| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.204 |
| Prevalence of Second Most Common Vertical Interval |
0.1765 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8651 |
| Vertical Unisons |
0.04981 |
| Vertical Minor Seconds |
0.01131 |
| Vertical Thirds |
0.3291 |
| Vertical Tritones |
0.009746 |
| Vertical Perfect Fourths |
0.08454 |
| Vertical Perfect Fifths |
0.1764 |
| Vertical Sixths |
0.1344 |
| Vertical Sevenths |
0.0248 |
| Vertical Octaves |
0.1542 |
| Perfect Vertical Intervals |
0.465 |
| Vertical Dissonance Ratio |
0.07702 |
| Vertical Minor Third Prevalence |
0.3698 |
| Vertical Major Third Prevalence |
0.3961 |
| Chord Duration |
1.849 |
| Partial Chords |
0.5412 |
| Standard Triads |
0.3344 |
| Diminished and Augmented Triads |
0.007541 |
| Dominant Seventh Chords |
0.00116 |
| Seventh Chords |
0.01711 |
| Non-Standard Chords |
0.1073 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5072 |
| Average Number of Simultaneous Pitch Classes |
2.346 |
| Variability of Number of Simultaneous Pitch Classes |
0.7091 |
| Average Number of Simultaneous Pitches |
2.797 |
| Variability of Number of Simultaneous Pitches |
0.9043 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.074 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
159.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2234 |
| Stepwise Motion |
0.7017 |
| Melodic Thirds |
0.12 |
| Melodic Perfect Fourths |
0.06101 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0698 |
| Melodic Sixths |
0.003102 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01499 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.343 |
| Melodic Embellishments |
0.02322 |
| Direction of Melodic Motion |
0.4901 |
| Average Length of Melodic Arcs |
1.877 |
| Average Interval Spanned by Melodic Arcs |
4.983 |
| Melodic Pitch Variety |
5.288 |
| Mean Melodic Interval |
2.589 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4783 |
| Relative Prevalence of Most Common Melodic Intervals |
0.467 |
| Amount of Arpeggiation |
0.2342 |
| Repeated Notes |
0.02947 |
| Importance of Middle Register |
0.8184 |
| Importance of High Register |
0.003096 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.12 |
| Mean Pitch Class |
5.025 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1187 |
| Prevalence of Most Common Pitch Class |
0.1863 |
| Relative Prevalence of Top Pitches |
0.8391 |
| Relative Prevalence of Top Pitch Classes |
0.867 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.313 |
| Pitch Class Variability |
3.498 |
| Pitch Class Variability After Folding |
3.733 |
| Pitch Skewness |
0.2692 |
| Pitch Class Skewness |
0.02124 |
| Pitch Class Skewness After Folding |
0.6519 |
| Pitch Kurtosis |
5.3 |
| Pitch Class Kurtosis |
4.915 |
| Pitch Class Kurtosis After Folding |
5.7 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1785 |
| Note Density per Quarter Note |
1.009 |
| Note Density per Quarter Note per Voice |
0.2522 |
| Note Density per Quarter Note Variability |
0.4861 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003096 |
| Prevalence of Medium Rhythmic Values |
0.5676 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7611 |
| Prevalence of Very Long Rhythmic Values |
0.08824 |
| Prevalence of Dotted Notes |
0.1321 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.858 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3287 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7865 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.924 |
| Rhythmic Value Skewness |
1.337 |
| Rhythmic Value Kurtosis |
10.69 |
| Mean Rhythmic Value Run Length |
1.645 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.055 |
| Mean Rhythmic Value Offset |
0.07637 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.2 |
| Complete Rests Fraction |
0.0005162 |
| Partial Rests Fraction |
0.6169 |
| Average Rest Fraction Across Voices |
0.26 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
496.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
18.5 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
59.19 |
| Variability Across Voices of Combined Rests |
292.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5377 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2321 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.317 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7698 |
| Rhythmic Variability - Tempo Standardized |
0.04923 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1938.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.95 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.6112 |
| Variability of Note Durations |
0.5327 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2574 |
| Strength of Second Strongest Rhythmic Pulse |
0.2296 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.121 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4871 |
| Rhythmic Variability |
0.03438 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.000000001242 |
| Duration in Seconds |
400.2 |
| Note Density |
4.843 |
| Note Density Variability |
1.831 |
| Average Time Between Attacks |
0.3688 |
| Average Time Between Attacks for Each Voice |
0.9173 |
| Variability of Time Between Attacks |
0.2058 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.2789 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.1383 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.9123 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.04017 |
| Average Number of Independent Voices |
2.961 |
| Similar Motion |
0.1549 |
| Contrary Motion |
0.1897 |
| Oblique Motion |
0.6152 |
| Parallel Fifths |
0.004228 |
| Parallel Octaves |
0.002114 |
| Variability of Number of Independent Voices |
0.9296 |
| Voice Equality - Number of Notes |
159.2 |
| Voice Equality - Note Duration |
60.82 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
11.67 |