| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2051 |
| Prevalence of Second Most Common Vertical Interval |
0.1982 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9663 |
| Vertical Unisons |
0.0428 |
| Vertical Minor Seconds |
0.0041 |
| Vertical Thirds |
0.3589 |
| Vertical Tritones |
0.013 |
| Vertical Perfect Fourths |
0.07619 |
| Vertical Perfect Fifths |
0.1737 |
| Vertical Sixths |
0.1352 |
| Vertical Sevenths |
0.02082 |
| Vertical Octaves |
0.1554 |
| Perfect Vertical Intervals |
0.4481 |
| Vertical Dissonance Ratio |
0.06135 |
| Vertical Minor Third Prevalence |
0.4663 |
| Vertical Major Third Prevalence |
0.3836 |
| Chord Duration |
2.292 |
| Partial Chords |
0.5374 |
| Standard Triads |
0.3399 |
| Diminished and Augmented Triads |
0.02977 |
| Dominant Seventh Chords |
0.002179 |
| Seventh Chords |
0.01525 |
| Non-Standard Chords |
0.1075 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.089 |
| Average Number of Simultaneous Pitch Classes |
2.368 |
| Variability of Number of Simultaneous Pitch Classes |
0.6946 |
| Average Number of Simultaneous Pitches |
2.835 |
| Variability of Number of Simultaneous Pitches |
0.8889 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.109 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
73.52 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1838 |
| Stepwise Motion |
0.5566 |
| Melodic Thirds |
0.1984 |
| Melodic Perfect Fourths |
0.04376 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04026 |
| Melodic Sixths |
0.004667 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009918 |
| Melodic Large Intervals |
0.0005834 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.178 |
| Melodic Embellishments |
0.03027 |
| Direction of Melodic Motion |
0.502 |
| Average Length of Melodic Arcs |
1.81 |
| Average Interval Spanned by Melodic Arcs |
4.76 |
| Melodic Pitch Variety |
4.94 |
| Mean Melodic Interval |
2.254 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3728 |
| Relative Prevalence of Most Common Melodic Intervals |
0.493 |
| Amount of Arpeggiation |
0.395 |
| Repeated Notes |
0.1459 |
| Importance of Middle Register |
0.8364 |
| Importance of High Register |
0.04598 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.25 |
| Mean Pitch Class |
5.231 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1158 |
| Prevalence of Most Common Pitch Class |
0.1834 |
| Relative Prevalence of Top Pitches |
0.7839 |
| Relative Prevalence of Top Pitch Classes |
0.9397 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.477 |
| Pitch Class Variability |
3.323 |
| Pitch Class Variability After Folding |
4.01 |
| Pitch Skewness |
-0.079 |
| Pitch Class Skewness |
0.2086 |
| Pitch Class Skewness After Folding |
0.9401 |
| Pitch Kurtosis |
5.327 |
| Pitch Class Kurtosis |
4.748 |
| Pitch Class Kurtosis After Folding |
4.943 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1176 |
| Note Density per Quarter Note |
1.135 |
| Note Density per Quarter Note per Voice |
0.2839 |
| Note Density per Quarter Note Variability |
0.5601 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6723 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8091 |
| Prevalence of Very Long Rhythmic Values |
0.05879 |
| Prevalence of Dotted Notes |
0.1158 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.614 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4814 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3966 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.734 |
| Rhythmic Value Skewness |
1.061 |
| Rhythmic Value Kurtosis |
14.32 |
| Mean Rhythmic Value Run Length |
1.89 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.8 |
| Mean Rhythmic Value Offset |
0.009313 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3051 |
| Complete Rests Fraction |
0.0006125 |
| Partial Rests Fraction |
0.6124 |
| Average Rest Fraction Across Voices |
0.2563 |
| Longest Complete Rest |
0.9267 |
| Longest Partial Rest |
181.0 |
| Mean Complete Rest Duration |
0.9267 |
| Mean Partial Rest Duration |
11.93 |
| Median Complete Rest Duration |
0.9267 |
| Median Partial Rest Duration |
4.64 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
23.38 |
| Variability Across Voices of Combined Rests |
119.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5935 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2088 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.843 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8023 |
| Rhythmic Variability - Tempo Standardized |
0.05177 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1718.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.136 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.584 |
| Variability of Note Durations |
0.4156 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
276.3 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
135.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.2784 |
| Strength of Second Strongest Rhythmic Pulse |
0.2686 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.037 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5469 |
| Rhythmic Variability |
0.03804 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
50.03 |
| Duration in Seconds |
337.3 |
| Note Density |
5.093 |
| Note Density Variability |
1.726 |
| Average Time Between Attacks |
0.3877 |
| Average Time Between Attacks for Each Voice |
0.7446 |
| Variability of Time Between Attacks |
0.2058 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3145 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1607 |
| Relative Note Durations of Lowest Line |
1.024 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8999 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.0 |
| Parallel Motion |
0.0579 |
| Average Number of Independent Voices |
2.98 |
| Similar Motion |
0.1676 |
| Contrary Motion |
0.2323 |
| Oblique Motion |
0.5422 |
| Parallel Fifths |
0.003406 |
| Parallel Octaves |
0.0006812 |
| Variability of Number of Independent Voices |
0.9192 |
| Voice Equality - Number of Notes |
73.52 |
| Voice Equality - Note Duration |
26.72 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.5 |
| Importance of Loudest Voice |
11.67 |