| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.207 |
| Prevalence of Second Most Common Vertical Interval |
0.1942 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9378 |
| Vertical Unisons |
0.04292 |
| Vertical Minor Seconds |
0.008738 |
| Vertical Thirds |
0.3635 |
| Vertical Tritones |
0.01262 |
| Vertical Perfect Fourths |
0.07274 |
| Vertical Perfect Fifths |
0.1648 |
| Vertical Sixths |
0.1324 |
| Vertical Sevenths |
0.03037 |
| Vertical Octaves |
0.1512 |
| Perfect Vertical Intervals |
0.4317 |
| Vertical Dissonance Ratio |
0.07814 |
| Vertical Minor Third Prevalence |
0.5103 |
| Vertical Major Third Prevalence |
0.4054 |
| Chord Duration |
2.006 |
| Partial Chords |
0.484 |
| Standard Triads |
0.3778 |
| Diminished and Augmented Triads |
0.018 |
| Dominant Seventh Chords |
0.003406 |
| Seventh Chords |
0.01606 |
| Non-Standard Chords |
0.1221 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.197 |
| Average Number of Simultaneous Pitch Classes |
2.432 |
| Variability of Number of Simultaneous Pitch Classes |
0.7014 |
| Average Number of Simultaneous Pitches |
2.934 |
| Variability of Number of Simultaneous Pitches |
0.8625 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.494 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
151.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2097 |
| Stepwise Motion |
0.6439 |
| Melodic Thirds |
0.1786 |
| Melodic Perfect Fourths |
0.05178 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06509 |
| Melodic Sixths |
0.004808 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01442 |
| Melodic Large Intervals |
0.0007396 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.604 |
| Melodic Embellishments |
0.01477 |
| Direction of Melodic Motion |
0.515 |
| Average Length of Melodic Arcs |
1.73 |
| Average Interval Spanned by Melodic Arcs |
4.684 |
| Melodic Pitch Variety |
5.166 |
| Mean Melodic Interval |
2.601 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4342 |
| Relative Prevalence of Most Common Melodic Intervals |
0.483 |
| Amount of Arpeggiation |
0.2996 |
| Repeated Notes |
0.04068 |
| Importance of Middle Register |
0.7371 |
| Importance of High Register |
0.002585 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.04 |
| Mean Pitch Class |
5.392 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.103 |
| Prevalence of Most Common Pitch Class |
0.1765 |
| Relative Prevalence of Top Pitches |
0.9892 |
| Relative Prevalence of Top Pitch Classes |
0.9142 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.273 |
| Pitch Class Variability |
3.525 |
| Pitch Class Variability After Folding |
3.11 |
| Pitch Skewness |
-0.2829 |
| Pitch Class Skewness |
0.3337 |
| Pitch Class Skewness After Folding |
0.4096 |
| Pitch Kurtosis |
5.578 |
| Pitch Class Kurtosis |
4.9 |
| Pitch Class Kurtosis After Folding |
7.138 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
35.0 |
| Importance of Bass Register |
0.2603 |
| Note Density per Quarter Note |
1.208 |
| Note Density per Quarter Note per Voice |
0.3021 |
| Note Density per Quarter Note Variability |
0.5748 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003693 |
| Prevalence of Medium Rhythmic Values |
0.651 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7884 |
| Prevalence of Very Long Rhythmic Values |
0.02954 |
| Prevalence of Dotted Notes |
0.1263 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.5 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4394 |
| Relative Prevalence of Most Common Rhythmic Values |
0.479 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.48 |
| Rhythmic Value Skewness |
1.013 |
| Rhythmic Value Kurtosis |
17.05 |
| Mean Rhythmic Value Run Length |
1.625 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.306 |
| Mean Rhythmic Value Offset |
0.05595 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.1 |
| Complete Rests Fraction |
0.0004209 |
| Partial Rests Fraction |
0.5531 |
| Average Rest Fraction Across Voices |
0.2247 |
| Longest Complete Rest |
0.9432 |
| Longest Partial Rest |
456.5 |
| Mean Complete Rest Duration |
0.9432 |
| Mean Partial Rest Duration |
20.14 |
| Median Complete Rest Duration |
0.9432 |
| Median Partial Rest Duration |
2.361 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
67.32 |
| Variability Across Voices of Combined Rests |
392.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5729 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2219 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.581 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7948 |
| Rhythmic Variability - Tempo Standardized |
0.05067 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2708.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.834 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
0.5622 |
| Variability of Note Durations |
0.4604 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
276.0 |
| Strongest Rhythmic Pulse |
46.0 |
| Second Strongest Rhythmic Pulse |
69.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2487 |
| Strength of Second Strongest Rhythmic Pulse |
0.2436 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.021 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4923 |
| Rhythmic Variability |
0.03483 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
22.75 |
| Duration in Seconds |
490.9 |
| Note Density |
5.517 |
| Note Density Variability |
2.094 |
| Average Time Between Attacks |
0.3546 |
| Average Time Between Attacks for Each Voice |
0.7369 |
| Variability of Time Between Attacks |
0.1953 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6 |
| Relative Range Isolation of Loudest Voice |
0.1032 |
| Relative Range of Highest Line |
0.6 |
| Relative Note Density of Highest Line |
0.09453 |
| Relative Note Durations of Lowest Line |
0.9858 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.9317 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.04523 |
| Average Number of Independent Voices |
3.087 |
| Similar Motion |
0.1557 |
| Contrary Motion |
0.251 |
| Oblique Motion |
0.5481 |
| Parallel Fifths |
0.001885 |
| Parallel Octaves |
0.003392 |
| Variability of Number of Independent Voices |
0.9096 |
| Voice Equality - Number of Notes |
151.8 |
| Voice Equality - Note Duration |
85.86 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
11.67 |