| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.217 |
| Prevalence of Second Most Common Vertical Interval |
0.1845 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8506 |
| Vertical Unisons |
0.03548 |
| Vertical Minor Seconds |
0.01685 |
| Vertical Thirds |
0.2817 |
| Vertical Tritones |
0.02058 |
| Vertical Perfect Fourths |
0.08593 |
| Vertical Perfect Fifths |
0.1845 |
| Vertical Sixths |
0.125 |
| Vertical Sevenths |
0.03246 |
| Vertical Octaves |
0.1815 |
| Perfect Vertical Intervals |
0.4874 |
| Vertical Dissonance Ratio |
0.1184 |
| Vertical Minor Third Prevalence |
0.4083 |
| Vertical Major Third Prevalence |
0.4667 |
| Chord Duration |
1.881 |
| Partial Chords |
0.3576 |
| Standard Triads |
0.3885 |
| Diminished and Augmented Triads |
0.04857 |
| Dominant Seventh Chords |
0.00883 |
| Seventh Chords |
0.02649 |
| Non-Standard Chords |
0.2274 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3538 |
| Average Number of Simultaneous Pitch Classes |
2.617 |
| Variability of Number of Simultaneous Pitch Classes |
0.6944 |
| Average Number of Simultaneous Pitches |
3.285 |
| Variability of Number of Simultaneous Pitches |
0.704 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.467 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
42.47 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2397 |
| Stepwise Motion |
0.7328 |
| Melodic Thirds |
0.08644 |
| Melodic Perfect Fourths |
0.04322 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05305 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02358 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.375 |
| Melodic Embellishments |
0.03314 |
| Direction of Melodic Motion |
0.4121 |
| Average Length of Melodic Arcs |
2.414 |
| Average Interval Spanned by Melodic Arcs |
6.106 |
| Melodic Pitch Variety |
5.553 |
| Mean Melodic Interval |
2.418 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4931 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4861 |
| Amount of Arpeggiation |
0.224 |
| Repeated Notes |
0.0609 |
| Importance of Middle Register |
0.7758 |
| Importance of High Register |
0.117 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.41 |
| Mean Pitch Class |
4.444 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.154 |
| Prevalence of Most Common Pitch Class |
0.2437 |
| Relative Prevalence of Top Pitches |
0.6329 |
| Relative Prevalence of Top Pitch Classes |
0.656 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.43 |
| Pitch Class Variability |
3.603 |
| Pitch Class Variability After Folding |
3.369 |
| Pitch Skewness |
0.8312 |
| Pitch Class Skewness |
0.3701 |
| Pitch Class Skewness After Folding |
1.01 |
| Pitch Kurtosis |
5.678 |
| Pitch Class Kurtosis |
4.991 |
| Pitch Class Kurtosis After Folding |
6.813 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1072 |
| Note Density per Quarter Note |
1.067 |
| Note Density per Quarter Note per Voice |
0.2666 |
| Note Density per Quarter Note Variability |
0.5213 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5049 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7388 |
| Prevalence of Very Long Rhythmic Values |
0.152 |
| Prevalence of Dotted Notes |
0.1423 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.193 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2846 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9178 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.233 |
| Rhythmic Value Skewness |
1.602 |
| Rhythmic Value Kurtosis |
8.295 |
| Mean Rhythmic Value Run Length |
1.613 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.29 |
| Mean Rhythmic Value Offset |
0.03119 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3522 |
| Complete Rests Fraction |
0.002062 |
| Partial Rests Fraction |
0.4511 |
| Average Rest Fraction Across Voices |
0.1403 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
52.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.499 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.17 |
| Variability Across Voices of Combined Rests |
46.66 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5124 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2532 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.023 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7657 |
| Rhythmic Variability - Tempo Standardized |
0.04844 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
513.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6935 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6717 |
| Variability of Note Durations |
0.4958 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2771 |
| Strength of Second Strongest Rhythmic Pulse |
0.2185 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.268 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4956 |
| Rhythmic Variability |
0.03455 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004393 |
| Duration in Seconds |
100.2 |
| Note Density |
5.119 |
| Note Density Variability |
2.154 |
| Average Time Between Attacks |
0.3611 |
| Average Time Between Attacks for Each Voice |
0.7711 |
| Variability of Time Between Attacks |
0.2036 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.9802 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.5692 |
| Relative Note Durations of Lowest Line |
1.012 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.729 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
5.568 |
| Parallel Motion |
0.02833 |
| Average Number of Independent Voices |
3.446 |
| Similar Motion |
0.1533 |
| Contrary Motion |
0.1517 |
| Oblique Motion |
0.6667 |
| Parallel Fifths |
0.001667 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6871 |
| Voice Equality - Number of Notes |
42.47 |
| Voice Equality - Note Duration |
9.72 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
4.272 |
| Importance of Loudest Voice |
11.67 |