| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2285 |
| Prevalence of Second Most Common Vertical Interval |
0.1963 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8593 |
| Vertical Unisons |
0.04873 |
| Vertical Minor Seconds |
0.006732 |
| Vertical Thirds |
0.3291 |
| Vertical Tritones |
0.005626 |
| Vertical Perfect Fourths |
0.08232 |
| Vertical Perfect Fifths |
0.1963 |
| Vertical Sixths |
0.1165 |
| Vertical Sevenths |
0.01689 |
| Vertical Octaves |
0.1797 |
| Perfect Vertical Intervals |
0.5071 |
| Vertical Dissonance Ratio |
0.04959 |
| Vertical Minor Third Prevalence |
0.6391 |
| Vertical Major Third Prevalence |
0.6456 |
| Chord Duration |
2.138 |
| Partial Chords |
0.2057 |
| Standard Triads |
0.6318 |
| Diminished and Augmented Triads |
0.009929 |
| Dominant Seventh Chords |
0.007092 |
| Seventh Chords |
0.02163 |
| Non-Standard Chords |
0.1409 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7864 |
| Average Number of Simultaneous Pitch Classes |
2.823 |
| Variability of Number of Simultaneous Pitch Classes |
0.5647 |
| Average Number of Simultaneous Pitches |
3.819 |
| Variability of Number of Simultaneous Pitches |
0.8738 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.083 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
333.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1633 |
| Stepwise Motion |
0.502 |
| Melodic Thirds |
0.1166 |
| Melodic Perfect Fourths |
0.08078 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06636 |
| Melodic Sixths |
0.005193 |
| Melodic Sevenths |
0.000577 |
| Melodic Octaves |
0.01039 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.658 |
| Melodic Embellishments |
0.02301 |
| Direction of Melodic Motion |
0.4708 |
| Average Length of Melodic Arcs |
1.771 |
| Average Interval Spanned by Melodic Arcs |
5.132 |
| Melodic Pitch Variety |
4.457 |
| Mean Melodic Interval |
2.278 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3387 |
| Relative Prevalence of Most Common Melodic Intervals |
0.644 |
| Amount of Arpeggiation |
0.412 |
| Repeated Notes |
0.2181 |
| Importance of Middle Register |
0.6962 |
| Importance of High Register |
0.0351 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.13 |
| Mean Pitch Class |
4.98 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1036 |
| Prevalence of Most Common Pitch Class |
0.1945 |
| Relative Prevalence of Top Pitches |
0.9389 |
| Relative Prevalence of Top Pitch Classes |
0.8402 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.466 |
| Pitch Class Variability |
3.337 |
| Pitch Class Variability After Folding |
4.192 |
| Pitch Skewness |
-0.2379 |
| Pitch Class Skewness |
-0.0181 |
| Pitch Class Skewness After Folding |
1.029 |
| Pitch Kurtosis |
5.442 |
| Pitch Class Kurtosis |
4.795 |
| Pitch Class Kurtosis After Folding |
4.772 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2687 |
| Note Density per Quarter Note |
1.206 |
| Note Density per Quarter Note per Voice |
0.2412 |
| Note Density per Quarter Note Variability |
0.4767 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001151 |
| Prevalence of Medium Rhythmic Values |
0.5437 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7739 |
| Prevalence of Very Long Rhythmic Values |
0.111 |
| Prevalence of Dotted Notes |
0.1876 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.155 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3176 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7989 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.39 |
| Rhythmic Value Skewness |
1.451 |
| Rhythmic Value Kurtosis |
10.4 |
| Mean Rhythmic Value Run Length |
1.871 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.33 |
| Mean Rhythmic Value Offset |
0.3147 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.315 |
| Complete Rests Fraction |
0.0006882 |
| Partial Rests Fraction |
0.5956 |
| Average Rest Fraction Across Voices |
0.1726 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
76.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.636 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.46 |
| Variability Across Voices of Combined Rests |
149.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.525 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.173 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.035 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.698 |
| Rhythmic Variability - Tempo Standardized |
0.04578 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1738.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.257 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.7146 |
| Variability of Note Durations |
0.842 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2785 |
| Strength of Second Strongest Rhythmic Pulse |
0.2147 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.297 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4933 |
| Rhythmic Variability |
0.03315 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000007323 |
| Duration in Seconds |
300.2 |
| Note Density |
5.789 |
| Note Density Variability |
1.863 |
| Average Time Between Attacks |
0.3827 |
| Average Time Between Attacks for Each Voice |
1.187 |
| Variability of Time Between Attacks |
0.215 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.4252 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.1985 |
| Relative Note Durations of Lowest Line |
0.91 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.8826 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
2.754 |
| Parallel Motion |
0.03386 |
| Average Number of Independent Voices |
4.14 |
| Similar Motion |
0.148 |
| Contrary Motion |
0.1699 |
| Oblique Motion |
0.6483 |
| Parallel Fifths |
0.000627 |
| Parallel Octaves |
0.005643 |
| Variability of Number of Independent Voices |
0.8465 |
| Voice Equality - Number of Notes |
144.8 |
| Voice Equality - Note Duration |
31.17 |
| Voice Equality - Dynamics |
7.416 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.949 |
| Importance of Loudest Voice |
11.25 |