| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.214 |
| Prevalence of Second Most Common Vertical Interval |
0.1878 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8777 |
| Vertical Unisons |
0.01 |
| Vertical Minor Seconds |
0.001216 |
| Vertical Thirds |
0.3597 |
| Vertical Tritones |
0.006046 |
| Vertical Perfect Fourths |
0.09599 |
| Vertical Perfect Fifths |
0.1781 |
| Vertical Sixths |
0.1414 |
| Vertical Sevenths |
0.001034 |
| Vertical Octaves |
0.204 |
| Perfect Vertical Intervals |
0.4881 |
| Vertical Dissonance Ratio |
0.01086 |
| Vertical Minor Third Prevalence |
0.5205 |
| Vertical Major Third Prevalence |
0.5724 |
| Chord Duration |
6.479 |
| Partial Chords |
0.288 |
| Standard Triads |
0.6741 |
| Diminished and Augmented Triads |
0.0211 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.005274 |
| Non-Standard Chords |
0.0327 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9018 |
| Average Number of Simultaneous Pitch Classes |
2.596 |
| Variability of Number of Simultaneous Pitch Classes |
0.6335 |
| Average Number of Simultaneous Pitches |
3.475 |
| Variability of Number of Simultaneous Pitches |
0.815 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.394 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.801 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1604 |
| Stepwise Motion |
0.5296 |
| Melodic Thirds |
0.1308 |
| Melodic Perfect Fourths |
0.05607 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05296 |
| Melodic Sixths |
0.006231 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01246 |
| Melodic Large Intervals |
0.001558 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.71 |
| Melodic Embellishments |
0.004637 |
| Direction of Melodic Motion |
0.4556 |
| Average Length of Melodic Arcs |
1.748 |
| Average Interval Spanned by Melodic Arcs |
4.834 |
| Melodic Pitch Variety |
4.838 |
| Mean Melodic Interval |
2.215 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3692 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5696 |
| Amount of Arpeggiation |
0.4081 |
| Repeated Notes |
0.2103 |
| Importance of Middle Register |
0.8006 |
| Importance of High Register |
0.004637 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.26 |
| Mean Pitch Class |
5.59 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1206 |
| Prevalence of Most Common Pitch Class |
0.2148 |
| Relative Prevalence of Top Pitches |
0.8462 |
| Relative Prevalence of Top Pitch Classes |
0.8058 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.913 |
| Pitch Class Variability |
3.348 |
| Pitch Class Variability After Folding |
4.163 |
| Pitch Skewness |
-0.01274 |
| Pitch Class Skewness |
-1.263 |
| Pitch Class Skewness After Folding |
1.071 |
| Pitch Kurtosis |
5.485 |
| Pitch Class Kurtosis |
4.815 |
| Pitch Class Kurtosis After Folding |
4.64 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1947 |
| Note Density per Quarter Note |
0.6191 |
| Note Density per Quarter Note per Voice |
0.1548 |
| Note Density per Quarter Note Variability |
0.4411 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1468 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9598 |
| Prevalence of Very Long Rhythmic Values |
0.3926 |
| Prevalence of Dotted Notes |
0.1345 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.509 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4482 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6034 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.939 |
| Rhythmic Value Skewness |
1.54 |
| Rhythmic Value Kurtosis |
5.755 |
| Mean Rhythmic Value Run Length |
2.08 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.577 |
| Mean Rhythmic Value Offset |
0.05564 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8159 |
| Complete Rests Fraction |
0.01959 |
| Partial Rests Fraction |
0.3118 |
| Average Rest Fraction Across Voices |
0.1416 |
| Longest Complete Rest |
4.775 |
| Longest Partial Rest |
38.2 |
| Mean Complete Rest Duration |
2.924 |
| Mean Partial Rest Duration |
13.15 |
| Median Complete Rest Duration |
3.132 |
| Median Partial Rest Duration |
3.132 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.19 |
| Variability of Partial Rest Durations |
14.46 |
| Variability Across Voices of Combined Rests |
28.82 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.659 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1706 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.862 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8296 |
| Rhythmic Variability - Tempo Standardized |
0.05512 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
647.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.095 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.28 |
| Average Note Duration |
0.9696 |
| Variability of Note Durations |
0.5456 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
359.2 |
| Strongest Rhythmic Pulse |
43.0 |
| Second Strongest Rhythmic Pulse |
86.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4395 |
| Strength of Second Strongest Rhythmic Pulse |
0.3536 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.243 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7931 |
| Rhythmic Variability |
0.04507 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
75.38 |
| Duration in Seconds |
182.4 |
| Note Density |
3.548 |
| Note Density Variability |
1.284 |
| Average Time Between Attacks |
0.8346 |
| Average Time Between Attacks for Each Voice |
1.117 |
| Variability of Time Between Attacks |
0.5184 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.05161 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.4142 |
| Relative Note Durations of Lowest Line |
1.009 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8423 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.09828 |
| Average Number of Independent Voices |
3.515 |
| Similar Motion |
0.281 |
| Contrary Motion |
0.3483 |
| Oblique Motion |
0.2724 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001724 |
| Variability of Number of Independent Voices |
0.8007 |
| Voice Equality - Number of Notes |
6.801 |
| Voice Equality - Note Duration |
5.029 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
11.67 |