| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2226 |
| Prevalence of Second Most Common Vertical Interval |
0.2085 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9367 |
| Vertical Unisons |
0.03594 |
| Vertical Minor Seconds |
0.003451 |
| Vertical Thirds |
0.3438 |
| Vertical Tritones |
0.009075 |
| Vertical Perfect Fourths |
0.05384 |
| Vertical Perfect Fifths |
0.2085 |
| Vertical Sixths |
0.1279 |
| Vertical Sevenths |
0.01579 |
| Vertical Octaves |
0.1867 |
| Perfect Vertical Intervals |
0.485 |
| Vertical Dissonance Ratio |
0.04526 |
| Vertical Minor Third Prevalence |
0.4174 |
| Vertical Major Third Prevalence |
0.3515 |
| Chord Duration |
2.323 |
| Partial Chords |
0.568 |
| Standard Triads |
0.3571 |
| Diminished and Augmented Triads |
0.01743 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.002421 |
| Non-Standard Chords |
0.0724 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.606 |
| Average Number of Simultaneous Pitch Classes |
2.271 |
| Variability of Number of Simultaneous Pitch Classes |
0.6869 |
| Average Number of Simultaneous Pitches |
2.791 |
| Variability of Number of Simultaneous Pitches |
0.8664 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.417 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.79 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1744 |
| Stepwise Motion |
0.5011 |
| Melodic Thirds |
0.1829 |
| Melodic Perfect Fourths |
0.06083 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06891 |
| Melodic Sixths |
0.003403 |
| Melodic Sevenths |
0.0004254 |
| Melodic Octaves |
0.01021 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.386 |
| Melodic Embellishments |
0.01953 |
| Direction of Melodic Motion |
0.4707 |
| Average Length of Melodic Arcs |
1.644 |
| Average Interval Spanned by Melodic Arcs |
4.702 |
| Melodic Pitch Variety |
4.397 |
| Mean Melodic Interval |
2.372 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3267 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5339 |
| Amount of Arpeggiation |
0.4347 |
| Repeated Notes |
0.1723 |
| Importance of Middle Register |
0.7355 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.41 |
| Mean Pitch Class |
5.384 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1333 |
| Prevalence of Most Common Pitch Class |
0.2093 |
| Relative Prevalence of Top Pitches |
0.8854 |
| Relative Prevalence of Top Pitch Classes |
0.9797 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.796 |
| Pitch Class Variability |
3.353 |
| Pitch Class Variability After Folding |
3.922 |
| Pitch Skewness |
-0.01781 |
| Pitch Class Skewness |
0.3434 |
| Pitch Class Skewness After Folding |
1.6 |
| Pitch Kurtosis |
5.393 |
| Pitch Class Kurtosis |
4.676 |
| Pitch Class Kurtosis After Folding |
5.019 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2645 |
| Note Density per Quarter Note |
0.9992 |
| Note Density per Quarter Note per Voice |
0.2498 |
| Note Density per Quarter Note Variability |
0.5429 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0008493 |
| Prevalence of Medium Rhythmic Values |
0.5975 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.842 |
| Prevalence of Very Long Rhythmic Values |
0.0828 |
| Prevalence of Dotted Notes |
0.107 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.863 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4395 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5768 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.768 |
| Rhythmic Value Skewness |
1.465 |
| Rhythmic Value Kurtosis |
10.58 |
| Mean Rhythmic Value Run Length |
1.805 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.421 |
| Mean Rhythmic Value Offset |
0.04119 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7271 |
| Complete Rests Fraction |
0.001327 |
| Partial Rests Fraction |
0.6715 |
| Average Rest Fraction Across Voices |
0.2717 |
| Longest Complete Rest |
2.092 |
| Longest Partial Rest |
112.9 |
| Mean Complete Rest Duration |
1.564 |
| Mean Partial Rest Duration |
14.56 |
| Median Complete Rest Duration |
2.092 |
| Median Partial Rest Duration |
6.275 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.7456 |
| Variability of Partial Rest Durations |
19.55 |
| Variability Across Voices of Combined Rests |
77.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6297 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.188 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.349 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8177 |
| Rhythmic Variability - Tempo Standardized |
0.05353 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2355.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.479 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.5808 |
| Variability of Note Durations |
0.3956 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
307.2 |
| Strongest Rhythmic Pulse |
76.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.2871 |
| Strength of Second Strongest Rhythmic Pulse |
0.2488 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.154 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.536 |
| Rhythmic Variability |
0.0366 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
50.33 |
| Duration in Seconds |
469.5 |
| Note Density |
5.016 |
| Note Density Variability |
1.775 |
| Average Time Between Attacks |
0.3903 |
| Average Time Between Attacks for Each Voice |
0.7869 |
| Variability of Time Between Attacks |
0.1946 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.5542 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.1104 |
| Relative Note Durations of Lowest Line |
1.032 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7945 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.04865 |
| Average Number of Independent Voices |
2.905 |
| Similar Motion |
0.1762 |
| Contrary Motion |
0.2416 |
| Oblique Motion |
0.5335 |
| Parallel Fifths |
0.001081 |
| Parallel Octaves |
0.002703 |
| Variability of Number of Independent Voices |
0.8799 |
| Voice Equality - Number of Notes |
29.79 |
| Voice Equality - Note Duration |
15.36 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
11.67 |