| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1984 |
| Prevalence of Second Most Common Vertical Interval |
0.1867 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9411 |
| Vertical Unisons |
0.04095 |
| Vertical Minor Seconds |
0.005841 |
| Vertical Thirds |
0.3339 |
| Vertical Tritones |
0.01195 |
| Vertical Perfect Fourths |
0.06174 |
| Vertical Perfect Fifths |
0.1867 |
| Vertical Sixths |
0.1466 |
| Vertical Sevenths |
0.0311 |
| Vertical Octaves |
0.1574 |
| Perfect Vertical Intervals |
0.4468 |
| Vertical Dissonance Ratio |
0.07836 |
| Vertical Minor Third Prevalence |
0.3885 |
| Vertical Major Third Prevalence |
0.3208 |
| Chord Duration |
2.139 |
| Partial Chords |
0.6015 |
| Standard Triads |
0.2788 |
| Diminished and Augmented Triads |
0.01478 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.009034 |
| Non-Standard Chords |
0.1106 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.194 |
| Average Number of Simultaneous Pitch Classes |
2.268 |
| Variability of Number of Simultaneous Pitch Classes |
0.6808 |
| Average Number of Simultaneous Pitches |
2.678 |
| Variability of Number of Simultaneous Pitches |
0.8854 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.227 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
125.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2376 |
| Stepwise Motion |
0.6916 |
| Melodic Thirds |
0.1371 |
| Melodic Perfect Fourths |
0.03558 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03521 |
| Melodic Sixths |
0.004448 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01038 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.022 |
| Melodic Embellishments |
0.03368 |
| Direction of Melodic Motion |
0.4787 |
| Average Length of Melodic Arcs |
1.849 |
| Average Interval Spanned by Melodic Arcs |
4.384 |
| Melodic Pitch Variety |
4.712 |
| Mean Melodic Interval |
2.177 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.454 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5233 |
| Amount of Arpeggiation |
0.2683 |
| Repeated Notes |
0.08562 |
| Importance of Middle Register |
0.8264 |
| Importance of High Register |
0.02739 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.54 |
| Mean Pitch Class |
5.244 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1092 |
| Prevalence of Most Common Pitch Class |
0.164 |
| Relative Prevalence of Top Pitches |
0.8 |
| Relative Prevalence of Top Pitch Classes |
0.9097 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
8.0 |
| Pitch Variability |
6.522 |
| Pitch Class Variability |
3.426 |
| Pitch Class Variability After Folding |
4.177 |
| Pitch Skewness |
-0.3383 |
| Pitch Class Skewness |
0.2135 |
| Pitch Class Skewness After Folding |
1.221 |
| Pitch Kurtosis |
5.339 |
| Pitch Class Kurtosis |
4.698 |
| Pitch Class Kurtosis After Folding |
4.539 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1462 |
| Note Density per Quarter Note |
0.8462 |
| Note Density per Quarter Note per Voice |
0.2116 |
| Note Density per Quarter Note Variability |
0.4114 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.755 |
| Prevalence of Very Long Rhythmic Values |
0.1369 |
| Prevalence of Dotted Notes |
0.1621 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.196 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2731 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9336 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.294 |
| Rhythmic Value Skewness |
0.2567 |
| Rhythmic Value Kurtosis |
9.134 |
| Mean Rhythmic Value Run Length |
1.533 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9217 |
| Mean Rhythmic Value Offset |
0.1097 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9425 |
| Complete Rests Fraction |
0.0002103 |
| Partial Rests Fraction |
0.7159 |
| Average Rest Fraction Across Voices |
0.302 |
| Longest Complete Rest |
0.6715 |
| Longest Partial Rest |
132.1 |
| Mean Complete Rest Duration |
0.6715 |
| Mean Partial Rest Duration |
20.3 |
| Median Complete Rest Duration |
0.6715 |
| Median Partial Rest Duration |
10.32 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
23.31 |
| Variability Across Voices of Combined Rests |
192.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5052 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2463 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.052 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7515 |
| Rhythmic Variability - Tempo Standardized |
0.04807 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2702.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.821 |
| Minimum Note Duration |
0.09112 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6659 |
| Variability of Note Durations |
0.5817 |
| Amount of Staccato |
0.00148 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
301.7 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2692 |
| Strength of Second Strongest Rhythmic Pulse |
0.224 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.202 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4932 |
| Rhythmic Variability |
0.03431 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
43.32 |
| Duration in Seconds |
644.5 |
| Note Density |
4.192 |
| Note Density Variability |
1.718 |
| Average Time Between Attacks |
0.3898 |
| Average Time Between Attacks for Each Voice |
0.9523 |
| Variability of Time Between Attacks |
0.2455 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4614 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1021 |
| Relative Note Durations of Lowest Line |
1.13 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8549 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.03585 |
| Average Number of Independent Voices |
2.798 |
| Similar Motion |
0.1088 |
| Contrary Motion |
0.1674 |
| Oblique Motion |
0.688 |
| Parallel Fifths |
0.002037 |
| Parallel Octaves |
0.001222 |
| Variability of Number of Independent Voices |
0.907 |
| Voice Equality - Number of Notes |
125.3 |
| Voice Equality - Note Duration |
38.9 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
11.67 |