| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.225 |
| Prevalence of Second Most Common Vertical Interval |
0.1732 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7697 |
| Vertical Unisons |
0.04587 |
| Vertical Minor Seconds |
0.005142 |
| Vertical Thirds |
0.3136 |
| Vertical Tritones |
0.01159 |
| Vertical Perfect Fourths |
0.09749 |
| Vertical Perfect Fifths |
0.1587 |
| Vertical Sixths |
0.141 |
| Vertical Sevenths |
0.02611 |
| Vertical Octaves |
0.1791 |
| Perfect Vertical Intervals |
0.4812 |
| Vertical Dissonance Ratio |
0.0687 |
| Vertical Minor Third Prevalence |
0.4304 |
| Vertical Major Third Prevalence |
0.348 |
| Chord Duration |
2.403 |
| Partial Chords |
0.5236 |
| Standard Triads |
0.3455 |
| Diminished and Augmented Triads |
0.02198 |
| Dominant Seventh Chords |
0.0005636 |
| Seventh Chords |
0.01024 |
| Non-Standard Chords |
0.1207 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.131 |
| Average Number of Simultaneous Pitch Classes |
2.35 |
| Variability of Number of Simultaneous Pitch Classes |
0.6993 |
| Average Number of Simultaneous Pitches |
2.907 |
| Variability of Number of Simultaneous Pitches |
0.8998 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.119 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
116.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2207 |
| Stepwise Motion |
0.6667 |
| Melodic Thirds |
0.1327 |
| Melodic Perfect Fourths |
0.05616 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03884 |
| Melodic Sixths |
0.00475 |
| Melodic Sevenths |
0.0002794 |
| Melodic Octaves |
0.01146 |
| Melodic Large Intervals |
0.0005588 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.493 |
| Melodic Embellishments |
0.02847 |
| Direction of Melodic Motion |
0.4657 |
| Average Length of Melodic Arcs |
1.766 |
| Average Interval Spanned by Melodic Arcs |
4.429 |
| Melodic Pitch Variety |
5.031 |
| Mean Melodic Interval |
2.289 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4459 |
| Relative Prevalence of Most Common Melodic Intervals |
0.495 |
| Amount of Arpeggiation |
0.2721 |
| Repeated Notes |
0.08857 |
| Importance of Middle Register |
0.8244 |
| Importance of High Register |
0.03963 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.91 |
| Mean Pitch Class |
5.515 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1086 |
| Prevalence of Most Common Pitch Class |
0.1887 |
| Relative Prevalence of Top Pitches |
0.9332 |
| Relative Prevalence of Top Pitch Classes |
0.9216 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.709 |
| Pitch Class Variability |
3.366 |
| Pitch Class Variability After Folding |
4.052 |
| Pitch Skewness |
-0.2943 |
| Pitch Class Skewness |
0.4589 |
| Pitch Class Skewness After Folding |
1.039 |
| Pitch Kurtosis |
5.322 |
| Pitch Class Kurtosis |
4.734 |
| Pitch Class Kurtosis After Folding |
4.755 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1359 |
| Note Density per Quarter Note |
0.9009 |
| Note Density per Quarter Note per Voice |
0.2252 |
| Note Density per Quarter Note Variability |
0.5025 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001675 |
| Prevalence of Medium Rhythmic Values |
0.4348 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.851 |
| Prevalence of Very Long Rhythmic Values |
0.151 |
| Prevalence of Dotted Notes |
0.2372 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.386 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2858 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9678 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.123 |
| Rhythmic Value Skewness |
0.546 |
| Rhythmic Value Kurtosis |
8.794 |
| Mean Rhythmic Value Run Length |
1.675 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.356 |
| Mean Rhythmic Value Offset |
0.09959 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5771 |
| Complete Rests Fraction |
0.004363 |
| Partial Rests Fraction |
0.5656 |
| Average Rest Fraction Across Voices |
0.2379 |
| Longest Complete Rest |
4.085 |
| Longest Partial Rest |
114.4 |
| Mean Complete Rest Duration |
2.892 |
| Mean Partial Rest Duration |
15.45 |
| Median Complete Rest Duration |
2.723 |
| Median Partial Rest Duration |
12.25 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.137 |
| Variability of Partial Rest Durations |
15.48 |
| Variability Across Voices of Combined Rests |
153.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5149 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1632 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.155 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6782 |
| Rhythmic Variability - Tempo Standardized |
0.04519 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
3583.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.413 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6903 |
| Variability of Note Durations |
0.4836 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
297.1 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.2844 |
| Strength of Second Strongest Rhythmic Pulse |
0.2124 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.339 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4968 |
| Rhythmic Variability |
0.03315 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
35.96 |
| Duration in Seconds |
811.3 |
| Note Density |
4.416 |
| Note Density Variability |
1.797 |
| Average Time Between Attacks |
0.451 |
| Average Time Between Attacks for Each Voice |
0.9135 |
| Variability of Time Between Attacks |
0.2747 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.2918 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.07703 |
| Relative Note Durations of Lowest Line |
1.051 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9029 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05441 |
| Average Number of Independent Voices |
3.073 |
| Similar Motion |
0.1595 |
| Contrary Motion |
0.2315 |
| Oblique Motion |
0.5546 |
| Parallel Fifths |
0.0009222 |
| Parallel Octaves |
0.0003074 |
| Variability of Number of Independent Voices |
0.9172 |
| Voice Equality - Number of Notes |
116.4 |
| Voice Equality - Note Duration |
31.29 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
11.67 |