| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1931 |
| Prevalence of Second Most Common Vertical Interval |
0.1692 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8763 |
| Vertical Unisons |
0.03008 |
| Vertical Minor Seconds |
0.006439 |
| Vertical Thirds |
0.3365 |
| Vertical Tritones |
0.009261 |
| Vertical Perfect Fourths |
0.08438 |
| Vertical Perfect Fifths |
0.1602 |
| Vertical Sixths |
0.1678 |
| Vertical Sevenths |
0.02623 |
| Vertical Octaves |
0.163 |
| Perfect Vertical Intervals |
0.4376 |
| Vertical Dissonance Ratio |
0.06163 |
| Vertical Minor Third Prevalence |
0.3571 |
| Vertical Major Third Prevalence |
0.3272 |
| Chord Duration |
2.795 |
| Partial Chords |
0.5824 |
| Standard Triads |
0.3251 |
| Diminished and Augmented Triads |
0.01206 |
| Dominant Seventh Chords |
0.004595 |
| Seventh Chords |
0.01091 |
| Non-Standard Chords |
0.08156 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9517 |
| Average Number of Simultaneous Pitch Classes |
2.212 |
| Variability of Number of Simultaneous Pitch Classes |
0.7266 |
| Average Number of Simultaneous Pitches |
2.622 |
| Variability of Number of Simultaneous Pitches |
0.9857 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.035 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
52.56 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2353 |
| Stepwise Motion |
0.7016 |
| Melodic Thirds |
0.1069 |
| Melodic Perfect Fourths |
0.04083 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05122 |
| Melodic Sixths |
0.001485 |
| Melodic Sevenths |
0.001485 |
| Melodic Octaves |
0.01114 |
| Melodic Large Intervals |
0.002227 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.692 |
| Melodic Embellishments |
0.01406 |
| Direction of Melodic Motion |
0.4883 |
| Average Length of Melodic Arcs |
1.727 |
| Average Interval Spanned by Melodic Arcs |
4.266 |
| Melodic Pitch Variety |
4.647 |
| Mean Melodic Interval |
2.275 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4662 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5048 |
| Amount of Arpeggiation |
0.2561 |
| Repeated Notes |
0.08315 |
| Importance of Middle Register |
0.7358 |
| Importance of High Register |
0.005181 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.82 |
| Mean Pitch Class |
5.623 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1125 |
| Prevalence of Most Common Pitch Class |
0.2132 |
| Relative Prevalence of Top Pitches |
0.9605 |
| Relative Prevalence of Top Pitch Classes |
0.7847 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.904 |
| Pitch Class Variability |
3.367 |
| Pitch Class Variability After Folding |
4.167 |
| Pitch Skewness |
0.2284 |
| Pitch Class Skewness |
-1.227 |
| Pitch Class Skewness After Folding |
1.095 |
| Pitch Kurtosis |
5.291 |
| Pitch Class Kurtosis |
4.772 |
| Pitch Class Kurtosis After Folding |
4.581 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2591 |
| Note Density per Quarter Note |
0.6517 |
| Note Density per Quarter Note per Voice |
0.1629 |
| Note Density per Quarter Note Variability |
0.3814 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3442 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9001 |
| Prevalence of Very Long Rhythmic Values |
0.2169 |
| Prevalence of Dotted Notes |
0.1066 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.047 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.413 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5914 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.441 |
| Rhythmic Value Skewness |
0.05821 |
| Rhythmic Value Kurtosis |
7.267 |
| Mean Rhythmic Value Run Length |
1.723 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.227 |
| Mean Rhythmic Value Offset |
0.1007 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9053 |
| Complete Rests Fraction |
0.0004808 |
| Partial Rests Fraction |
0.6756 |
| Average Rest Fraction Across Voices |
0.3147 |
| Longest Complete Rest |
0.9967 |
| Longest Partial Rest |
472.1 |
| Mean Complete Rest Duration |
0.9967 |
| Mean Partial Rest Duration |
29.32 |
| Median Complete Rest Duration |
0.9967 |
| Median Partial Rest Duration |
4.021 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
87.72 |
| Variability Across Voices of Combined Rests |
64.84 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6934 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1557 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.455 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8491 |
| Rhythmic Variability - Tempo Standardized |
0.0571 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1351.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.43 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.8719 |
| Variability of Note Durations |
0.6257 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
296.6 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.397 |
| Strength of Second Strongest Rhythmic Pulse |
0.2373 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.673 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6344 |
| Rhythmic Variability |
0.04049 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
51.97 |
| Duration in Seconds |
429.7 |
| Note Density |
3.144 |
| Note Density Variability |
1.296 |
| Average Time Between Attacks |
0.5377 |
| Average Time Between Attacks for Each Voice |
1.166 |
| Variability of Time Between Attacks |
0.3405 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.07458 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.1984 |
| Relative Note Durations of Lowest Line |
1.016 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9378 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.05858 |
| Average Number of Independent Voices |
2.705 |
| Similar Motion |
0.1408 |
| Contrary Motion |
0.2002 |
| Oblique Motion |
0.6005 |
| Parallel Fifths |
0.002441 |
| Parallel Octaves |
0.004068 |
| Variability of Number of Independent Voices |
0.9783 |
| Voice Equality - Number of Notes |
52.56 |
| Voice Equality - Note Duration |
13.44 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
4.397 |
| Importance of Loudest Voice |
11.67 |