| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.2126 |
| Prevalence of Second Most Common Vertical Interval |
0.2019 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9494 |
| Vertical Unisons |
0.05548 |
| Vertical Minor Seconds |
0.02054 |
| Vertical Thirds |
0.4145 |
| Vertical Tritones |
0.01215 |
| Vertical Perfect Fourths |
0.0414 |
| Vertical Perfect Fifths |
0.1686 |
| Vertical Sixths |
0.1128 |
| Vertical Sevenths |
0.0292 |
| Vertical Octaves |
0.1141 |
| Perfect Vertical Intervals |
0.3795 |
| Vertical Dissonance Ratio |
0.1027 |
| Vertical Minor Third Prevalence |
0.3402 |
| Vertical Major Third Prevalence |
0.3261 |
| Chord Duration |
2.097 |
| Partial Chords |
0.6717 |
| Standard Triads |
0.2115 |
| Diminished and Augmented Triads |
0.01305 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1168 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.296 |
| Average Number of Simultaneous Pitch Classes |
2.106 |
| Variability of Number of Simultaneous Pitch Classes |
0.6554 |
| Average Number of Simultaneous Pitches |
2.306 |
| Variability of Number of Simultaneous Pitches |
0.6539 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
10.0 |
| Variation of Dynamics |
4.46 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
236.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2269 |
| Stepwise Motion |
0.7731 |
| Melodic Thirds |
0.1033 |
| Melodic Perfect Fourths |
0.03397 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01902 |
| Melodic Sixths |
0.005435 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0163 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.7674 |
| Melodic Embellishments |
0.07848 |
| Direction of Melodic Motion |
0.4529 |
| Average Length of Melodic Arcs |
2.16 |
| Average Interval Spanned by Melodic Arcs |
5.043 |
| Melodic Pitch Variety |
5.381 |
| Mean Melodic Interval |
2.232 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5462 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4154 |
| Amount of Arpeggiation |
0.1875 |
| Repeated Notes |
0.04891 |
| Importance of Middle Register |
0.8322 |
| Importance of High Register |
0.1015 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.73 |
| Mean Pitch Class |
5.137 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1461 |
| Prevalence of Most Common Pitch Class |
0.2057 |
| Relative Prevalence of Top Pitches |
0.8148 |
| Relative Prevalence of Top Pitch Classes |
0.7961 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.269 |
| Pitch Class Variability |
3.298 |
| Pitch Class Variability After Folding |
4.21 |
| Pitch Skewness |
0.1586 |
| Pitch Class Skewness |
0.1243 |
| Pitch Class Skewness After Folding |
1.164 |
| Pitch Kurtosis |
5.71 |
| Pitch Class Kurtosis |
4.867 |
| Pitch Class Kurtosis After Folding |
4.7 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.06631 |
| Note Density per Quarter Note |
0.8024 |
| Note Density per Quarter Note per Voice |
0.2675 |
| Note Density per Quarter Note Variability |
0.467 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002706 |
| Prevalence of Medium Rhythmic Values |
0.5277 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6495 |
| Prevalence of Very Long Rhythmic Values |
0.1516 |
| Prevalence of Dotted Notes |
0.1854 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.972 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3478 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6031 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.188 |
| Rhythmic Value Skewness |
1.332 |
| Rhythmic Value Kurtosis |
7.275 |
| Mean Rhythmic Value Run Length |
1.449 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.005 |
| Mean Rhythmic Value Offset |
0.02706 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4876 |
| Complete Rests Fraction |
0.001077 |
| Partial Rests Fraction |
0.5223 |
| Average Rest Fraction Across Voices |
0.198 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
192.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
16.09 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
43.9 |
| Variability Across Voices of Combined Rests |
189.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4112 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.3128 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.315 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7241 |
| Rhythmic Variability - Tempo Standardized |
0.04587 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
739.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.417 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6247 |
| Variability of Note Durations |
0.4893 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2259 |
| Strength of Second Strongest Rhythmic Pulse |
0.2097 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.077 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4356 |
| Rhythmic Variability |
0.03264 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000002173 |
| Duration in Seconds |
191.9 |
| Note Density |
3.852 |
| Note Density Variability |
1.883 |
| Average Time Between Attacks |
0.4158 |
| Average Time Between Attacks for Each Voice |
0.7211 |
| Variability of Time Between Attacks |
0.3161 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.1293 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.2801 |
| Relative Note Durations of Lowest Line |
0.8589 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8606 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.243 |
| Parallel Motion |
0.06142 |
| Average Number of Independent Voices |
2.409 |
| Similar Motion |
0.1339 |
| Contrary Motion |
0.1748 |
| Oblique Motion |
0.6299 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6171 |
| Voice Equality - Number of Notes |
46.09 |
| Voice Equality - Note Duration |
39.51 |
| Voice Equality - Dynamics |
5.774 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
5.0 |