| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.205 |
| Prevalence of Second Most Common Vertical Interval |
0.1918 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9354 |
| Vertical Unisons |
0.05036 |
| Vertical Minor Seconds |
0.005643 |
| Vertical Thirds |
0.3164 |
| Vertical Tritones |
0.01254 |
| Vertical Perfect Fourths |
0.08563 |
| Vertical Perfect Fifths |
0.1918 |
| Vertical Sixths |
0.1249 |
| Vertical Sevenths |
0.02965 |
| Vertical Octaves |
0.1546 |
| Perfect Vertical Intervals |
0.4824 |
| Vertical Dissonance Ratio |
0.08271 |
| Vertical Minor Third Prevalence |
0.5017 |
| Vertical Major Third Prevalence |
0.4195 |
| Chord Duration |
1.91 |
| Partial Chords |
0.3789 |
| Standard Triads |
0.4262 |
| Diminished and Augmented Triads |
0.02481 |
| Dominant Seventh Chords |
0.0007834 |
| Seventh Chords |
0.007573 |
| Non-Standard Chords |
0.1874 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.684 |
| Average Number of Simultaneous Pitch Classes |
2.559 |
| Variability of Number of Simultaneous Pitch Classes |
0.6878 |
| Average Number of Simultaneous Pitches |
3.123 |
| Variability of Number of Simultaneous Pitches |
0.7357 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.714 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
177.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2271 |
| Stepwise Motion |
0.6692 |
| Melodic Thirds |
0.09213 |
| Melodic Perfect Fourths |
0.0563 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06526 |
| Melodic Sixths |
0.005118 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01536 |
| Melodic Large Intervals |
0.0006398 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.235 |
| Melodic Embellishments |
0.01723 |
| Direction of Melodic Motion |
0.4643 |
| Average Length of Melodic Arcs |
1.84 |
| Average Interval Spanned by Melodic Arcs |
4.828 |
| Melodic Pitch Variety |
5.031 |
| Mean Melodic Interval |
2.384 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4421 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5137 |
| Amount of Arpeggiation |
0.2694 |
| Repeated Notes |
0.09597 |
| Importance of Middle Register |
0.6841 |
| Importance of High Register |
0.004467 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.94 |
| Mean Pitch Class |
5.131 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1136 |
| Prevalence of Most Common Pitch Class |
0.2151 |
| Relative Prevalence of Top Pitches |
0.9775 |
| Relative Prevalence of Top Pitch Classes |
0.8487 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.738 |
| Pitch Class Variability |
3.446 |
| Pitch Class Variability After Folding |
3.318 |
| Pitch Skewness |
0.03466 |
| Pitch Class Skewness |
0.1139 |
| Pitch Class Skewness After Folding |
0.6871 |
| Pitch Kurtosis |
5.298 |
| Pitch Class Kurtosis |
4.794 |
| Pitch Class Kurtosis After Folding |
6.423 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3114 |
| Note Density per Quarter Note |
1.145 |
| Note Density per Quarter Note per Voice |
0.2862 |
| Note Density per Quarter Note Variability |
0.4967 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01404 |
| Prevalence of Medium Rhythmic Values |
0.6094 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7345 |
| Prevalence of Very Long Rhythmic Values |
0.09317 |
| Prevalence of Dotted Notes |
0.1812 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.905 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.344 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6605 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.392 |
| Rhythmic Value Skewness |
1.136 |
| Rhythmic Value Kurtosis |
12.0 |
| Mean Rhythmic Value Run Length |
1.665 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.134 |
| Mean Rhythmic Value Offset |
0.01579 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1802 |
| Complete Rests Fraction |
0.0006452 |
| Partial Rests Fraction |
0.5381 |
| Average Rest Fraction Across Voices |
0.168 |
| Longest Complete Rest |
0.8833 |
| Longest Partial Rest |
79.61 |
| Mean Complete Rest Duration |
0.8833 |
| Mean Partial Rest Duration |
9.29 |
| Median Complete Rest Duration |
0.8833 |
| Median Partial Rest Duration |
3.563 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.15 |
| Variability Across Voices of Combined Rests |
118.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4949 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.219 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.259 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7139 |
| Rhythmic Variability - Tempo Standardized |
0.04561 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1567.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.134 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6801 |
| Variability of Note Durations |
0.5715 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
259.5 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.257 |
| Strength of Second Strongest Rhythmic Pulse |
0.2422 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.061 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4992 |
| Rhythmic Variability |
0.0347 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
28.0 |
| Duration in Seconds |
320.2 |
| Note Density |
4.894 |
| Note Density Variability |
1.545 |
| Average Time Between Attacks |
0.3741 |
| Average Time Between Attacks for Each Voice |
1.058 |
| Variability of Time Between Attacks |
0.2145 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6364 |
| Relative Range Isolation of Loudest Voice |
0.3963 |
| Relative Range of Highest Line |
0.6364 |
| Relative Note Density of Highest Line |
0.1659 |
| Relative Note Durations of Lowest Line |
0.9251 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8302 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.0457 |
| Average Number of Independent Voices |
3.327 |
| Similar Motion |
0.1182 |
| Contrary Motion |
0.1664 |
| Oblique Motion |
0.6697 |
| Parallel Fifths |
0.001219 |
| Parallel Octaves |
0.001219 |
| Variability of Number of Independent Voices |
0.691 |
| Voice Equality - Number of Notes |
177.8 |
| Voice Equality - Note Duration |
27.82 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.403 |
| Importance of Loudest Voice |
11.67 |