| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1989 |
| Prevalence of Second Most Common Vertical Interval |
0.1755 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8826 |
| Vertical Unisons |
0.05233 |
| Vertical Minor Seconds |
0.008192 |
| Vertical Thirds |
0.3697 |
| Vertical Tritones |
0.01555 |
| Vertical Perfect Fourths |
0.05595 |
| Vertical Perfect Fifths |
0.1742 |
| Vertical Sixths |
0.1246 |
| Vertical Sevenths |
0.03035 |
| Vertical Octaves |
0.1232 |
| Perfect Vertical Intervals |
0.4057 |
| Vertical Dissonance Ratio |
0.1111 |
| Vertical Minor Third Prevalence |
0.3614 |
| Vertical Major Third Prevalence |
0.337 |
| Chord Duration |
1.703 |
| Partial Chords |
0.567 |
| Standard Triads |
0.2617 |
| Diminished and Augmented Triads |
0.02181 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1713 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6471 |
| Average Number of Simultaneous Pitch Classes |
2.25 |
| Variability of Number of Simultaneous Pitch Classes |
0.6655 |
| Average Number of Simultaneous Pitches |
2.505 |
| Variability of Number of Simultaneous Pitches |
0.5943 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.917 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
25.24 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2446 |
| Stepwise Motion |
0.8199 |
| Melodic Thirds |
0.05376 |
| Melodic Perfect Fourths |
0.03495 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06452 |
| Melodic Sixths |
0.005376 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01613 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.0 |
| Melodic Embellishments |
0.016 |
| Direction of Melodic Motion |
0.573 |
| Average Length of Melodic Arcs |
2.202 |
| Average Interval Spanned by Melodic Arcs |
5.315 |
| Melodic Pitch Variety |
5.567 |
| Mean Melodic Interval |
2.435 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5753 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4252 |
| Amount of Arpeggiation |
0.1398 |
| Repeated Notes |
0.005376 |
| Importance of Middle Register |
0.8 |
| Importance of High Register |
0.048 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.13 |
| Mean Pitch Class |
5.227 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.104 |
| Prevalence of Most Common Pitch Class |
0.168 |
| Relative Prevalence of Top Pitches |
0.8462 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.988 |
| Pitch Class Variability |
3.573 |
| Pitch Class Variability After Folding |
3.22 |
| Pitch Skewness |
-0.2084 |
| Pitch Class Skewness |
0.1903 |
| Pitch Class Skewness After Folding |
0.3155 |
| Pitch Kurtosis |
5.421 |
| Pitch Class Kurtosis |
4.901 |
| Pitch Class Kurtosis After Folding |
7.115 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.152 |
| Note Density per Quarter Note |
1.016 |
| Note Density per Quarter Note per Voice |
0.3388 |
| Note Density per Quarter Note Variability |
0.4976 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6747 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6267 |
| Prevalence of Very Long Rhythmic Values |
0.09067 |
| Prevalence of Dotted Notes |
0.1547 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.565 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3733 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8071 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.187 |
| Rhythmic Value Skewness |
0.7756 |
| Rhythmic Value Kurtosis |
12.51 |
| Mean Rhythmic Value Run Length |
1.847 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.459 |
| Mean Rhythmic Value Offset |
0.01067 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2066 |
| Complete Rests Fraction |
0.002688 |
| Partial Rests Fraction |
0.3279 |
| Average Rest Fraction Across Voices |
0.1274 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.408 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.507 |
| Variability Across Voices of Combined Rests |
33.05 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4475 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2817 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.589 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7291 |
| Rhythmic Variability - Tempo Standardized |
0.04655 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
375.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6467 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5367 |
| Variability of Note Durations |
0.467 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2099 |
| Strength of Second Strongest Rhythmic Pulse |
0.2067 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.015 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4166 |
| Rhythmic Variability |
0.03249 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000002968 |
| Duration in Seconds |
76.87 |
| Note Density |
4.878 |
| Note Density Variability |
1.785 |
| Average Time Between Attacks |
0.3477 |
| Average Time Between Attacks for Each Voice |
0.6003 |
| Variability of Time Between Attacks |
0.1877 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.3712 |
| Relative Range of Highest Line |
0.5312 |
| Relative Note Density of Highest Line |
0.544 |
| Relative Note Durations of Lowest Line |
0.9422 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8587 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.0472 |
| Average Number of Independent Voices |
2.625 |
| Similar Motion |
0.1534 |
| Contrary Motion |
0.1829 |
| Oblique Motion |
0.6165 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5764 |
| Voice Equality - Number of Notes |
25.24 |
| Voice Equality - Note Duration |
6.884 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
12.5 |