| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2099 |
| Prevalence of Second Most Common Vertical Interval |
0.2019 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9616 |
| Vertical Unisons |
0.05539 |
| Vertical Minor Seconds |
0.005007 |
| Vertical Thirds |
0.3279 |
| Vertical Tritones |
0.008524 |
| Vertical Perfect Fourths |
0.07984 |
| Vertical Perfect Fifths |
0.1641 |
| Vertical Sixths |
0.1695 |
| Vertical Sevenths |
0.02791 |
| Vertical Octaves |
0.1465 |
| Perfect Vertical Intervals |
0.4458 |
| Vertical Dissonance Ratio |
0.06031 |
| Vertical Minor Third Prevalence |
0.4794 |
| Vertical Major Third Prevalence |
0.3132 |
| Chord Duration |
2.106 |
| Partial Chords |
0.4744 |
| Standard Triads |
0.386 |
| Diminished and Augmented Triads |
0.02016 |
| Dominant Seventh Chords |
0.003101 |
| Seventh Chords |
0.02481 |
| Non-Standard Chords |
0.1147 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.32 |
| Average Number of Simultaneous Pitch Classes |
2.394 |
| Variability of Number of Simultaneous Pitch Classes |
0.743 |
| Average Number of Simultaneous Pitches |
2.854 |
| Variability of Number of Simultaneous Pitches |
0.9336 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.262 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
56.58 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2158 |
| Stepwise Motion |
0.6367 |
| Melodic Thirds |
0.1434 |
| Melodic Perfect Fourths |
0.0496 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08847 |
| Melodic Sixths |
0.005362 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01475 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.567 |
| Melodic Embellishments |
0.03733 |
| Direction of Melodic Motion |
0.5129 |
| Average Length of Melodic Arcs |
1.647 |
| Average Interval Spanned by Melodic Arcs |
4.555 |
| Melodic Pitch Variety |
4.776 |
| Mean Melodic Interval |
2.617 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4209 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5127 |
| Amount of Arpeggiation |
0.3083 |
| Repeated Notes |
0.06166 |
| Importance of Middle Register |
0.8107 |
| Importance of High Register |
0.006667 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.92 |
| Mean Pitch Class |
5.551 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1253 |
| Prevalence of Most Common Pitch Class |
0.212 |
| Relative Prevalence of Top Pitches |
0.8617 |
| Relative Prevalence of Top Pitch Classes |
0.8302 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.518 |
| Pitch Class Variability |
3.651 |
| Pitch Class Variability After Folding |
2.718 |
| Pitch Skewness |
0.2571 |
| Pitch Class Skewness |
0.4525 |
| Pitch Class Skewness After Folding |
0.2988 |
| Pitch Kurtosis |
5.545 |
| Pitch Class Kurtosis |
4.815 |
| Pitch Class Kurtosis After Folding |
8.078 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1827 |
| Note Density per Quarter Note |
1.029 |
| Note Density per Quarter Note per Voice |
0.2572 |
| Note Density per Quarter Note Variability |
0.535 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.544 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.836 |
| Prevalence of Very Long Rhythmic Values |
0.05333 |
| Prevalence of Dotted Notes |
0.1227 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.896 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.38 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8175 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.8 |
| Rhythmic Value Skewness |
1.494 |
| Rhythmic Value Kurtosis |
14.6 |
| Mean Rhythmic Value Run Length |
1.485 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.129 |
| Mean Rhythmic Value Offset |
0.064 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7131 |
| Complete Rests Fraction |
0.001494 |
| Partial Rests Fraction |
0.5395 |
| Average Rest Fraction Across Voices |
0.2286 |
| Longest Complete Rest |
1.089 |
| Longest Partial Rest |
138.0 |
| Mean Complete Rest Duration |
1.089 |
| Mean Partial Rest Duration |
10.93 |
| Median Complete Rest Duration |
1.089 |
| Median Partial Rest Duration |
2.197 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
28.21 |
| Variability Across Voices of Combined Rests |
120.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6054 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.211 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.869 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8165 |
| Rhythmic Variability - Tempo Standardized |
0.05235 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
750.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.859 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7061 |
| Variability of Note Durations |
0.5356 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
257.8 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2875 |
| Strength of Second Strongest Rhythmic Pulse |
0.2826 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.017 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.57 |
| Rhythmic Variability |
0.03863 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
27.91 |
| Duration in Seconds |
171.6 |
| Note Density |
4.37 |
| Note Density Variability |
1.484 |
| Average Time Between Attacks |
0.4198 |
| Average Time Between Attacks for Each Voice |
0.8922 |
| Variability of Time Between Attacks |
0.215 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.2763 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.3573 |
| Relative Note Durations of Lowest Line |
1.178 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8573 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.05095 |
| Average Number of Independent Voices |
3.049 |
| Similar Motion |
0.1135 |
| Contrary Motion |
0.2052 |
| Oblique Motion |
0.6303 |
| Parallel Fifths |
0.002911 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9363 |
| Voice Equality - Number of Notes |
56.58 |
| Voice Equality - Note Duration |
28.27 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
11.67 |