| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1974 |
| Prevalence of Second Most Common Vertical Interval |
0.192 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9724 |
| Vertical Unisons |
0.04131 |
| Vertical Minor Seconds |
0.01046 |
| Vertical Thirds |
0.3793 |
| Vertical Tritones |
0.01489 |
| Vertical Perfect Fourths |
0.08792 |
| Vertical Perfect Fifths |
0.192 |
| Vertical Sixths |
0.1171 |
| Vertical Sevenths |
0.02855 |
| Vertical Octaves |
0.09435 |
| Perfect Vertical Intervals |
0.4155 |
| Vertical Dissonance Ratio |
0.09655 |
| Vertical Minor Third Prevalence |
0.41 |
| Vertical Major Third Prevalence |
0.3908 |
| Chord Duration |
1.785 |
| Partial Chords |
0.5625 |
| Standard Triads |
0.3014 |
| Diminished and Augmented Triads |
0.006206 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1361 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.361 |
| Average Number of Simultaneous Pitch Classes |
2.351 |
| Variability of Number of Simultaneous Pitch Classes |
0.5898 |
| Average Number of Simultaneous Pitches |
2.566 |
| Variability of Number of Simultaneous Pitches |
0.5573 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.313 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
10.12 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2599 |
| Stepwise Motion |
0.7639 |
| Melodic Thirds |
0.09019 |
| Melodic Perfect Fourths |
0.02918 |
| Melodic Tritones |
0.002653 |
| Melodic Perfect Fifths |
0.02918 |
| Melodic Sixths |
0.002653 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02653 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.667 |
| Melodic Embellishments |
0.005263 |
| Direction of Melodic Motion |
0.4101 |
| Average Length of Melodic Arcs |
1.967 |
| Average Interval Spanned by Melodic Arcs |
4.586 |
| Melodic Pitch Variety |
5.247 |
| Mean Melodic Interval |
2.26 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.504 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5158 |
| Amount of Arpeggiation |
0.2016 |
| Repeated Notes |
0.0557 |
| Importance of Middle Register |
0.8895 |
| Importance of High Register |
0.002632 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.38 |
| Mean Pitch Class |
5.576 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1289 |
| Prevalence of Most Common Pitch Class |
0.1763 |
| Relative Prevalence of Top Pitches |
0.8571 |
| Relative Prevalence of Top Pitch Classes |
0.9254 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
5.637 |
| Pitch Class Variability |
3.378 |
| Pitch Class Variability After Folding |
4.079 |
| Pitch Skewness |
-0.5336 |
| Pitch Class Skewness |
0.5118 |
| Pitch Class Skewness After Folding |
1.093 |
| Pitch Kurtosis |
5.262 |
| Pitch Class Kurtosis |
4.8 |
| Pitch Class Kurtosis After Folding |
4.753 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1079 |
| Note Density per Quarter Note |
0.9477 |
| Note Density per Quarter Note per Voice |
0.3159 |
| Note Density per Quarter Note Variability |
0.4477 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005263 |
| Prevalence of Medium Rhythmic Values |
0.5658 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.65 |
| Prevalence of Very Long Rhythmic Values |
0.09211 |
| Prevalence of Dotted Notes |
0.1026 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.786 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3368 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8516 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.979 |
| Rhythmic Value Skewness |
1.191 |
| Rhythmic Value Kurtosis |
8.66 |
| Mean Rhythmic Value Run Length |
1.652 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9761 |
| Mean Rhythmic Value Offset |
0.02237 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2901 |
| Complete Rests Fraction |
0.002473 |
| Partial Rests Fraction |
0.3067 |
| Average Rest Fraction Across Voices |
0.1139 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
20.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.566 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.689 |
| Variability Across Voices of Combined Rests |
13.32 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4703 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2838 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.657 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7542 |
| Rhythmic Variability - Tempo Standardized |
0.04683 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
380.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6071 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.5844 |
| Variability of Note Durations |
0.4366 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2342 |
| Strength of Second Strongest Rhythmic Pulse |
0.2137 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.096 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4479 |
| Rhythmic Variability |
0.03304 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000003456 |
| Duration in Seconds |
83.54 |
| Note Density |
4.549 |
| Note Density Variability |
1.233 |
| Average Time Between Attacks |
0.3565 |
| Average Time Between Attacks for Each Voice |
0.6371 |
| Variability of Time Between Attacks |
0.2017 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.7308 |
| Relative Range Isolation of Loudest Voice |
0.2197 |
| Relative Range of Highest Line |
0.7308 |
| Relative Note Density of Highest Line |
0.5132 |
| Relative Note Durations of Lowest Line |
0.9438 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.8921 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.04702 |
| Average Number of Independent Voices |
2.665 |
| Similar Motion |
0.1661 |
| Contrary Motion |
0.1285 |
| Oblique Motion |
0.6583 |
| Parallel Fifths |
0.00627 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5318 |
| Voice Equality - Number of Notes |
10.12 |
| Voice Equality - Note Duration |
2.774 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
12.5 |