| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1943 |
| Prevalence of Second Most Common Vertical Interval |
0.1891 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9734 |
| Vertical Unisons |
0.0203 |
| Vertical Minor Seconds |
0.00474 |
| Vertical Thirds |
0.3365 |
| Vertical Tritones |
0.01344 |
| Vertical Perfect Fourths |
0.08228 |
| Vertical Perfect Fifths |
0.1844 |
| Vertical Sixths |
0.1445 |
| Vertical Sevenths |
0.02276 |
| Vertical Octaves |
0.1688 |
| Perfect Vertical Intervals |
0.4558 |
| Vertical Dissonance Ratio |
0.06739 |
| Vertical Minor Third Prevalence |
0.6369 |
| Vertical Major Third Prevalence |
0.4888 |
| Chord Duration |
2.581 |
| Partial Chords |
0.2934 |
| Standard Triads |
0.5143 |
| Diminished and Augmented Triads |
0.03846 |
| Dominant Seventh Chords |
0.002262 |
| Seventh Chords |
0.03243 |
| Non-Standard Chords |
0.1599 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.462 |
| Average Number of Simultaneous Pitch Classes |
2.734 |
| Variability of Number of Simultaneous Pitch Classes |
0.5684 |
| Average Number of Simultaneous Pitches |
3.467 |
| Variability of Number of Simultaneous Pitches |
0.64 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.617 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
76.74 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2493 |
| Stepwise Motion |
0.7478 |
| Melodic Thirds |
0.1056 |
| Melodic Perfect Fourths |
0.03519 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05572 |
| Melodic Sixths |
0.005865 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008798 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.6 |
| Melodic Embellishments |
0.01739 |
| Direction of Melodic Motion |
0.5046 |
| Average Length of Melodic Arcs |
2.096 |
| Average Interval Spanned by Melodic Arcs |
4.962 |
| Melodic Pitch Variety |
5.421 |
| Mean Melodic Interval |
2.311 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4985 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.2111 |
| Repeated Notes |
0.04106 |
| Importance of Middle Register |
0.6725 |
| Importance of High Register |
0.002899 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.17 |
| Mean Pitch Class |
5.014 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.09855 |
| Prevalence of Most Common Pitch Class |
0.1826 |
| Relative Prevalence of Top Pitches |
0.9706 |
| Relative Prevalence of Top Pitch Classes |
0.9365 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.817 |
| Pitch Class Variability |
3.446 |
| Pitch Class Variability After Folding |
3.295 |
| Pitch Skewness |
-0.5217 |
| Pitch Class Skewness |
0.01262 |
| Pitch Class Skewness After Folding |
0.6307 |
| Pitch Kurtosis |
5.316 |
| Pitch Class Kurtosis |
4.966 |
| Pitch Class Kurtosis After Folding |
6.636 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3246 |
| Note Density per Quarter Note |
0.7684 |
| Note Density per Quarter Note per Voice |
0.1921 |
| Note Density per Quarter Note Variability |
0.3261 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3391 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8493 |
| Prevalence of Very Long Rhythmic Values |
0.3275 |
| Prevalence of Dotted Notes |
0.1362 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.5 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3014 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8077 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.86 |
| Rhythmic Value Skewness |
0.5245 |
| Rhythmic Value Kurtosis |
5.705 |
| Mean Rhythmic Value Run Length |
1.769 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.155 |
| Mean Rhythmic Value Offset |
0.1406 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7108 |
| Complete Rests Fraction |
0.002209 |
| Partial Rests Fraction |
0.3808 |
| Average Rest Fraction Across Voices |
0.1113 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.76 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
16.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.57 |
| Variability Across Voices of Combined Rests |
32.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5643 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2058 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.742 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7701 |
| Rhythmic Variability - Tempo Standardized |
0.04874 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
345.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8823 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.9638 |
| Variability of Note Durations |
0.6823 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3761 |
| Strength of Second Strongest Rhythmic Pulse |
0.2161 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.74 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5922 |
| Rhythmic Variability |
0.03774 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004058 |
| Duration in Seconds |
93.54 |
| Note Density |
3.688 |
| Note Density Variability |
0.9956 |
| Average Time Between Attacks |
0.5075 |
| Average Time Between Attacks for Each Voice |
1.131 |
| Variability of Time Between Attacks |
0.3199 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.3548 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.7652 |
| Relative Note Durations of Lowest Line |
1.016 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8696 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.05357 |
| Average Number of Independent Voices |
3.562 |
| Similar Motion |
0.1071 |
| Contrary Motion |
0.1942 |
| Oblique Motion |
0.6451 |
| Parallel Fifths |
0.002232 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6018 |
| Voice Equality - Number of Notes |
34.02 |
| Voice Equality - Note Duration |
6.68 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
15.0 |