| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.217 |
| Prevalence of Second Most Common Vertical Interval |
0.2115 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9743 |
| Vertical Unisons |
0.03232 |
| Vertical Minor Seconds |
0.002399 |
| Vertical Thirds |
0.3476 |
| Vertical Tritones |
0.009504 |
| Vertical Perfect Fourths |
0.07688 |
| Vertical Perfect Fifths |
0.1737 |
| Vertical Sixths |
0.1395 |
| Vertical Sevenths |
0.01747 |
| Vertical Octaves |
0.1847 |
| Perfect Vertical Intervals |
0.4676 |
| Vertical Dissonance Ratio |
0.04742 |
| Vertical Minor Third Prevalence |
0.5528 |
| Vertical Major Third Prevalence |
0.3574 |
| Chord Duration |
2.461 |
| Partial Chords |
0.4048 |
| Standard Triads |
0.4623 |
| Diminished and Augmented Triads |
0.02778 |
| Dominant Seventh Chords |
0.003968 |
| Seventh Chords |
0.0119 |
| Non-Standard Chords |
0.121 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.774 |
| Average Number of Simultaneous Pitch Classes |
2.445 |
| Variability of Number of Simultaneous Pitch Classes |
0.7295 |
| Average Number of Simultaneous Pitches |
3.053 |
| Variability of Number of Simultaneous Pitches |
0.8665 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.061 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
34.48 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1989 |
| Stepwise Motion |
0.6364 |
| Melodic Thirds |
0.2311 |
| Melodic Perfect Fourths |
0.04735 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04167 |
| Melodic Sixths |
0.003788 |
| Melodic Sevenths |
0.003788 |
| Melodic Octaves |
0.003788 |
| Melodic Large Intervals |
0.001894 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.88 |
| Melodic Embellishments |
0.0282 |
| Direction of Melodic Motion |
0.4727 |
| Average Length of Melodic Arcs |
1.455 |
| Average Interval Spanned by Melodic Arcs |
3.676 |
| Melodic Pitch Variety |
4.565 |
| Mean Melodic Interval |
2.487 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4375 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4545 |
| Amount of Arpeggiation |
0.3125 |
| Repeated Notes |
0.0303 |
| Importance of Middle Register |
0.7575 |
| Importance of High Register |
0.02632 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.58 |
| Mean Pitch Class |
5.453 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1165 |
| Prevalence of Most Common Pitch Class |
0.2256 |
| Relative Prevalence of Top Pitches |
0.9355 |
| Relative Prevalence of Top Pitch Classes |
0.8833 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.42 |
| Pitch Class Variability |
3.274 |
| Pitch Class Variability After Folding |
3.906 |
| Pitch Skewness |
0.006839 |
| Pitch Class Skewness |
-0.5012 |
| Pitch Class Skewness After Folding |
1.639 |
| Pitch Kurtosis |
5.232 |
| Pitch Class Kurtosis |
4.772 |
| Pitch Class Kurtosis After Folding |
5.012 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2162 |
| Note Density per Quarter Note |
0.935 |
| Note Density per Quarter Note per Voice |
0.2337 |
| Note Density per Quarter Note Variability |
0.6253 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5132 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8665 |
| Prevalence of Very Long Rhythmic Values |
0.1297 |
| Prevalence of Dotted Notes |
0.1259 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.338 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3797 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7772 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.314 |
| Rhythmic Value Skewness |
1.735 |
| Rhythmic Value Kurtosis |
9.974 |
| Mean Rhythmic Value Run Length |
1.632 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.331 |
| Mean Rhythmic Value Offset |
0.05263 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4562 |
| Complete Rests Fraction |
0.00191 |
| Partial Rests Fraction |
0.5562 |
| Average Rest Fraction Across Voices |
0.204 |
| Longest Complete Rest |
1.087 |
| Longest Partial Rest |
60.03 |
| Mean Complete Rest Duration |
1.087 |
| Mean Partial Rest Duration |
10.8 |
| Median Complete Rest Duration |
1.087 |
| Median Partial Rest Duration |
2.192 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.78 |
| Variability Across Voices of Combined Rests |
42.95 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6513 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1877 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.47 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.839 |
| Rhythmic Variability - Tempo Standardized |
0.05472 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
532.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.415 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.8036 |
| Variability of Note Durations |
0.577 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
257.2 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.3092 |
| Strength of Second Strongest Rhythmic Pulse |
0.2781 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.112 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5872 |
| Rhythmic Variability |
0.03935 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.86 |
| Duration in Seconds |
134.3 |
| Note Density |
3.962 |
| Note Density Variability |
1.858 |
| Average Time Between Attacks |
0.5054 |
| Average Time Between Attacks for Each Voice |
0.993 |
| Variability of Time Between Attacks |
0.3407 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.625 |
| Relative Range Isolation of Loudest Voice |
0.4857 |
| Relative Range of Highest Line |
0.625 |
| Relative Note Density of Highest Line |
0.5038 |
| Relative Note Durations of Lowest Line |
1.09 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7726 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.0451 |
| Average Number of Independent Voices |
3.176 |
| Similar Motion |
0.1176 |
| Contrary Motion |
0.2706 |
| Oblique Motion |
0.5667 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8745 |
| Voice Equality - Number of Notes |
34.48 |
| Voice Equality - Note Duration |
10.14 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
11.67 |