| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2023 |
| Prevalence of Second Most Common Vertical Interval |
0.179 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8846 |
| Vertical Unisons |
0.06326 |
| Vertical Minor Seconds |
0.002863 |
| Vertical Thirds |
0.2998 |
| Vertical Tritones |
0.0136 |
| Vertical Perfect Fourths |
0.09663 |
| Vertical Perfect Fifths |
0.179 |
| Vertical Sixths |
0.1233 |
| Vertical Sevenths |
0.0512 |
| Vertical Octaves |
0.139 |
| Perfect Vertical Intervals |
0.4779 |
| Vertical Dissonance Ratio |
0.11 |
| Vertical Minor Third Prevalence |
0.4182 |
| Vertical Major Third Prevalence |
0.4182 |
| Chord Duration |
1.848 |
| Partial Chords |
0.4005 |
| Standard Triads |
0.3471 |
| Diminished and Augmented Triads |
0.02184 |
| Dominant Seventh Chords |
0.004854 |
| Seventh Chords |
0.03883 |
| Non-Standard Chords |
0.2136 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9589 |
| Average Number of Simultaneous Pitch Classes |
2.577 |
| Variability of Number of Simultaneous Pitch Classes |
0.7283 |
| Average Number of Simultaneous Pitches |
3.061 |
| Variability of Number of Simultaneous Pitches |
0.7911 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.1 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
39.97 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2158 |
| Stepwise Motion |
0.7116 |
| Melodic Thirds |
0.1058 |
| Melodic Perfect Fourths |
0.04357 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04149 |
| Melodic Sixths |
0.008299 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02282 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.429 |
| Melodic Embellishments |
0.04115 |
| Direction of Melodic Motion |
0.46 |
| Average Length of Melodic Arcs |
2.25 |
| Average Interval Spanned by Melodic Arcs |
5.79 |
| Melodic Pitch Variety |
5.272 |
| Mean Melodic Interval |
2.421 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4959 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4351 |
| Amount of Arpeggiation |
0.2365 |
| Repeated Notes |
0.06639 |
| Importance of Middle Register |
0.8395 |
| Importance of High Register |
0.02675 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.12 |
| Mean Pitch Class |
5.167 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1276 |
| Prevalence of Most Common Pitch Class |
0.1893 |
| Relative Prevalence of Top Pitches |
0.8065 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.537 |
| Pitch Class Variability |
3.398 |
| Pitch Class Variability After Folding |
3.665 |
| Pitch Skewness |
-0.2011 |
| Pitch Class Skewness |
0.1471 |
| Pitch Class Skewness After Folding |
1.41 |
| Pitch Kurtosis |
5.401 |
| Pitch Class Kurtosis |
4.8 |
| Pitch Class Kurtosis After Folding |
5.736 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.1337 |
| Note Density per Quarter Note |
1.102 |
| Note Density per Quarter Note per Voice |
0.2755 |
| Note Density per Quarter Note Variability |
0.4024 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5638 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7819 |
| Prevalence of Very Long Rhythmic Values |
0.1029 |
| Prevalence of Dotted Notes |
0.1687 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.905 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3457 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6667 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.963 |
| Rhythmic Value Skewness |
1.383 |
| Rhythmic Value Kurtosis |
11.06 |
| Mean Rhythmic Value Run Length |
1.468 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.787 |
| Mean Rhythmic Value Offset |
0.09877 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.115 |
| Complete Rests Fraction |
0.002249 |
| Partial Rests Fraction |
0.4966 |
| Average Rest Fraction Across Voices |
0.1723 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.999 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.854 |
| Variability Across Voices of Combined Rests |
44.11 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5338 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2411 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.214 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.775 |
| Rhythmic Variability - Tempo Standardized |
0.04922 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
486.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8673 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.6259 |
| Variability of Note Durations |
0.5472 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2574 |
| Strength of Second Strongest Rhythmic Pulse |
0.2419 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.064 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4993 |
| Rhythmic Variability |
0.03462 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000003967 |
| Duration in Seconds |
91.87 |
| Note Density |
5.29 |
| Note Density Variability |
1.33 |
| Average Time Between Attacks |
0.3392 |
| Average Time Between Attacks for Each Voice |
0.7584 |
| Variability of Time Between Attacks |
0.146 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4667 |
| Relative Range Isolation of Loudest Voice |
0.3356 |
| Relative Range of Highest Line |
0.4667 |
| Relative Note Density of Highest Line |
0.5597 |
| Relative Note Durations of Lowest Line |
1.296 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8971 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.06163 |
| Average Number of Independent Voices |
3.318 |
| Similar Motion |
0.1292 |
| Contrary Motion |
0.1431 |
| Oblique Motion |
0.666 |
| Parallel Fifths |
0.003976 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.797 |
| Voice Equality - Number of Notes |
39.97 |
| Voice Equality - Note Duration |
9.189 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.109 |
| Importance of Loudest Voice |
11.67 |