| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2072 |
| Prevalence of Second Most Common Vertical Interval |
0.1901 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9175 |
| Vertical Unisons |
0.04275 |
| Vertical Minor Seconds |
0.00282 |
| Vertical Thirds |
0.3495 |
| Vertical Tritones |
0.01266 |
| Vertical Perfect Fourths |
0.08483 |
| Vertical Perfect Fifths |
0.1857 |
| Vertical Sixths |
0.1224 |
| Vertical Sevenths |
0.01935 |
| Vertical Octaves |
0.1644 |
| Perfect Vertical Intervals |
0.4777 |
| Vertical Dissonance Ratio |
0.05307 |
| Vertical Minor Third Prevalence |
0.5621 |
| Vertical Major Third Prevalence |
0.6373 |
| Chord Duration |
2.632 |
| Partial Chords |
0.266 |
| Standard Triads |
0.5929 |
| Diminished and Augmented Triads |
0.008915 |
| Dominant Seventh Chords |
0.002972 |
| Seventh Chords |
0.02377 |
| Non-Standard Chords |
0.1174 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7655 |
| Average Number of Simultaneous Pitch Classes |
2.737 |
| Variability of Number of Simultaneous Pitch Classes |
0.5915 |
| Average Number of Simultaneous Pitches |
3.488 |
| Variability of Number of Simultaneous Pitches |
0.6894 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.183 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
56.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.22 |
| Stepwise Motion |
0.6814 |
| Melodic Thirds |
0.1461 |
| Melodic Perfect Fourths |
0.04762 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05747 |
| Melodic Sixths |
0.006568 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01478 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.967 |
| Melodic Embellishments |
0.02443 |
| Direction of Melodic Motion |
0.4802 |
| Average Length of Melodic Arcs |
1.833 |
| Average Interval Spanned by Melodic Arcs |
4.735 |
| Melodic Pitch Variety |
5.021 |
| Mean Melodic Interval |
2.501 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4614 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4769 |
| Amount of Arpeggiation |
0.2644 |
| Repeated Notes |
0.04598 |
| Importance of Middle Register |
0.7801 |
| Importance of High Register |
0.0114 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.9 |
| Mean Pitch Class |
5.422 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.09772 |
| Prevalence of Most Common Pitch Class |
0.1808 |
| Relative Prevalence of Top Pitches |
0.85 |
| Relative Prevalence of Top Pitch Classes |
0.9009 |
| Interval Between Most Prevalent Pitches |
8.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.796 |
| Pitch Class Variability |
3.337 |
| Pitch Class Variability After Folding |
3.977 |
| Pitch Skewness |
0.2106 |
| Pitch Class Skewness |
0.3792 |
| Pitch Class Skewness After Folding |
1.023 |
| Pitch Kurtosis |
5.173 |
| Pitch Class Kurtosis |
4.951 |
| Pitch Class Kurtosis After Folding |
5.029 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2085 |
| Note Density per Quarter Note |
0.886 |
| Note Density per Quarter Note per Voice |
0.2215 |
| Note Density per Quarter Note Variability |
0.4736 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
4.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4528 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8127 |
| Prevalence of Very Long Rhythmic Values |
0.2345 |
| Prevalence of Dotted Notes |
0.1694 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.013 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2655 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8528 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
3.132 |
| Rhythmic Value Skewness |
0.9704 |
| Rhythmic Value Kurtosis |
6.625 |
| Mean Rhythmic Value Run Length |
1.62 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.253 |
| Mean Rhythmic Value Offset |
0.1694 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.153 |
| Complete Rests Fraction |
0.00118 |
| Partial Rests Fraction |
0.2376 |
| Average Rest Fraction Across Voices |
0.07899 |
| Longest Complete Rest |
0.8174 |
| Longest Partial Rest |
51.84 |
| Mean Complete Rest Duration |
0.8174 |
| Mean Partial Rest Duration |
8.109 |
| Median Complete Rest Duration |
0.8174 |
| Median Partial Rest Duration |
3.297 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.26 |
| Variability Across Voices of Combined Rests |
31.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5399 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2409 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.241 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7808 |
| Rhythmic Variability - Tempo Standardized |
0.04946 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
614.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.292 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.9995 |
| Variability of Note Durations |
0.9454 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
254.5 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2929 |
| Strength of Second Strongest Rhythmic Pulse |
0.2565 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.142 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5493 |
| Rhythmic Variability |
0.03754 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
33.39 |
| Duration in Seconds |
165.9 |
| Note Density |
3.7 |
| Note Density Variability |
2.208 |
| Average Time Between Attacks |
0.5444 |
| Average Time Between Attacks for Each Voice |
1.234 |
| Variability of Time Between Attacks |
0.5339 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.2159 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.4365 |
| Relative Note Durations of Lowest Line |
0.9444 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.842 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.05091 |
| Average Number of Independent Voices |
3.694 |
| Similar Motion |
0.1319 |
| Contrary Motion |
0.2102 |
| Oblique Motion |
0.607 |
| Parallel Fifths |
0.003916 |
| Parallel Octaves |
0.002611 |
| Variability of Number of Independent Voices |
0.5927 |
| Voice Equality - Number of Notes |
56.3 |
| Voice Equality - Note Duration |
7.49 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.63 |
| Importance of Loudest Voice |
11.67 |