| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1979 |
| Prevalence of Second Most Common Vertical Interval |
0.1979 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9996 |
| Vertical Unisons |
0.02301 |
| Vertical Minor Seconds |
0.003157 |
| Vertical Thirds |
0.3835 |
| Vertical Tritones |
0.009571 |
| Vertical Perfect Fourths |
0.07852 |
| Vertical Perfect Fifths |
0.1979 |
| Vertical Sixths |
0.1177 |
| Vertical Sevenths |
0.0118 |
| Vertical Octaves |
0.1648 |
| Perfect Vertical Intervals |
0.4642 |
| Vertical Dissonance Ratio |
0.03583 |
| Vertical Minor Third Prevalence |
0.6583 |
| Vertical Major Third Prevalence |
0.6431 |
| Chord Duration |
4.654 |
| Partial Chords |
0.1908 |
| Standard Triads |
0.7012 |
| Diminished and Augmented Triads |
0.02608 |
| Dominant Seventh Chords |
0.0007452 |
| Seventh Chords |
0.01267 |
| Non-Standard Chords |
0.09538 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.098 |
| Average Number of Simultaneous Pitch Classes |
2.834 |
| Variability of Number of Simultaneous Pitch Classes |
0.4795 |
| Average Number of Simultaneous Pitches |
3.663 |
| Variability of Number of Simultaneous Pitches |
0.5934 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.395 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
4.69 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1782 |
| Stepwise Motion |
0.565 |
| Melodic Thirds |
0.1438 |
| Melodic Perfect Fourths |
0.06949 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0429 |
| Melodic Sixths |
0.003021 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01208 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.767 |
| Melodic Embellishments |
0.02349 |
| Direction of Melodic Motion |
0.5087 |
| Average Length of Melodic Arcs |
1.623 |
| Average Interval Spanned by Melodic Arcs |
4.356 |
| Melodic Pitch Variety |
4.635 |
| Mean Melodic Interval |
2.253 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3867 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4609 |
| Amount of Arpeggiation |
0.3625 |
| Repeated Notes |
0.1637 |
| Importance of Middle Register |
0.6548 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.29 |
| Mean Pitch Class |
5.005 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1193 |
| Prevalence of Most Common Pitch Class |
0.1771 |
| Relative Prevalence of Top Pitches |
0.9192 |
| Relative Prevalence of Top Pitch Classes |
0.9354 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.39 |
| Pitch Class Variability |
3.465 |
| Pitch Class Variability After Folding |
3.554 |
| Pitch Skewness |
-0.06335 |
| Pitch Class Skewness |
0.004173 |
| Pitch Class Skewness After Folding |
0.6855 |
| Pitch Kurtosis |
5.279 |
| Pitch Class Kurtosis |
4.842 |
| Pitch Class Kurtosis After Folding |
5.998 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3452 |
| Note Density per Quarter Note |
0.6137 |
| Note Density per Quarter Note per Voice |
0.1534 |
| Note Density per Quarter Note Variability |
0.3084 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1386 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9825 |
| Prevalence of Very Long Rhythmic Values |
0.4584 |
| Prevalence of Dotted Notes |
0.1759 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.819 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3964 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7295 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.983 |
| Rhythmic Value Skewness |
1.829 |
| Rhythmic Value Kurtosis |
5.523 |
| Mean Rhythmic Value Run Length |
1.498 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9151 |
| Mean Rhythmic Value Offset |
0.3494 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.516 |
| Complete Rests Fraction |
0.0003666 |
| Partial Rests Fraction |
0.1763 |
| Average Rest Fraction Across Voices |
0.05434 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.776 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.75 |
| Variability Across Voices of Combined Rests |
35.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8049 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1119 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.195 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9168 |
| Rhythmic Variability - Tempo Standardized |
0.06428 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1660.0 |
| Initial Tempo |
360.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8434 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
5.333 |
| Average Note Duration |
1.028 |
| Variability of Note Durations |
0.6566 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
360.0 |
| Strongest Rhythmic Pulse |
45.0 |
| Second Strongest Rhythmic Pulse |
90.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4155 |
| Strength of Second Strongest Rhythmic Pulse |
0.3412 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.218 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7566 |
| Rhythmic Variability |
0.04354 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000009934 |
| Duration in Seconds |
450.8 |
| Note Density |
3.682 |
| Note Density Variability |
1.299 |
| Average Time Between Attacks |
0.6867 |
| Average Time Between Attacks for Each Voice |
1.082 |
| Variability of Time Between Attacks |
0.4269 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.2134 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.1518 |
| Relative Note Durations of Lowest Line |
1.024 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8657 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.583 |
| Parallel Motion |
0.05617 |
| Average Number of Independent Voices |
3.784 |
| Similar Motion |
0.2019 |
| Contrary Motion |
0.2608 |
| Oblique Motion |
0.4811 |
| Parallel Fifths |
0.005562 |
| Parallel Octaves |
0.003337 |
| Variability of Number of Independent Voices |
0.4992 |
| Voice Equality - Number of Notes |
4.69 |
| Voice Equality - Note Duration |
5.9 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
11.67 |