| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2429 |
| Prevalence of Second Most Common Vertical Interval |
0.2242 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9229 |
| Vertical Unisons |
0.06296 |
| Vertical Minor Seconds |
0.002147 |
| Vertical Thirds |
0.4058 |
| Vertical Tritones |
0.003102 |
| Vertical Perfect Fourths |
0.03903 |
| Vertical Perfect Fifths |
0.2155 |
| Vertical Sixths |
0.07473 |
| Vertical Sevenths |
0.006356 |
| Vertical Octaves |
0.18 |
| Perfect Vertical Intervals |
0.4975 |
| Vertical Dissonance Ratio |
0.02244 |
| Vertical Minor Third Prevalence |
0.7756 |
| Vertical Major Third Prevalence |
0.6749 |
| Chord Duration |
2.769 |
| Partial Chords |
0.2714 |
| Standard Triads |
0.6538 |
| Diminished and Augmented Triads |
0.005108 |
| Dominant Seventh Chords |
0.002189 |
| Seventh Chords |
0.01094 |
| Non-Standard Chords |
0.06385 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.036 |
| Average Number of Simultaneous Pitch Classes |
2.714 |
| Variability of Number of Simultaneous Pitch Classes |
0.5526 |
| Average Number of Simultaneous Pitches |
3.657 |
| Variability of Number of Simultaneous Pitches |
0.7705 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.949 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
114.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.08967 |
| Stepwise Motion |
0.2914 |
| Melodic Thirds |
0.1761 |
| Melodic Perfect Fourths |
0.06485 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06565 |
| Melodic Sixths |
0.002402 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02482 |
| Melodic Large Intervals |
0.002402 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
3.4 |
| Melodic Embellishments |
0.03828 |
| Direction of Melodic Motion |
0.4783 |
| Average Length of Melodic Arcs |
1.519 |
| Average Interval Spanned by Melodic Arcs |
5.254 |
| Melodic Pitch Variety |
4.126 |
| Mean Melodic Interval |
2.199 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3723 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5419 |
| Amount of Arpeggiation |
0.6413 |
| Repeated Notes |
0.3723 |
| Importance of Middle Register |
0.673 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.7 |
| Mean Pitch Class |
5.092 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1148 |
| Prevalence of Most Common Pitch Class |
0.1898 |
| Relative Prevalence of Top Pitches |
0.9028 |
| Relative Prevalence of Top Pitch Classes |
0.9076 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.727 |
| Pitch Class Variability |
3.32 |
| Pitch Class Variability After Folding |
3.495 |
| Pitch Skewness |
0.08784 |
| Pitch Class Skewness |
0.08288 |
| Pitch Class Skewness After Folding |
0.5263 |
| Pitch Kurtosis |
5.456 |
| Pitch Class Kurtosis |
4.873 |
| Pitch Class Kurtosis After Folding |
6.315 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.327 |
| Note Density per Quarter Note |
1.338 |
| Note Density per Quarter Note per Voice |
0.2677 |
| Note Density per Quarter Note Variability |
0.4162 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5311 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8971 |
| Prevalence of Very Long Rhythmic Values |
0.07974 |
| Prevalence of Dotted Notes |
0.1443 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.002 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4282 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7058 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.635 |
| Rhythmic Value Skewness |
1.839 |
| Rhythmic Value Kurtosis |
10.44 |
| Mean Rhythmic Value Run Length |
1.841 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.619 |
| Mean Rhythmic Value Offset |
0.04047 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5198 |
| Complete Rests Fraction |
0.001058 |
| Partial Rests Fraction |
0.6884 |
| Average Rest Fraction Across Voices |
0.1919 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
90.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.25 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.83 |
| Variability Across Voices of Combined Rests |
38.72 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6793 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1348 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.039 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8141 |
| Rhythmic Variability - Tempo Standardized |
0.05537 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1254.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9223 |
| Minimum Note Duration |
0.1389 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.629 |
| Variability of Note Durations |
0.3878 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3218 |
| Strength of Second Strongest Rhythmic Pulse |
0.2518 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.278 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5736 |
| Rhythmic Variability |
0.03763 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002298 |
| Duration in Seconds |
195.2 |
| Note Density |
6.424 |
| Note Density Variability |
1.687 |
| Average Time Between Attacks |
0.3737 |
| Average Time Between Attacks for Each Voice |
0.7585 |
| Variability of Time Between Attacks |
0.1602 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.2169 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.2592 |
| Relative Note Durations of Lowest Line |
0.995 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.9187 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
0.9574 |
| Parallel Motion |
0.0429 |
| Average Number of Independent Voices |
4.045 |
| Similar Motion |
0.1917 |
| Contrary Motion |
0.1877 |
| Oblique Motion |
0.5777 |
| Parallel Fifths |
0.00134 |
| Parallel Octaves |
0.01072 |
| Variability of Number of Independent Voices |
0.8192 |
| Voice Equality - Number of Notes |
13.52 |
| Voice Equality - Note Duration |
8.067 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.8944 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
10.0 |