| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1946 |
| Prevalence of Second Most Common Vertical Interval |
0.1886 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9693 |
| Vertical Unisons |
0.03404 |
| Vertical Minor Seconds |
0.009082 |
| Vertical Thirds |
0.361 |
| Vertical Tritones |
0.005932 |
| Vertical Perfect Fourths |
0.07246 |
| Vertical Perfect Fifths |
0.1768 |
| Vertical Sixths |
0.1382 |
| Vertical Sevenths |
0.02905 |
| Vertical Octaves |
0.1546 |
| Perfect Vertical Intervals |
0.4379 |
| Vertical Dissonance Ratio |
0.06723 |
| Vertical Minor Third Prevalence |
0.5134 |
| Vertical Major Third Prevalence |
0.4964 |
| Chord Duration |
2.047 |
| Partial Chords |
0.4269 |
| Standard Triads |
0.4381 |
| Diminished and Augmented Triads |
0.001633 |
| Dominant Seventh Chords |
0.002721 |
| Seventh Chords |
0.01905 |
| Non-Standard Chords |
0.1159 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.132 |
| Average Number of Simultaneous Pitch Classes |
2.543 |
| Variability of Number of Simultaneous Pitch Classes |
0.6862 |
| Average Number of Simultaneous Pitches |
3.07 |
| Variability of Number of Simultaneous Pitches |
0.8735 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.222 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
66.16 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2394 |
| Stepwise Motion |
0.7058 |
| Melodic Thirds |
0.144 |
| Melodic Perfect Fourths |
0.03599 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04225 |
| Melodic Sixths |
0.007825 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007825 |
| Melodic Large Intervals |
0.001565 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.182 |
| Melodic Embellishments |
0.0311 |
| Direction of Melodic Motion |
0.5083 |
| Average Length of Melodic Arcs |
1.974 |
| Average Interval Spanned by Melodic Arcs |
4.732 |
| Melodic Pitch Variety |
5.063 |
| Mean Melodic Interval |
2.297 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4664 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5134 |
| Amount of Arpeggiation |
0.2504 |
| Repeated Notes |
0.05477 |
| Importance of Middle Register |
0.8196 |
| Importance of High Register |
0.06532 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.9 |
| Mean Pitch Class |
5.549 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1089 |
| Prevalence of Most Common Pitch Class |
0.1991 |
| Relative Prevalence of Top Pitches |
0.7714 |
| Relative Prevalence of Top Pitch Classes |
0.7422 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.041 |
| Pitch Class Variability |
3.584 |
| Pitch Class Variability After Folding |
3.41 |
| Pitch Skewness |
0.1842 |
| Pitch Class Skewness |
0.4596 |
| Pitch Class Skewness After Folding |
0.6006 |
| Pitch Kurtosis |
5.31 |
| Pitch Class Kurtosis |
4.796 |
| Pitch Class Kurtosis After Folding |
6.313 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1151 |
| Note Density per Quarter Note |
0.9908 |
| Note Density per Quarter Note per Voice |
0.2477 |
| Note Density per Quarter Note Variability |
0.5357 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00311 |
| Prevalence of Medium Rhythmic Values |
0.5692 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7481 |
| Prevalence of Very Long Rhythmic Values |
0.1213 |
| Prevalence of Dotted Notes |
0.1851 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.044 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3173 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7402 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.39 |
| Rhythmic Value Skewness |
1.31 |
| Rhythmic Value Kurtosis |
10.45 |
| Mean Rhythmic Value Run Length |
1.445 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8136 |
| Mean Rhythmic Value Offset |
0.1886 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.675 |
| Complete Rests Fraction |
0.001634 |
| Partial Rests Fraction |
0.5101 |
| Average Rest Fraction Across Voices |
0.2031 |
| Longest Complete Rest |
1.06 |
| Longest Partial Rest |
81.26 |
| Mean Complete Rest Duration |
1.06 |
| Mean Partial Rest Duration |
15.51 |
| Median Complete Rest Duration |
1.06 |
| Median Partial Rest Duration |
3.445 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.0 |
| Variability Across Voices of Combined Rests |
63.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4808 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2555 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.882 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7363 |
| Rhythmic Variability - Tempo Standardized |
0.04632 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
643.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.745 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7782 |
| Variability of Note Durations |
0.7978 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
250.6 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.476 |
| Strength of Strongest Rhythmic Pulse |
0.2498 |
| Strength of Second Strongest Rhythmic Pulse |
0.2439 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.024 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4937 |
| Rhythmic Variability |
0.03519 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
26.39 |
| Duration in Seconds |
157.0 |
| Note Density |
4.096 |
| Note Density Variability |
1.67 |
| Average Time Between Attacks |
0.4212 |
| Average Time Between Attacks for Each Voice |
1.067 |
| Variability of Time Between Attacks |
0.2872 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.559 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.4355 |
| Relative Note Durations of Lowest Line |
1.033 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.7574 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.03301 |
| Average Number of Independent Voices |
3.204 |
| Similar Motion |
0.1265 |
| Contrary Motion |
0.1733 |
| Oblique Motion |
0.6671 |
| Parallel Fifths |
0.001376 |
| Parallel Octaves |
0.001376 |
| Variability of Number of Independent Voices |
0.8794 |
| Voice Equality - Number of Notes |
66.16 |
| Voice Equality - Note Duration |
15.31 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
11.67 |