| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.236 |
| Prevalence of Second Most Common Vertical Interval |
0.2185 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9257 |
| Vertical Unisons |
0.0817 |
| Vertical Minor Seconds |
0.004702 |
| Vertical Thirds |
0.3362 |
| Vertical Tritones |
0.007803 |
| Vertical Perfect Fourths |
0.06965 |
| Vertical Perfect Fifths |
0.2185 |
| Vertical Sixths |
0.08543 |
| Vertical Sevenths |
0.01405 |
| Vertical Octaves |
0.1543 |
| Perfect Vertical Intervals |
0.5241 |
| Vertical Dissonance Ratio |
0.05733 |
| Vertical Minor Third Prevalence |
0.6314 |
| Vertical Major Third Prevalence |
0.6144 |
| Chord Duration |
2.0 |
| Partial Chords |
0.2294 |
| Standard Triads |
0.5843 |
| Diminished and Augmented Triads |
0.02227 |
| Dominant Seventh Chords |
0.004454 |
| Seventh Chords |
0.01782 |
| Non-Standard Chords |
0.1685 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.168 |
| Average Number of Simultaneous Pitch Classes |
2.746 |
| Variability of Number of Simultaneous Pitch Classes |
0.6411 |
| Average Number of Simultaneous Pitches |
3.451 |
| Variability of Number of Simultaneous Pitches |
0.8322 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.984 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
105.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1624 |
| Stepwise Motion |
0.4923 |
| Melodic Thirds |
0.1333 |
| Melodic Perfect Fourths |
0.05641 |
| Melodic Tritones |
0.001709 |
| Melodic Perfect Fifths |
0.09744 |
| Melodic Sixths |
0.008547 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0188 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.786 |
| Melodic Embellishments |
0.03898 |
| Direction of Melodic Motion |
0.4736 |
| Average Length of Melodic Arcs |
1.671 |
| Average Interval Spanned by Melodic Arcs |
5.205 |
| Melodic Pitch Variety |
4.705 |
| Mean Melodic Interval |
2.544 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3299 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5803 |
| Amount of Arpeggiation |
0.441 |
| Repeated Notes |
0.1915 |
| Importance of Middle Register |
0.8085 |
| Importance of High Register |
0.02712 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.74 |
| Mean Pitch Class |
5.0 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1373 |
| Prevalence of Most Common Pitch Class |
0.2203 |
| Relative Prevalence of Top Pitches |
0.7407 |
| Relative Prevalence of Top Pitch Classes |
0.7308 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.425 |
| Pitch Class Variability |
3.46 |
| Pitch Class Variability After Folding |
3.032 |
| Pitch Skewness |
0.1029 |
| Pitch Class Skewness |
0.0 |
| Pitch Class Skewness After Folding |
1.238 |
| Pitch Kurtosis |
5.864 |
| Pitch Class Kurtosis |
4.838 |
| Pitch Class Kurtosis After Folding |
7.549 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1644 |
| Note Density per Quarter Note |
1.247 |
| Note Density per Quarter Note per Voice |
0.2495 |
| Note Density per Quarter Note Variability |
0.4692 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.539 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8068 |
| Prevalence of Very Long Rhythmic Values |
0.08983 |
| Prevalence of Dotted Notes |
0.1186 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.008 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3458 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8382 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.954 |
| Rhythmic Value Skewness |
1.548 |
| Rhythmic Value Kurtosis |
9.918 |
| Mean Rhythmic Value Run Length |
1.897 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.417 |
| Mean Rhythmic Value Offset |
0.1305 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.298 |
| Complete Rests Fraction |
0.002097 |
| Partial Rests Fraction |
0.7674 |
| Average Rest Fraction Across Voices |
0.2177 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.363 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.471 |
| Variability Across Voices of Combined Rests |
46.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5734 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2153 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.664 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7887 |
| Rhythmic Variability - Tempo Standardized |
0.05046 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
590.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.018 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
13.33 |
| Average Note Duration |
0.6532 |
| Variability of Note Durations |
0.7042 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.299 |
| Strength of Second Strongest Rhythmic Pulse |
0.2348 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.274 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5338 |
| Rhythmic Variability |
0.03578 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004313 |
| Duration in Seconds |
98.54 |
| Note Density |
5.987 |
| Note Density Variability |
1.443 |
| Average Time Between Attacks |
0.3416 |
| Average Time Between Attacks for Each Voice |
0.8187 |
| Variability of Time Between Attacks |
0.1574 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.3636 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.5847 |
| Relative Note Durations of Lowest Line |
1.105 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.9254 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.5 |
| Parallel Motion |
0.02119 |
| Average Number of Independent Voices |
3.919 |
| Similar Motion |
0.1522 |
| Contrary Motion |
0.1657 |
| Oblique Motion |
0.6609 |
| Parallel Fifths |
0.001927 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8272 |
| Voice Equality - Number of Notes |
34.21 |
| Voice Equality - Note Duration |
9.624 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.8367 |
| Voice Equality - Range |
2.121 |
| Importance of Loudest Voice |
13.75 |