| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2064 |
| Prevalence of Second Most Common Vertical Interval |
0.192 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9302 |
| Vertical Unisons |
0.03718 |
| Vertical Minor Seconds |
0.004283 |
| Vertical Thirds |
0.3671 |
| Vertical Tritones |
0.008719 |
| Vertical Perfect Fourths |
0.07543 |
| Vertical Perfect Fifths |
0.1899 |
| Vertical Sixths |
0.1303 |
| Vertical Sevenths |
0.01877 |
| Vertical Octaves |
0.1548 |
| Perfect Vertical Intervals |
0.4573 |
| Vertical Dissonance Ratio |
0.04755 |
| Vertical Minor Third Prevalence |
0.614 |
| Vertical Major Third Prevalence |
0.4978 |
| Chord Duration |
2.138 |
| Partial Chords |
0.3769 |
| Standard Triads |
0.5072 |
| Diminished and Augmented Triads |
0.01464 |
| Dominant Seventh Chords |
0.003777 |
| Seventh Chords |
0.01448 |
| Non-Standard Chords |
0.1014 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.273 |
| Average Number of Simultaneous Pitch Classes |
2.615 |
| Variability of Number of Simultaneous Pitch Classes |
0.5931 |
| Average Number of Simultaneous Pitches |
3.212 |
| Variability of Number of Simultaneous Pitches |
0.7574 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.543 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
150.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1884 |
| Stepwise Motion |
0.6232 |
| Melodic Thirds |
0.1583 |
| Melodic Perfect Fourths |
0.06547 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05134 |
| Melodic Sixths |
0.003297 |
| Melodic Sevenths |
0.001413 |
| Melodic Octaves |
0.01602 |
| Melodic Large Intervals |
0.0009421 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.327 |
| Melodic Embellishments |
0.03008 |
| Direction of Melodic Motion |
0.4613 |
| Average Length of Melodic Arcs |
1.959 |
| Average Interval Spanned by Melodic Arcs |
5.342 |
| Melodic Pitch Variety |
5.097 |
| Mean Melodic Interval |
2.514 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4348 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4334 |
| Amount of Arpeggiation |
0.3076 |
| Repeated Notes |
0.08008 |
| Importance of Middle Register |
0.7749 |
| Importance of High Register |
0.009398 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.44 |
| Mean Pitch Class |
5.402 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09774 |
| Prevalence of Most Common Pitch Class |
0.1715 |
| Relative Prevalence of Top Pitches |
0.9519 |
| Relative Prevalence of Top Pitch Classes |
0.9671 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.81 |
| Pitch Class Variability |
3.495 |
| Pitch Class Variability After Folding |
3.072 |
| Pitch Skewness |
-0.04968 |
| Pitch Class Skewness |
0.3453 |
| Pitch Class Skewness After Folding |
0.3745 |
| Pitch Kurtosis |
5.389 |
| Pitch Class Kurtosis |
4.886 |
| Pitch Class Kurtosis After Folding |
7.243 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2157 |
| Note Density per Quarter Note |
0.9775 |
| Note Density per Quarter Note per Voice |
0.2444 |
| Note Density per Quarter Note Variability |
0.3886 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0009398 |
| Prevalence of Medium Rhythmic Values |
0.5009 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8647 |
| Prevalence of Very Long Rhythmic Values |
0.1203 |
| Prevalence of Dotted Notes |
0.1598 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.311 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3656 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7725 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.294 |
| Rhythmic Value Skewness |
1.714 |
| Rhythmic Value Kurtosis |
10.28 |
| Mean Rhythmic Value Run Length |
1.712 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.227 |
| Mean Rhythmic Value Offset |
0.1691 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.619 |
| Complete Rests Fraction |
0.002329 |
| Partial Rests Fraction |
0.4877 |
| Average Rest Fraction Across Voices |
0.1603 |
| Longest Complete Rest |
4.062 |
| Longest Partial Rest |
84.67 |
| Mean Complete Rest Duration |
2.535 |
| Mean Partial Rest Duration |
9.005 |
| Median Complete Rest Duration |
4.062 |
| Median Partial Rest Duration |
4.062 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.16 |
| Variability of Partial Rest Durations |
14.07 |
| Variability Across Voices of Combined Rests |
100.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6014 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.166 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.623 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7674 |
| Rhythmic Variability - Tempo Standardized |
0.05072 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2128.0 |
| Initial Tempo |
304.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.226 |
| Minimum Note Duration |
0.09868 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.7052 |
| Variability of Note Durations |
0.6588 |
| Amount of Staccato |
0.0009398 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
292.7 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2879 |
| Strength of Second Strongest Rhythmic Pulse |
0.2344 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.228 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5223 |
| Rhythmic Variability |
0.03517 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
7.276 |
| Duration in Seconds |
446.6 |
| Note Density |
4.765 |
| Note Density Variability |
1.533 |
| Average Time Between Attacks |
0.4174 |
| Average Time Between Attacks for Each Voice |
0.9037 |
| Variability of Time Between Attacks |
0.2788 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6471 |
| Relative Range Isolation of Loudest Voice |
0.2618 |
| Relative Range of Highest Line |
0.6471 |
| Relative Note Density of Highest Line |
0.1259 |
| Relative Note Durations of Lowest Line |
0.9549 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8966 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.05698 |
| Average Number of Independent Voices |
3.367 |
| Similar Motion |
0.1485 |
| Contrary Motion |
0.2138 |
| Oblique Motion |
0.5808 |
| Parallel Fifths |
0.002091 |
| Parallel Octaves |
0.001568 |
| Variability of Number of Independent Voices |
0.731 |
| Voice Equality - Number of Notes |
150.4 |
| Voice Equality - Note Duration |
20.65 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.697 |
| Importance of Loudest Voice |
11.67 |