| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2109 |
| Prevalence of Second Most Common Vertical Interval |
0.2022 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9587 |
| Vertical Unisons |
0.02124 |
| Vertical Minor Seconds |
0.002397 |
| Vertical Thirds |
0.3563 |
| Vertical Tritones |
0.005184 |
| Vertical Perfect Fourths |
0.06612 |
| Vertical Perfect Fifths |
0.2022 |
| Vertical Sixths |
0.1413 |
| Vertical Sevenths |
0.007673 |
| Vertical Octaves |
0.1896 |
| Perfect Vertical Intervals |
0.4792 |
| Vertical Dissonance Ratio |
0.02371 |
| Vertical Minor Third Prevalence |
0.7694 |
| Vertical Major Third Prevalence |
0.7129 |
| Chord Duration |
5.158 |
| Partial Chords |
0.1238 |
| Standard Triads |
0.7834 |
| Diminished and Augmented Triads |
0.01466 |
| Dominant Seventh Chords |
0.001629 |
| Seventh Chords |
0.01954 |
| Non-Standard Chords |
0.07329 |
| Complex Chords |
0.001629 |
| Minor Major Triad Ratio |
1.227 |
| Average Number of Simultaneous Pitch Classes |
2.913 |
| Variability of Number of Simultaneous Pitch Classes |
0.4602 |
| Average Number of Simultaneous Pitches |
4.174 |
| Variability of Number of Simultaneous Pitches |
0.7717 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.12 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
42.52 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1493 |
| Stepwise Motion |
0.4406 |
| Melodic Thirds |
0.1616 |
| Melodic Perfect Fourths |
0.05386 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04529 |
| Melodic Sixths |
0.003672 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01102 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.75 |
| Melodic Embellishments |
0.0292 |
| Direction of Melodic Motion |
0.4786 |
| Average Length of Melodic Arcs |
1.625 |
| Average Interval Spanned by Melodic Arcs |
4.506 |
| Melodic Pitch Variety |
4.228 |
| Mean Melodic Interval |
2.023 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2913 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9748 |
| Amount of Arpeggiation |
0.5018 |
| Repeated Notes |
0.284 |
| Importance of Middle Register |
0.6618 |
| Importance of High Register |
0.002433 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.45 |
| Mean Pitch Class |
5.134 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.09367 |
| Prevalence of Most Common Pitch Class |
0.1764 |
| Relative Prevalence of Top Pitches |
0.8961 |
| Relative Prevalence of Top Pitch Classes |
0.9655 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.804 |
| Pitch Class Variability |
3.568 |
| Pitch Class Variability After Folding |
3.081 |
| Pitch Skewness |
-0.375 |
| Pitch Class Skewness |
0.1125 |
| Pitch Class Skewness After Folding |
0.2724 |
| Pitch Kurtosis |
5.198 |
| Pitch Class Kurtosis |
4.808 |
| Pitch Class Kurtosis After Folding |
7.251 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3358 |
| Note Density per Quarter Note |
0.6624 |
| Note Density per Quarter Note per Voice |
0.1325 |
| Note Density per Quarter Note Variability |
0.2818 |
| Range of Rhythmic Values |
5.0 |
| Number of Different Rhythmic Values Present |
5.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.09246 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
1.0 |
| Prevalence of Very Long Rhythmic Values |
0.5036 |
| Prevalence of Dotted Notes |
0.174 |
| Shortest Rhythmic Value |
2.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
6.058 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4039 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8163 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.807 |
| Rhythmic Value Skewness |
0.06241 |
| Rhythmic Value Kurtosis |
5.558 |
| Mean Rhythmic Value Run Length |
1.631 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.152 |
| Mean Rhythmic Value Offset |
0.4769 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.56 |
| Complete Rests Fraction |
0.0007991 |
| Partial Rests Fraction |
0.5326 |
| Average Rest Fraction Across Voices |
0.1342 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
256.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
12.81 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
32.37 |
| Variability Across Voices of Combined Rests |
139.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
60.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
1.0 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.0 |
| Rhythmic Variability - Tempo Standardized |
0.07881 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
822.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.195 |
| Minimum Note Duration |
0.4167 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
1.362 |
| Variability of Note Durations |
0.9342 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6824 |
| Strength of Second Strongest Rhythmic Pulse |
0.1765 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.866 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.859 |
| Rhythmic Variability |
0.05649 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000004036 |
| Duration in Seconds |
258.5 |
| Note Density |
3.179 |
| Note Density Variability |
0.8905 |
| Average Time Between Attacks |
0.7856 |
| Average Time Between Attacks for Each Voice |
1.727 |
| Variability of Time Between Attacks |
0.3444 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3529 |
| Relative Range Isolation of Loudest Voice |
0.7553 |
| Relative Range of Highest Line |
0.3529 |
| Relative Note Density of Highest Line |
0.4136 |
| Relative Note Durations of Lowest Line |
0.975 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.7591 |
| Voice Separation |
5.25 |
| Variability of Voice Separation |
4.425 |
| Parallel Motion |
0.04563 |
| Average Number of Independent Voices |
4.332 |
| Similar Motion |
0.147 |
| Contrary Motion |
0.2231 |
| Oblique Motion |
0.5843 |
| Parallel Fifths |
0.002535 |
| Parallel Octaves |
0.002535 |
| Variability of Number of Independent Voices |
0.7422 |
| Voice Equality - Number of Notes |
48.34 |
| Voice Equality - Note Duration |
29.09 |
| Voice Equality - Dynamics |
7.416 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
3.564 |
| Importance of Loudest Voice |
11.25 |