch Kurtosis |
5.398 |
| Pitch Class Kurtosis |
4.704 |
| Pitch Class Kurtosis After Folding |
5.219 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2252 |
| Note Density per Quarter Note |
0.9954 |
| Note Density per Quarter Note per Voice |
0.2488 |
| Note Density per Quarter Note Variability |
0.4725 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5286 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8891 |
| Prevalence of Very Long Rhythmic Values |
0.05834 |
| Prevalence of Dotted Notes |
0.08518 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.036 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4177 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8352 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.805 |
| Rhythmic Value Skewness |
1.722 |
| Rhythmic Value Kurtosis |
13.34 |
| Mean Rhythmic Value Run Length |
1.632 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.249 |
| Mean Rhythmic Value Offset |
0.03267 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4523 |
| Complete Rests Fraction |
0.001096 |
| Partial Rests Fraction |
0.6261 |
| Average Rest Fraction Across Voices |
0.2335 |
| Longest Complete Rest |
0.944 |
| Longest Partial Rest |
44.91 |
| Mean Complete Rest Duration |
0.944 |
| Mean Partial Rest Duration |
8.292 |
| Median Complete Rest Duration |
0.944 |
| Median Partial Rest Duration |
3.808 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.606 |
| Variability Across Voices of Combined Rests |
50.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.69 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1719 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.013 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8619 |
| Rhythmic Variability - Tempo Standardized |
0.05693 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
857.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.019 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
4.167 |
| Average Note Duration |
0.6741 |
| Variability of Note Durations |
0.4453 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
276.3 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2875 |
| Strength of Second Strongest Rhythmic Pulse |
0.2804 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.025 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5679 |
| Rhythmic Variability |
0.03805 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
22.77 |
| Duration in Seconds |
188.4 |
| Note Density |
4.548 |
| Note Density Variability |
1.473 |
| Average Time Between Attacks |
0.4165 |
| Average Time Between Attacks for Each Voice |
0.8546 |
| Variability of Time Between Attacks |
0.2279 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.4844 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.3127 |
| Relative Note Durations of Lowest Line |
0.8866 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8098 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.619 |
| Parallel Motion |
0.04088 |
| Average Number of Independent Voices |
3.058 |
| Similar Motion |
0.1305 |
| Contrary Motion |
0.2374 |
| Oblique Motion |
0.5912 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.843 |
| Voice Equality - Number of Notes |
25.75 |
| Voice Equality - Note Duration |
11.09 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
11.67 |