| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1964 |
| Prevalence of Second Most Common Vertical Interval |
0.1891 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9627 |
| Vertical Unisons |
0.04593 |
| Vertical Minor Seconds |
0.007639 |
| Vertical Thirds |
0.3456 |
| Vertical Tritones |
0.01178 |
| Vertical Perfect Fourths |
0.0724 |
| Vertical Perfect Fifths |
0.1726 |
| Vertical Sixths |
0.1269 |
| Vertical Sevenths |
0.03242 |
| Vertical Octaves |
0.1432 |
| Perfect Vertical Intervals |
0.4341 |
| Vertical Dissonance Ratio |
0.103 |
| Vertical Minor Third Prevalence |
0.4882 |
| Vertical Major Third Prevalence |
0.3912 |
| Chord Duration |
1.82 |
| Partial Chords |
0.4494 |
| Standard Triads |
0.3608 |
| Diminished and Augmented Triads |
0.02057 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.007911 |
| Non-Standard Chords |
0.182 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.04 |
| Average Number of Simultaneous Pitch Classes |
2.474 |
| Variability of Number of Simultaneous Pitch Classes |
0.6747 |
| Average Number of Simultaneous Pitches |
2.935 |
| Variability of Number of Simultaneous Pitches |
0.8018 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.296 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
20.66 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2346 |
| Stepwise Motion |
0.7053 |
| Melodic Thirds |
0.09442 |
| Melodic Perfect Fourths |
0.05007 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04721 |
| Melodic Sixths |
0.004292 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02146 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.714 |
| Melodic Embellishments |
0.02134 |
| Direction of Melodic Motion |
0.4434 |
| Average Length of Melodic Arcs |
2.186 |
| Average Interval Spanned by Melodic Arcs |
5.502 |
| Melodic Pitch Variety |
5.701 |
| Mean Melodic Interval |
2.355 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4707 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4985 |
| Amount of Arpeggiation |
0.2403 |
| Repeated Notes |
0.07725 |
| Importance of Middle Register |
0.7383 |
| Importance of High Register |
0.00569 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.07 |
| Mean Pitch Class |
5.242 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1252 |
| Prevalence of Most Common Pitch Class |
0.1991 |
| Relative Prevalence of Top Pitches |
0.875 |
| Relative Prevalence of Top Pitch Classes |
0.8857 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.673 |
| Pitch Class Variability |
3.314 |
| Pitch Class Variability After Folding |
3.951 |
| Pitch Skewness |
0.2321 |
| Pitch Class Skewness |
0.2189 |
| Pitch Class Skewness After Folding |
0.944 |
| Pitch Kurtosis |
5.528 |
| Pitch Class Kurtosis |
4.738 |
| Pitch Class Kurtosis After Folding |
4.993 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.256 |
| Note Density per Quarter Note |
1.032 |
| Note Density per Quarter Note per Voice |
0.2581 |
| Note Density per Quarter Note Variability |
0.4201 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5135 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7212 |
| Prevalence of Very Long Rhythmic Values |
0.09815 |
| Prevalence of Dotted Notes |
0.1195 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.967 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3115 |
| Relative Prevalence of Most Common Rhythmic Values |
0.895 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.987 |
| Rhythmic Value Skewness |
1.46 |
| Rhythmic Value Kurtosis |
8.886 |
| Mean Rhythmic Value Run Length |
1.612 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.037 |
| Mean Rhythmic Value Offset |
0.02845 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4999 |
| Complete Rests Fraction |
0.001456 |
| Partial Rests Fraction |
0.6476 |
| Average Rest Fraction Across Voices |
0.2269 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.84 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.13 |
| Variability Across Voices of Combined Rests |
28.21 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5183 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.249 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.082 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7673 |
| Rhythmic Variability - Tempo Standardized |
0.04864 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
703.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.057 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6241 |
| Variability of Note Durations |
0.4523 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2585 |
| Strength of Second Strongest Rhythmic Pulse |
0.2312 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.118 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4897 |
| Rhythmic Variability |
0.03444 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.00000000004229 |
| Duration in Seconds |
141.9 |
| Note Density |
4.955 |
| Note Density Variability |
1.403 |
| Average Time Between Attacks |
0.3431 |
| Average Time Between Attacks for Each Voice |
0.773 |
| Variability of Time Between Attacks |
0.1822 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6364 |
| Relative Range Isolation of Loudest Voice |
0.3596 |
| Relative Range of Highest Line |
0.6364 |
| Relative Note Density of Highest Line |
0.3698 |
| Relative Note Durations of Lowest Line |
1.076 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8834 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.05036 |
| Average Number of Independent Voices |
3.097 |
| Similar Motion |
0.1367 |
| Contrary Motion |
0.1396 |
| Oblique Motion |
0.6734 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8077 |
| Voice Equality - Number of Notes |
20.66 |
| Voice Equality - Note Duration |
5.877 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
11.67 |