| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2365 |
| Prevalence of Second Most Common Vertical Interval |
0.2111 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8928 |
| Vertical Unisons |
0.05629 |
| Vertical Minor Seconds |
0.006278 |
| Vertical Thirds |
0.3489 |
| Vertical Tritones |
0.006782 |
| Vertical Perfect Fourths |
0.06277 |
| Vertical Perfect Fifths |
0.1748 |
| Vertical Sixths |
0.1202 |
| Vertical Sevenths |
0.0164 |
| Vertical Octaves |
0.1802 |
| Perfect Vertical Intervals |
0.474 |
| Vertical Dissonance Ratio |
0.06038 |
| Vertical Minor Third Prevalence |
0.3309 |
| Vertical Major Third Prevalence |
0.2567 |
| Chord Duration |
2.31 |
| Partial Chords |
0.7436 |
| Standard Triads |
0.2031 |
| Diminished and Augmented Triads |
0.003071 |
| Dominant Seventh Chords |
0.0009214 |
| Seventh Chords |
0.004304 |
| Non-Standard Chords |
0.04899 |
| Complex Chords |
0.000003839 |
| Minor Major Triad Ratio |
1.927 |
| Average Number of Simultaneous Pitch Classes |
2.055 |
| Variability of Number of Simultaneous Pitch Classes |
0.64 |
| Average Number of Simultaneous Pitches |
2.41 |
| Variability of Number of Simultaneous Pitches |
0.8316 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.614 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
46.22 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1837 |
| Stepwise Motion |
0.5785 |
| Melodic Thirds |
0.1278 |
| Melodic Perfect Fourths |
0.04511 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04934 |
| Melodic Sixths |
0.003289 |
| Melodic Sevenths |
0.0004699 |
| Melodic Octaves |
0.006579 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.942 |
| Melodic Embellishments |
0.01923 |
| Direction of Melodic Motion |
0.4797 |
| Average Length of Melodic Arcs |
1.911 |
| Average Interval Spanned by Melodic Arcs |
4.873 |
| Melodic Pitch Variety |
4.659 |
| Mean Melodic Interval |
2.071 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3947 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4786 |
| Amount of Arpeggiation |
0.3731 |
| Repeated Notes |
0.1889 |
| Importance of Middle Register |
0.7889 |
| Importance of High Register |
0.02627 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.37 |
| Mean Pitch Class |
5.216 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1098 |
| Prevalence of Most Common Pitch Class |
0.1876 |
| Relative Prevalence of Top Pitches |
0.9145 |
| Relative Prevalence of Top Pitch Classes |
0.9875 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.676 |
| Pitch Class Variability |
3.433 |
| Pitch Class Variability After Folding |
3.342 |
| Pitch Skewness |
-0.4544 |
| Pitch Class Skewness |
0.1886 |
| Pitch Class Skewness After Folding |
0.736 |
| Pitch Kurtosis |
5.346 |
| Pitch Class Kurtosis |
4.846 |
| Pitch Class Kurtosis After Folding |
6.387 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1848 |
| Note Density per Quarter Note |
0.8147 |
| Note Density per Quarter Note per Voice |
0.2037 |
| Note Density per Quarter Note Variability |
0.3724 |
| Range of Rhythmic Values |
11.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.001876 |
| Prevalence of Short Rhythmic Values |
0.001876 |
| Prevalence of Medium Rhythmic Values |
0.5277 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8255 |
| Prevalence of Very Long Rhythmic Values |
0.1098 |
| Prevalence of Dotted Notes |
0.1628 |
| Shortest Rhythmic Value |
0.125 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.05 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3551 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7635 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.967 |
| Rhythmic Value Skewness |
1.601 |
| Rhythmic Value Kurtosis |
10.73 |
| Mean Rhythmic Value Run Length |
1.724 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.325 |
| Mean Rhythmic Value Offset |
0.1002 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7948 |
| Complete Rests Fraction |
0.002672 |
| Partial Rests Fraction |
0.8179 |
| Average Rest Fraction Across Voices |
0.3671 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
116.0 |
| Mean Complete Rest Duration |
2.331 |
| Mean Partial Rest Duration |
18.3 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.531 |
| Variability of Partial Rest Durations |
23.37 |
| Variability Across Voices of Combined Rests |
135.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5773 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1893 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.05 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7667 |
| Rhythmic Variability - Tempo Standardized |
0.04989 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2132.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.124 |
| Minimum Note Duration |
0.001736 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6474 |
| Variability of Note Durations |
0.5039 |
| Amount of Staccato |
0.001876 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2806 |
| Strength of Second Strongest Rhythmic Pulse |
0.2374 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.182 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.518 |
| Rhythmic Variability |
0.03503 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000001649 |
| Duration in Seconds |
545.2 |
| Note Density |
3.91 |
| Note Density Variability |
1.289 |
| Average Time Between Attacks |
0.4162 |
| Average Time Between Attacks for Each Voice |
1.003 |
| Variability of Time Between Attacks |
0.2241 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.625 |
| Relative Range Isolation of Loudest Voice |
0.1073 |
| Relative Range of Highest Line |
0.625 |
| Relative Note Density of Highest Line |
0.1276 |
| Relative Note Durations of Lowest Line |
1.041 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.9625 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05503 |
| Average Number of Independent Voices |
2.538 |
| Similar Motion |
0.135 |
| Contrary Motion |
0.2018 |
| Oblique Motion |
0.6082 |
| Parallel Fifths |
0.0007337 |
| Parallel Octaves |
0.0007337 |
| Variability of Number of Independent Voices |
0.834 |
| Voice Equality - Number of Notes |
46.22 |
| Voice Equality - Note Duration |
28.2 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
11.67 |