| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2008 |
| Prevalence of Second Most Common Vertical Interval |
0.1938 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9653 |
| Vertical Unisons |
0.03526 |
| Vertical Minor Seconds |
0.00494 |
| Vertical Thirds |
0.3618 |
| Vertical Tritones |
0.009785 |
| Vertical Perfect Fourths |
0.07108 |
| Vertical Perfect Fifths |
0.1743 |
| Vertical Sixths |
0.1382 |
| Vertical Sevenths |
0.02042 |
| Vertical Octaves |
0.1655 |
| Perfect Vertical Intervals |
0.4462 |
| Vertical Dissonance Ratio |
0.05689 |
| Vertical Minor Third Prevalence |
0.5532 |
| Vertical Major Third Prevalence |
0.5088 |
| Chord Duration |
1.989 |
| Partial Chords |
0.3756 |
| Standard Triads |
0.4878 |
| Diminished and Augmented Triads |
0.013 |
| Dominant Seventh Chords |
0.001238 |
| Seventh Chords |
0.01176 |
| Non-Standard Chords |
0.1248 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.231 |
| Average Number of Simultaneous Pitch Classes |
2.568 |
| Variability of Number of Simultaneous Pitch Classes |
0.6531 |
| Average Number of Simultaneous Pitches |
3.218 |
| Variability of Number of Simultaneous Pitches |
0.8202 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.224 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
50.21 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2069 |
| Stepwise Motion |
0.5947 |
| Melodic Thirds |
0.1472 |
| Melodic Perfect Fourths |
0.05776 |
| Melodic Tritones |
0.0005023 |
| Melodic Perfect Fifths |
0.0663 |
| Melodic Sixths |
0.002009 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01356 |
| Melodic Large Intervals |
0.0005023 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.22 |
| Melodic Embellishments |
0.02055 |
| Direction of Melodic Motion |
0.5094 |
| Average Length of Melodic Arcs |
1.656 |
| Average Interval Spanned by Melodic Arcs |
4.518 |
| Melodic Pitch Variety |
4.746 |
| Mean Melodic Interval |
2.412 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3877 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5337 |
| Amount of Arpeggiation |
0.3451 |
| Repeated Notes |
0.1175 |
| Importance of Middle Register |
0.7734 |
| Importance of High Register |
0.01504 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.08 |
| Mean Pitch Class |
5.366 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1208 |
| Prevalence of Most Common Pitch Class |
0.1895 |
| Relative Prevalence of Top Pitches |
0.8548 |
| Relative Prevalence of Top Pitch Classes |
0.9815 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.655 |
| Pitch Class Variability |
3.503 |
| Pitch Class Variability After Folding |
2.987 |
| Pitch Skewness |
0.2802 |
| Pitch Class Skewness |
0.3133 |
| Pitch Class Skewness After Folding |
0.2225 |
| Pitch Kurtosis |
5.518 |
| Pitch Class Kurtosis |
4.929 |
| Pitch Class Kurtosis After Folding |
7.594 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2115 |
| Note Density per Quarter Note |
1.165 |
| Note Density per Quarter Note per Voice |
0.2912 |
| Note Density per Quarter Note Variability |
0.4291 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5734 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8426 |
| Prevalence of Very Long Rhythmic Values |
0.05865 |
| Prevalence of Dotted Notes |
0.08471 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.863 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.416 |
| Relative Prevalence of Most Common Rhythmic Values |
0.741 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.701 |
| Rhythmic Value Skewness |
1.523 |
| Rhythmic Value Kurtosis |
11.89 |
| Mean Rhythmic Value Run Length |
1.858 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.574 |
| Mean Rhythmic Value Offset |
0.03033 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4094 |
| Complete Rests Fraction |
0.0005789 |
| Partial Rests Fraction |
0.4407 |
| Average Rest Fraction Across Voices |
0.1576 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
52.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.879 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.79 |
| Variability Across Voices of Combined Rests |
76.33 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6584 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1727 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.812 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8312 |
| Rhythmic Variability - Tempo Standardized |
0.05504 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1995.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9221 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6028 |
| Variability of Note Durations |
0.3959 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2898 |
| Strength of Second Strongest Rhythmic Pulse |
0.2589 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.119 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5487 |
| Rhythmic Variability |
0.03721 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000001056 |
| Duration in Seconds |
356.9 |
| Note Density |
5.59 |
| Note Density Variability |
1.528 |
| Average Time Between Attacks |
0.3677 |
| Average Time Between Attacks for Each Voice |
0.7061 |
| Variability of Time Between Attacks |
0.1701 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.3901 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.1363 |
| Relative Note Durations of Lowest Line |
1.001 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8947 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.04802 |
| Average Number of Independent Voices |
3.371 |
| Similar Motion |
0.1524 |
| Contrary Motion |
0.2239 |
| Oblique Motion |
0.5757 |
| Parallel Fifths |
0.004697 |
| Parallel Octaves |
0.00261 |
| Variability of Number of Independent Voices |
0.8102 |
| Voice Equality - Number of Notes |
50.21 |
| Voice Equality - Note Duration |
15.9 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
11.67 |