| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2591 |
| Prevalence of Second Most Common Vertical Interval |
0.1857 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7169 |
| Vertical Unisons |
0.05863 |
| Vertical Minor Seconds |
0.004849 |
| Vertical Thirds |
0.3175 |
| Vertical Tritones |
0.005967 |
| Vertical Perfect Fourths |
0.07381 |
| Vertical Perfect Fifths |
0.1857 |
| Vertical Sixths |
0.1099 |
| Vertical Sevenths |
0.01862 |
| Vertical Octaves |
0.2004 |
| Perfect Vertical Intervals |
0.5186 |
| Vertical Dissonance Ratio |
0.05699 |
| Vertical Minor Third Prevalence |
0.4749 |
| Vertical Major Third Prevalence |
0.5399 |
| Chord Duration |
2.167 |
| Partial Chords |
0.3961 |
| Standard Triads |
0.4537 |
| Diminished and Augmented Triads |
0.01805 |
| Dominant Seventh Chords |
0.00361 |
| Seventh Chords |
0.02094 |
| Non-Standard Chords |
0.1292 |
| Complex Chords |
0.007702 |
| Minor Major Triad Ratio |
0.5527 |
| Average Number of Simultaneous Pitch Classes |
2.522 |
| Variability of Number of Simultaneous Pitch Classes |
0.7663 |
| Average Number of Simultaneous Pitches |
3.366 |
| Variability of Number of Simultaneous Pitches |
1.223 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.469 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
89.69 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1645 |
| Stepwise Motion |
0.5929 |
| Melodic Thirds |
0.1564 |
| Melodic Perfect Fourths |
0.06038 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0552 |
| Melodic Sixths |
0.000575 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02358 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.641 |
| Melodic Embellishments |
0.02579 |
| Direction of Melodic Motion |
0.5045 |
| Average Length of Melodic Arcs |
1.781 |
| Average Interval Spanned by Melodic Arcs |
5.023 |
| Melodic Pitch Variety |
4.98 |
| Mean Melodic Interval |
2.526 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4284 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3839 |
| Amount of Arpeggiation |
0.3462 |
| Repeated Notes |
0.111 |
| Importance of Middle Register |
0.737 |
| Importance of High Register |
0.00745 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.04 |
| Mean Pitch Class |
5.487 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1335 |
| Prevalence of Most Common Pitch Class |
0.2453 |
| Relative Prevalence of Top Pitches |
0.7511 |
| Relative Prevalence of Top Pitch Classes |
0.6729 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.229 |
| Pitch Class Variability |
3.441 |
| Pitch Class Variability After Folding |
2.907 |
| Pitch Skewness |
-0.1791 |
| Pitch Class Skewness |
-0.4476 |
| Pitch Class Skewness After Folding |
1.072 |
| Pitch Kurtosis |
5.46 |
| Pitch Class Kurtosis |
4.92 |
| Pitch Class Kurtosis After Folding |
7.982 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2556 |
| Note Density per Quarter Note |
1.141 |
| Note Density per Quarter Note per Voice |
0.1902 |
| Note Density per Quarter Note Variability |
0.6526 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4968 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7547 |
| Prevalence of Very Long Rhythmic Values |
0.1341 |
| Prevalence of Dotted Notes |
0.1117 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.194 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3072 |
| Relative Prevalence of Most Common Rhythmic Values |
0.819 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.157 |
| Rhythmic Value Skewness |
0.2704 |
| Rhythmic Value Kurtosis |
7.464 |
| Mean Rhythmic Value Run Length |
1.829 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.495 |
| Mean Rhythmic Value Offset |
0.05401 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8711 |
| Complete Rests Fraction |
0.0007057 |
| Partial Rests Fraction |
0.8521 |
| Average Rest Fraction Across Voices |
0.3804 |
| Longest Complete Rest |
1.079 |
| Longest Partial Rest |
295.1 |
| Mean Complete Rest Duration |
1.079 |
| Mean Partial Rest Duration |
22.37 |
| Median Complete Rest Duration |
1.079 |
| Median Partial Rest Duration |
6.529 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
46.2 |
| Variability Across Voices of Combined Rests |
138.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5177 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2341 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.211 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7518 |
| Rhythmic Variability - Tempo Standardized |
0.04802 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1745.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.058 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6237 |
| Variability of Note Durations |
0.4996 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
323.6 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
79.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.975 |
| Strength of Strongest Rhythmic Pulse |
0.2312 |
| Strength of Second Strongest Rhythmic Pulse |
0.2304 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.003 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4616 |
| Rhythmic Variability |
0.03218 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
64.07 |
| Duration in Seconds |
292.7 |
| Note Density |
5.961 |
| Note Density Variability |
2.223 |
| Average Time Between Attacks |
0.3426 |
| Average Time Between Attacks for Each Voice |
1.016 |
| Variability of Time Between Attacks |
0.2036 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.3241 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.2338 |
| Relative Note Durations of Lowest Line |
1.153 |
| Relative Size of Melodic Intervals in Lowest Line |
0.4615 |
| Voice Overlap |
0.9398 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
2.915 |
| Parallel Motion |
0.04467 |
| Average Number of Independent Voices |
3.707 |
| Similar Motion |
0.1441 |
| Contrary Motion |
0.1769 |
| Oblique Motion |
0.6343 |
| Parallel Fifths |
0.003574 |
| Parallel Octaves |
0.004765 |
| Variability of Number of Independent Voices |
1.418 |
| Voice Equality - Number of Notes |
67.15 |
| Voice Equality - Note Duration |
26.43 |
| Voice Equality - Dynamics |
8.367 |
| Voice Equality - Melodic Leaps |
0.7528 |
| Voice Equality - Range |
3.406 |
| Importance of Loudest Voice |
12.0 |