| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1851 |
| Prevalence of Second Most Common Vertical Interval |
0.1809 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9777 |
| Vertical Unisons |
0.03167 |
| Vertical Minor Seconds |
0.006506 |
| Vertical Thirds |
0.3525 |
| Vertical Tritones |
0.01246 |
| Vertical Perfect Fourths |
0.07293 |
| Vertical Perfect Fifths |
0.1698 |
| Vertical Sixths |
0.1487 |
| Vertical Sevenths |
0.03685 |
| Vertical Octaves |
0.1493 |
| Perfect Vertical Intervals |
0.4237 |
| Vertical Dissonance Ratio |
0.08122 |
| Vertical Minor Third Prevalence |
0.3975 |
| Vertical Major Third Prevalence |
0.38 |
| Chord Duration |
3.195 |
| Partial Chords |
0.5164 |
| Standard Triads |
0.3627 |
| Diminished and Augmented Triads |
0.005701 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.006601 |
| Non-Standard Chords |
0.1143 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.805 |
| Average Number of Simultaneous Pitch Classes |
2.333 |
| Variability of Number of Simultaneous Pitch Classes |
0.7406 |
| Average Number of Simultaneous Pitches |
2.766 |
| Variability of Number of Simultaneous Pitches |
0.9283 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.202 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
50.89 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2353 |
| Stepwise Motion |
0.6999 |
| Melodic Thirds |
0.12 |
| Melodic Perfect Fourths |
0.04383 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07485 |
| Melodic Sixths |
0.01079 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01214 |
| Melodic Large Intervals |
0.002697 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.123 |
| Melodic Embellishments |
0.02824 |
| Direction of Melodic Motion |
0.5203 |
| Average Length of Melodic Arcs |
1.862 |
| Average Interval Spanned by Melodic Arcs |
4.957 |
| Melodic Pitch Variety |
5.4 |
| Mean Melodic Interval |
2.581 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4646 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5065 |
| Amount of Arpeggiation |
0.2428 |
| Repeated Notes |
0.03574 |
| Importance of Middle Register |
0.7875 |
| Importance of High Register |
0.03564 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.2 |
| Mean Pitch Class |
5.283 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09818 |
| Prevalence of Most Common Pitch Class |
0.1735 |
| Relative Prevalence of Top Pitches |
0.9589 |
| Relative Prevalence of Top Pitch Classes |
0.9186 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.839 |
| Pitch Class Variability |
3.546 |
| Pitch Class Variability After Folding |
3.19 |
| Pitch Skewness |
0.3634 |
| Pitch Class Skewness |
0.2395 |
| Pitch Class Skewness After Folding |
0.4548 |
| Pitch Kurtosis |
5.476 |
| Pitch Class Kurtosis |
4.819 |
| Pitch Class Kurtosis After Folding |
6.939 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1769 |
| Note Density per Quarter Note |
0.7789 |
| Note Density per Quarter Note per Voice |
0.1947 |
| Note Density per Quarter Note Variability |
0.5558 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02152 |
| Prevalence of Medium Rhythmic Values |
0.4714 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8191 |
| Prevalence of Very Long Rhythmic Values |
0.1917 |
| Prevalence of Dotted Notes |
0.1527 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.549 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2905 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9653 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.507 |
| Rhythmic Value Skewness |
0.6567 |
| Rhythmic Value Kurtosis |
7.863 |
| Mean Rhythmic Value Run Length |
1.579 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.233 |
| Mean Rhythmic Value Offset |
0.1264 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.253 |
| Complete Rests Fraction |
0.0003728 |
| Partial Rests Fraction |
0.7192 |
| Average Rest Fraction Across Voices |
0.3079 |
| Longest Complete Rest |
0.7116 |
| Longest Partial Rest |
407.4 |
| Mean Complete Rest Duration |
0.7116 |
| Mean Partial Rest Duration |
30.94 |
| Median Complete Rest Duration |
0.7116 |
| Median Partial Rest Duration |
4.074 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
65.53 |
| Variability Across Voices of Combined Rests |
189.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5146 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2252 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.285 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7398 |
| Rhythmic Variability - Tempo Standardized |
0.04746 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1487.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.232 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
9.841 |
| Average Note Duration |
0.6769 |
| Variability of Note Durations |
0.5939 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
341.1 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
79.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.975 |
| Strength of Strongest Rhythmic Pulse |
0.2352 |
| Strength of Second Strongest Rhythmic Pulse |
0.2269 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.037 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4621 |
| Rhythmic Variability |
0.03195 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
93.64 |
| Duration in Seconds |
363.6 |
| Note Density |
4.09 |
| Note Density Variability |
1.729 |
| Average Time Between Attacks |
0.4275 |
| Average Time Between Attacks for Each Voice |
0.9625 |
| Variability of Time Between Attacks |
0.288 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.4169 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.1856 |
| Relative Note Durations of Lowest Line |
1.007 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8662 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.04041 |
| Average Number of Independent Voices |
2.864 |
| Similar Motion |
0.139 |
| Contrary Motion |
0.2164 |
| Oblique Motion |
0.6041 |
| Parallel Fifths |
0.00137 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9593 |
| Voice Equality - Number of Notes |
50.89 |
| Voice Equality - Note Duration |
36.17 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.826 |
| Importance of Loudest Voice |
11.67 |